I know that Chris Claremont wrote this comic, just like he wrote the almost 200 issues of Uncanny that came before this, but this one here sure feels different. Just look at how the words and art are fighting over the page. This feels creatively conflicted, and story doesn’t flow as naturally as the X-Men comics of the past. Compare this to Uncanny X-Men #150, which has a very similar conflict and aesthetic, with almost the exact same characters fighting the exact same villain in the exact same sort of isolated environment, and this doesn’t feel anywhere near as immersive. It feels forced.
At the very least, we get a natural continuation of Magneto’s story. Last we saw him, he was fighting alongside Rogue in the Savage Land, and at the end of that conflict he lost his temper, murdered a bunch of people, and stormed off by himself. When we catch up to him here, he’s reverted to living in solitude on a new Asteroid M, and to my relief, his behavior is consistent with how he was portrayed just before this. He’s not yet the raving lunatic super villain that the cover of this comic makes him out to be. He’s just fed up and trying to establish space between himself and humanity. He’s on the verge of being radicalized again but he’s not quite there yet. Later in this comic when he fights the X-Men, he’s practically the good guy, and it’s the heroes who turn overly aggressive. I wonder if this was a compromise between Jim Lee and Chris Claremont. Ok, you can draw Magneto fighting the X-Men, but he’s going to be the good guy, and all my characters that you’re ruining, they are going to be the dicks. (X-Men Vol. 2 #1 – Oct 1991)