Mar 16, 2021
“𝘏𝘰𝘸 𝘵𝘩𝘦𝘯 𝘥𝘰𝘦𝘴 𝘭𝘪𝘨𝘩𝘵 𝘳𝘦𝘵𝘶𝘳𝘯 𝘵𝘰 𝘵𝘩𝘦 𝘸𝘰𝘳𝘭𝘥 𝘢𝘧𝘵𝘦𝘳 𝘵𝘩𝘦 𝘦𝘤𝘭𝘪𝘱𝘴𝘦 𝘰𝘧 𝘵𝘩𝘦 𝘴𝘶𝘯? 𝘔𝘪𝘳𝘢𝘤𝘶𝘭𝘰𝘶𝘴𝘭𝘺. 𝘍𝘳𝘢𝘪𝘭𝘭𝘺. 𝘐𝘯 𝘵𝘩𝘪𝘯 𝘴𝘵𝘳𝘪𝘱𝘦𝘴.” — Virginia Woolf
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“𝘏𝘰𝘸 𝘵𝘩𝘦𝘯 𝘥𝘰𝘦𝘴 𝘭𝘪𝘨𝘩𝘵 𝘳𝘦𝘵𝘶𝘳𝘯 𝘵𝘰 𝘵𝘩𝘦 𝘸𝘰𝘳𝘭𝘥 𝘢𝘧𝘵𝘦𝘳 𝘵𝘩𝘦 𝘦𝘤𝘭𝘪𝘱𝘴𝘦 𝘰𝘧 𝘵𝘩𝘦 𝘴𝘶𝘯? 𝘔𝘪𝘳𝘢𝘤𝘶𝘭𝘰𝘶𝘴𝘭𝘺. 𝘍𝘳𝘢𝘪𝘭𝘭𝘺. 𝘐𝘯 𝘵𝘩𝘪𝘯 𝘴𝘵𝘳𝘪𝘱𝘦𝘴.” — Virginia Woolf
WOOLF PACK IS OPENING SUBMISSIONS FOR OUR NINTH ISSUE (TO BE RELEASED IN AUGUST 2017). ARE YOU A FEMME OR NON-BINARY WRITER/ARTIST IN AUSTRALIA? SEND YOUR COOL SHIT TO [email protected] BY 2nd JULY 2017
TRUE FAQS:
What kind of stuff should we send you?
Essays! Rants! Fiction! Illustrations! Photo Essays! Comics! Recipes! Mixed Media! Collage! Poetry! How-tos! Anything realistically printable in a zine! If you haven’t seen the zine before, you can get at all the old issues in the sidebar and check out what we do.
Can I send you something I’ve already put on my tumblr/blog/own zine/an assignment etc?
You sure can! Basically anything that’s your original work, but make sure any previous publications sign off on it (we do not have lawyers)
How big/long/what size/what format should submissions be in?
When you submit, please give your name as you’d like it published and a title for your piece!
Text stuff: Please send submissions of any kind, preferably under 3000 words. We take .doc files, and we edit using track changes.
Image goodness: We prefer 300dpi - 1748 x 2480px for A5, 2480 x 3508px for A4. We print in full colour, but this is a print-at-home zine meaning that colour quality is mid-fidelity, so please keep this in mind.
.png or .tiff preferred and .jpg is cool too. If you don’t know what any of this means that’s fine too, we’ll try our best to help you figure it out, there’s lots of space to negotiate so don’t let the above deter you!
Is anything off-limits?
Things that are fine:
Language! Nudity! Adult themes! General insurrection! Discussions of Real Shit! Being completely independent means we can publish pretty much whatevs we want.
Things to keep in mind:
If your piece involves the use of slurs, we may asterisk them up. If you’re commenting on the slurs meaningfully and in good faith, that’s probably going to be fine. If you’re using slurs to be totes edgy and rustle jimmies, we’ll probably be bored with it.
We may ask you to put content warnings in text pieces (we’ve generally used them in-text if something super gnarly is coming up), or insert our own. Content warnings are important because they’re the very definition of classification over censorship, and we want the freedom to discuss anything that affects us, like assault or mental illness, and give people the heads up they need when going into a topic that’s tough for them. We will not publish pieces about how content warnings are wimpy and indulgent and are ruining academia, because… they’re not.
I have an idea, but I’m not sure what to do with it!
Shoot us an email, and one of the editors can talk it over with you. But give yourself lots of time!
What happens if you’d like to publish my thing?
Hooray! One of us will be in touch (Talia for visual pieces, Rebecca for anything with words) to edit your piece and make sure we’re both happy with it. We edit/give feedback on/workshop all of our stuff until both we and the artist are happy with it, so get ready to furiously draft. We will definitely be using track changes in Word for text pieces.
We also work with a tight set of deadlines, as we are all doomed students and this is our version of taking a vacation; so be ready to edit like the wind!
Why didn’t I make it into this issue?
Like we said, this is a fly-by-night self-printing operation, so we can only publish so much. Everyone will hear back individually from us either way, so you may get some feedback, notification that I’m holding the piece over for the next issue (with your permission), or a friendly ‘submit next issue!’
Do you pay for content?
We now actually do: we pay $20 per piece. We’re self-funded, but we do charge for the zines- and our artists work hard. A ‘piece’ for the purposes of payment will be anything that would come under a single heading in our contents page, and will probably be negotiated individually; it’ll be paid shortly after we launch.
