Players assume the role of No Man, a tall thin man who sports the standard garb of a noir hero: a trench coat and a hat. Late in the game he is referred to by different names: the Eternal Demon, Beat Brother, Ancestral Spirit, and Time Traveler, which reinforce the notion that he is more of a symbol than a conventional character; thus, his actions should be read metaphorically. At the start of the game, we find him selling watches out of his coat pockets to various pedestrians on the street like a peddler of illicit goods. Returning to his home in a clock tower he finds a number written on a napkin belonging to a love interest. After dialing the number on a rotary phone he hears distressed sounds coming from the other end before the line abruptly clicks off. Racing, falling and crawling on stairs and streets that take on impossible angles he arrives at a building where he wrenches on the door handle until the door shatters like a pane of glass. Bursting into a room, he sees another man point a gun at a woman and pull the trigger. In “Genesis Noir’s” cosmology, this event is the cause of the Big Bang. The would-be victim is Miss Mass, a singer who leads a band called the Divine Jazz Section. Her assailant is her bandmate and erstwhile lover Golden Boy, a saxophone player who is made jealous by her dalliance with No Man. Viewed through the lens of the Big Bang, the symbolic relationship of these three is clear. Miss Mass held the universe of the band together until her head was turned by No Man. In a fit of jealousy, Golden Boy shoots Miss Mass and triggers an explosion of energy that echoes throughout time and space — elements that are associated with No Man, who takes it upon himself to literally peer into the explosion to see if there is a way that he might be able to reverse it.
– Christopher Byrd, ‘Genesis Noir’: A stunning game about love, murder, joy and the Big Bang