Yes, young Alan!! I didnt expect it to be good at all but it did XD
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Yes, young Alan!! I didnt expect it to be good at all but it did XD
An old trick
FAB-FIVE-FEB 2021 - Alan
Prompts used: balloon, beach
Finally written this one for @gumnut-logic FabFiveFeb challenge. I had the idea it just took a while to write it down. I’m still pondering over the other ones but I’ll get there eventually, no rush. This is all fluff (on paragraph of minor angst that any parent can relate too) but mainly lots of Alan being a fantastic uncle. Yep, Scott’s cute little boy has wiggled his way into yet another story. Enjoy!
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Sally flicked through the clothes on the rack, scanning for something new for Gordon and Alan. Both children lived primarily in hand-me-down clothes, but after already being worn by three other boys, those clothes were starting to get threadbare and were falling apart. Most people shopped online these days, but Sally had been dragged out to the shops as a child and it had stayed with her. It was also much easier to get the right size in person.
On the other side of the rail, a red balloon bobbed along, bringing a smile to her face. It was an old trick she had use when Jeff was a child, as he had been prone to wander off, which she had used again with all her grandsons. Alan was still too young for school, so she’d had to bring him with her. Their first stop had been the balloon man, where she had let Alan select a helium balloon, which she had tied around his wrist. Sally could always make an accurate guess at which one her grandson would pick. In the absence of any rocket or space themed balloon, the reddest one would be chosen. Today was no exception, a simple red balloon had been favoured by the boy. That balloon allowed Sally to keep an eye on the wandering toddler. The balloon would bob along at her eye level, occasionally slipping out of view as Alan ducked under something, before appearing again a minute later. Sally hadn’t lost a boy in years using this method, though Gordon had given it his best shot a few times. Thankfully, even he would refuse to lose a fish-shaped balloon. The current red balloon floated around the corner of the rail and appeared to her left along with the blond boy attached to it. Alan was muttering to himself as he pottered along, eyes fixed on the shuttlecraft in his hands.
“Red rocket flies fast to the moon, and lands, and Daddy gets out, and he collects moon rocks….”
Sally knelt down so she was at her grandson’s level, the selected shirt in her hands. Those blue eyes left the toy and met hers.
“I don’t think your Dad’s rocket is red, young man.”
“It should be red.”
His innocence radiated out from his sweet little face and brought a smile to hers. Holding up the navy top, she let the boy judge the picture on the front. His mouth dropped at the sight of the cartoon rocket flying towards the moon.
“How about this one, Alan?”
Alan Rickman as Hans Gruber, photographed by Robert Isenberg, Virgil Mirano and Peter Sorel for Die Hard (1988) dir. John McTiernan
“Alan was a Method actor, so we were all pretty much terrified of him on set [of Harry Potter]. I just remember him being creepy around the corridors. He didn’t smile, and everyone talked about him in a reverent tone. But the memory that sticks out to me was we were allowed to bring guests [to the set], but we had to ask the producers’ permission and sign all these forms. It was the kind of thing [that you were] allowed to do, but you didn’t do it too much. Like, if you did it too much, you were pushing it. But Alan Rickman, pretty much every day of filming, he had a whole troop of little children [visiting]. It was the most bizarre scene to see Snape in this black robe, usually with, like, a bib on — we had to wear these bibs so we didn’t ruin our costume — surrounded by all these happy little children who were just chatting away to him.” — Evanna Lynch [x]
“Somehow action films seem to have this taint. There’s this misconception that they require less work and that they don’t really match up to a dramatic film. I think Alan Rickman should have been nominated for an Academy Award [for Hans Gruber in Die Hard]. He did a great acting job in that film. He was the best bad guy I have ever seen in my life.” — Bruce Willis [x]
Your villain, here, is patently a controlled job of acting. I’m just not certain whether it makes the film, or breaks it — a very difficult call. “Well, then, at least we’ve made an interesting motion picture. I hope you can see it again before you decide what to put down for publication... No, really: Am I being insulted here? What I wish more people knew is that there’s a nice little ghostly love story out there in a few theaters now called Truly, Madly, Deeply — where I play a tender, loving sort of chap who returns from the dead — and that I’m looking to defy as many expectations as I can, in case the people who liked my turn in Die Hard should take that character as the only thing I’m capable of doing. That’s what I’m doing so much of the broad comedy-villainy for in Robin Hood, you know. [Director] Kevin [Reynolds] and I — well, we worked it out where I could get away with mugging the camera, and sticking my nose out into the audience, and throwing away some asides and one-liners. Now, what you were saying earlier, that may be because of expectations you’ve brought from having liked the Die Hard bad man. I am hellbent on defying your expectations, at every turn, and even if you don’t like what’s being done, I dare you to find it uninteresting. Robin’s Sheriff of Nottingham is a troublemaker with a murderous streak, all right — but goodness, this is a costume melodrama, not Shakespeare. I believe this particular villain needs to be a little laughable, lest we players mislead the audience into taking things too seriously. And as to what you were saying about a make-or-break performance: I might very well ‘break’ the picture by playing it so — well, so grand-manner.” — Alan Rickman [x]
Alan Rickman, playwright Christopher Hampton, Lindsay Duncan, director Howard Davies and Lesley Manville of the Royal Shakespeare Company’s Les Liaisons Dangereuses dine at The Dirty Duck pub on Waterside in Stratford-upon-Avon, Warwickshire, England (1985) [ x ]
Alan Rickman and David Thewlis photographed by Rick McGinnis in Toronto, Ontario, Canada (November 1991 / December 1993)