DEADLINE
WHEN – 2ND JULY 2017
WHERE - [email protected]
“𝘕𝘰𝘸, 𝘵𝘰𝘰, 𝘵𝘩𝘦 𝘳𝘪𝘴𝘪𝘯𝘨 𝘴𝘶𝘯 𝘤𝘢𝘮𝘦 𝘪𝘯 𝘢𝘵 𝘵𝘩𝘦 𝘸𝘪𝘯𝘥𝘰𝘸, 𝘵𝘰𝘶𝘤𝘩𝘪𝘯𝘨 𝘵𝘩𝘦 𝘳𝘦𝘥-𝘦𝘥𝘨𝘦𝘥 𝘤𝘶𝘳𝘵𝘢𝘪𝘯, 𝘢𝘯𝘥 𝘣𝘦𝘨𝘢𝘯 𝘵𝘰 𝘣𝘳𝘪𝘯𝘨 𝘰𝘶𝘵 𝘤𝘪𝘳𝘤𝘭𝘦𝘴 𝘢𝘯𝘥 𝘭𝘪𝘯𝘦𝘴. 𝘕𝘰𝘸 𝘪𝘯 𝘵𝘩𝘦 𝘨𝘳𝘰𝘸𝘪𝘯𝘨 𝘭𝘪𝘨𝘩𝘵 𝘪𝘵𝘴 𝘸𝘩𝘪𝘵𝘦𝘯𝘦𝘴𝘴 𝘴𝘦𝘵𝘵𝘭𝘦𝘥 𝘪𝘯 𝘵𝘩𝘦 𝘱𝘭𝘢𝘵𝘦; 𝘵𝘩𝘦 𝘣𝘭𝘢𝘥𝘦 𝘤𝘰𝘯𝘥𝘦𝘯𝘴𝘦𝘥 𝘪𝘵𝘴 𝘨𝘭𝘦𝘢𝘮. 𝘊𝘩𝘢𝘪𝘳𝘴 𝘢𝘯𝘥 𝘤𝘶𝘱𝘣𝘰𝘢𝘳𝘥𝘴 𝘭𝘰𝘰𝘮𝘦𝘥 𝘣𝘦𝘩𝘪𝘯𝘥 𝘴𝘰 𝘵𝘩𝘢𝘵 𝘵𝘩𝘰𝘶𝘨𝘩 𝘦𝘢𝘤𝘩 𝘸𝘢𝘴 𝘴𝘦𝘱𝘢𝘳𝘢𝘵𝘦 𝘵𝘩𝘦𝘺 𝘴𝘦𝘦𝘮𝘦𝘥 𝘪𝘯𝘦𝘹𝘵𝘳𝘪𝘤𝘢𝘣𝘭𝘺 𝘪𝘯𝘷𝘰𝘭𝘷𝘦𝘥. 𝘛𝘩𝘦 𝘭𝘰𝘰𝘬𝘪𝘯𝘨-𝘨𝘭𝘢𝘴𝘴 𝘸𝘩𝘪𝘵𝘦𝘯𝘦𝘥 𝘪𝘵𝘴 𝘱𝘰𝘰𝘭 𝘶𝘱𝘰𝘯 𝘵𝘩𝘦 𝘸𝘢𝘭𝘭. 𝘛𝘩𝘦 𝘳𝘦𝘢𝘭 𝘧𝘭𝘰𝘸𝘦𝘳 𝘰𝘯 𝘵𝘩𝘦 𝘸𝘪𝘯𝘥𝘰𝘸-𝘴𝘪𝘭𝘭 𝘸𝘢𝘴 𝘢𝘵𝘵𝘦𝘯𝘥𝘦𝘥 𝘣𝘺 𝘢 𝘱𝘩𝘢𝘯𝘵𝘰𝘮 𝘧𝘭𝘰𝘸𝘦𝘳. 𝘠𝘦𝘵 𝘵𝘩𝘦 𝘱𝘩𝘢𝘯𝘵𝘰𝘮 𝘧𝘭𝘰𝘸𝘦𝘳 𝘸𝘢𝘴 𝘱𝘢𝘳𝘵 𝘰𝘧 𝘵𝘩𝘦 𝘧𝘭𝘰𝘸𝘦𝘳, 𝘧𝘰𝘳 𝘸𝘩𝘦𝘯 𝘢 𝘣𝘶𝘥 𝘣𝘳𝘰𝘬𝘦 𝘧𝘳𝘦𝘦 𝘵𝘩𝘦 𝘱𝘢𝘭𝘦𝘳 𝘧𝘭𝘰𝘸𝘦𝘳 𝘪𝘯 𝘵𝘩𝘦 𝘨𝘭𝘢𝘴𝘴 𝘰𝘱𝘦𝘯𝘦𝘥 𝘢 𝘣𝘶𝘥 𝘵𝘰𝘰.” — Virginia Woolf (The Waves)
Here’s Woolf Pack Issue #8 digital copy, available on Issuu.
Launched as part of ‘g i r l h o o d’ Festival of the Photocopier in Melbourne.
Woosung in Paris 🗼#ParisFashionWeek #Woosung #Woolfpack
WOOSUNG
Source:Instagram
I just wrote a new song can’t wait to get into the studio and drop this fire and one more thing I’m sticking to the #rock #rap due to the fact that I’m getting more attention that way #woolfpack (at Broward County, Florida)
By the way there’s a whole song in my bio make sure you check it out #facts #woolfpack (at Broward County, Florida)