WIP WUESDAY: actually it's a draft prompt because I have nothing else in my files.
@glitchy-npc tagged me very nicely, thank you so much ♡ however, work is kicking my teeth and ass, so... no time for WIPs and longer pieces—I've only got this thing I wrote yesterday for a prompt.
BUT FIRST, tagging people of course, I would like to see YOUR work in progress (no pressure) @kittlesandbugs @crowshuh @westealtoys @m3k-fhr @thecryptidenthusiast @punkranger
PROMPT: Alternate scenes, scenes that did not happen, scenes that could have happened, paths untrodden. WHAT TO EXPECT: Regene brain, and children meeting.
2000. (UNIT F-22nθπ)
On the way. On the way, before, on the way to the—house's sprawling, house's secrets; but no more. No more for a little while because it moves. Not that—not the body, the hands, the mind, around in the crowd, though it does move too—not that, but this. The painting. The painting, it moves.
Eyes on the painting. Mind on the painting. Soul on the painting.
Hands—body—flesh—still now, just still, all still. In front of the painting, as it moves: outside hushed, inside sparking.
It says: The Bayou, by Romare Bearden. Oh it fires. Oh it bursts. Oh it sings. It wiggles-squiggles-jiggles. What’s this? This one, this beautiful colorful heart-pull-full bird—never seen before, this bird, this specific bird, all color, all warmth. Close to flight. Close to light.
“It’s striking, isn’t it?”
Gasp. Breath. Heart. Heart alive. Heart stutter. Mouth stutter:
“What?”
Move—back and down, back down to earth. Down the eyes. Down, all the way down, to the child. The child is—is, impossible to say, what children are, how old children are, how real children are. But this child is—real, it seems, real as a warmth, uncorpsed, and all color in his blue adult-like suit, and the hair… Close to light.
“The painting,” he smiles, his teeth askew. “It’s my favorite. Is it also your favorite?”
“It’s being sold.”
“Yeah… I mean, yes.” Grimace. So much—grimace, humans, crumpling texture on layer, digging creases into cheek fat. Well fed. Round, dimpled and sweet, like a cratered moon hanging in the sky. “It’s not my mom’s favorite.”
The body reacts. Twitches. Clicks. Speaks:
“She put it in the auction?”













