Submitted by Jesse Joseph: To me, jazz, like many other intellectual pursuits, is akin to field of onions. You can peel one down, cook it a zillion different ways, but no matter what you’ve figured out about that one individual onion, the others are all going to be slightly different. You can spend your whole life in that field and never hear about another one, let alone another kind of onion altogether. “Cipollinis ain’t got nuthin’ on me, mutherfucker! I do Pearl!” etc…
If you were not acclimated to jazz as a child, the discovery of it as an adult can be a magical, transformative experience. That’s been the case for me. It’s changed my life 100% for the better. Now, it doesn’t feed me today – and it may never do that – so, I may never experience the tremendous, protracted grief that Henry has been going through. Sure, the closer I get to proficiency at my instrument the more difficult it becomes to tolerate mediocre players without dynamic control or the all-too-common less-than-improvisational musical situations that I seem to continually find myself in. (I just really, really like to play.) I guess I could bitch and moan about all that, but you guys have hit that nail pretty hard already.
Special props to Steve’s Dark Nebulous Tone Zone. That was probably my favorite post on here so far. Most of the time I’m one of the guys with that “intense gettin’ down look of pleasure” on my face and other times I’m Steve. I guess I’m lucky: playing music is just so damn fun for me that I can’t get too pushed out of shape over a guy missing a note or two. Shit, at some point I’m gonna miss one, too. Then what? I can safely guarantee that I will not disembowel myself or anyone else on the bandstand. Maybe I need a few more decades of playing gigs for $6 and a slap on the back to get there.
Reading all this negative stuff that often goes unsaid at the club, but still supplies an unpleasant subtext at the gig has had a remarkably therapeutic effect on me. No matter how unhappy I’ll ever get playing music, it’s nice to know that Steve will always be twice as pissed over a bassist playing a D instead of an A.
Henry, thanks for bring this treasure of a blog into the world!
Henry: Hey Jesse, you seem to be having a little too much fun with music. Maybe you do need a few more decades of $6 dive bar gigs (where the scotch is infested with fruit flies and the patrons are all half-crazed hobos) so you can experience the profound pain and deep self loathing that I wallow in each and every day of my misbegotten life.
I’m kidding, of course. I love to play too. And I’ve never been one to be bothered by an occasional wrong note or dropped form. If the music feels good and the musicians are positive and doing their best for the greater musical good, I’m happy.
I was on a gig once with a jam band. We were playing a funk version of the Thelonious Monk tune Well You Needn’t when the bass player dropped an A section and went to the bridge too early. The guitar player screamed at the top of his lungs–nooo! A fist fight almost broke out on stage.
Some people take themselves a little too seriously. (Not referring to Steve. I sympathize with his situation and he’s dealing with it admirably and in a civilized manner.) But to the atavistic rhythm sections players (drummers, bassists, guitarists) willing to throw down over a mere ill-placed note or dropped beat, come on? As the jazz pianist Kenny Werner has said, it’s only music. For God’s sake, no one needs to get hurt over it.
It sounds like you’re in a great place with your music. And you’ve got the most important thing down: how to enjoy it.