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"I love money too, but not like my mama / I love p*ssy too, but not like my honor" is an all-time lyric. Outlawz secretly had some bangers, but most listeners pretty much left them to the dust bin of hip-hop history not long after 2Pac's death. That verse is by Kastro, who probably had the best delivery out of any of the members; his pacing is slower, but he had a complementary knack for getting a lot of mileage out of less verbiage.
I have also always really loved Hussein Fatal's bars on "Emancipation" from Young Noble's debut solo album, "Son of God"; since I know virtually no one has heard it (9,810 plays on Spotify), I'll drop it here.
I don't think Fatal was above average at any point in his output, except probably right here ("Knowin' how to get a hustle, ever since knee high / Three sixty five, round my hood like a bee hive / Money motivated, yeah, I'm all about my B.I"). I remember being surprised at how tight this was, and the stuttered beat drop starting at around 1:52 sets it up perfectly.
He starts his verse with an acknowledgement of Yaki Kadafi, a slain member of the group who died sixteen years earlier, and mentions "meet[ing] again" soon, which is eerie as this song was one of Fatal's last Outlawz-related contributions, as he died in a car accident 2 1/2 years later. It is also in keeping with the legacy the group inherited from 2Pac, who is fairly famous for, among many other things, ruminating on and predicting his own early demise; Pac, of course, is also referenced in the same verse, "This the year of the under dog, you nigg*s better man up / I don't even kneel at Pac grave, I stand up" ...
It is, overall, appropriately morbid, and I think doubly so since this was probably Fatal's technical peak. Some of his last recorded material was released posthumously on 2016's Livin Legends, on the track "So Much Pain", a remake of 2Pac's excellent "Pain" from the "Above the Rim" soundtrack. According to XXL Magazine, the track was actually Fatal's idea. Again, eerie!
I'm going to finish off this ramble by dropping what, I think, is probably the group's best output, which is the track "Feel Good to Ya" (4,418 plays on Spotify) off of Killuminati 2K10. While a lot of the Outlawz' work is flavored with the dark inertia of Pac's death (and it bears mentioning that Kastro left the group partly because he felt they were cleaving too closely to their association), this track shows off their range. It's just a good jam, good enough to make usually stoic listeners move their bodies in ways that are weird and foreign to them, which is ... the definition of a good jam?! 😂
The Outlawz got a decent amount of hate. Perhaps because they were left with a torch that was impossible for them to carry, a large number of listeners simply dismissed them, especially when early material was not promising; however, that also means that a lot of good output over the years has been ignored (look at those paltry play counts!) ...
Anyway, I am up for no good reason at 3AM thinking about 2Pac and all this old sh*t. That'll about do it for now. Goodnight! 😴
Right 💯
Quick Sketch Commission #26
DnD tiefling Lucien for @thelittlestfische
Loved painting this wonderfully sassy little bean! As you may have noticed, I like costume design, and it’s been a wish of mine to put someone in 1640′s style of clothing. I was just waiting for an appropriately quirky character! :D
Thank you for this opportunity, friend!
Ritratto di un giovane nobiluomo (Portrait of a Young Nobleman) Giuseppe Ghislandi 1700-1710 oil on canvas 58 x 44.4 cm The Walters Museum of Art Mount Vernon-Belvedere, Baltimore, Maryland, US This portrait has an informal, private character and was probably meant as a gift for a friend. The sitter's cap is the type a nobleman would don at home when not wearing his wig. Ghislandi, the greatest Lombard portraitist of his age, was a lay brother of the Order of the Minims. Fra Galgario was his nickname, referring to the monastery of Galgario in the city of Bergamo with which he was associated.
*West Coast Wednesday!*
Just be a man, make plans, listen to your voice; A woman's tryin' to make decisions, we should leave 'em a choice. ‘Cause who we to say who lives or die, breathes or stops? All this judgment on other lives needs to stop.
2Pac + Outlawz - The Good Die Young