American Gods, Episode 7 | A Prayer for Mad Sweeney
Rating: 2 WTFOL
Hmm … commercials before I get to watch my show. Really, Starz? It’s not enough that I had to buy a subscription, now I get advertisements as well?
I do all my best corpse prep to jaunty jazz records, played on my victrola.
I also do my best indentured servitude to groovy California-style elevator music
Where is this bonnie Irish isle? I must go.
I’m not feeling Ms Browning’s irish accent. Or her fake freckles. Or her wig. Pablo Schreiber is a much more convincing ginger.
Being a savvy consumer of modern entertainment media, I predict that young man listening to Essie’s story from the other room is going to be bad news. (Lemony-Snickett voice: he was)
I do all my best ill-advised candlelit scullery sex to doo-wop love songs from the 50’s.
That sea-captain gonna die. (Lemony-Snickett voice: The captain was not actually that important to the story, and so if he died at sea, we don’t know about it.)
Props to the makeup department for making Laura look just a little bit more dead in each episode.
You tell ‘em, Salim, you adorable thing. And come back soon!
That young Essie pulls down an impressive volume of olde timey dick, even with the terrible wig.
Dead mother and dead infant being tossed out the porthole might win most disturbing sight in a very disturbing show.
Oh, Laura Moon and her love of risky behavior. Flipping an ice cream truck isn’t quite the same as huffing bug spray in a hot tub, but based on the blissed-out smile on her face, it’ll do.
Some kinda Scheherazade thing going on here with our Essie. Apparently olde timey dudes just can’t resist a girl telling stories.
What’s this, American Gods? A happy ending for Essie McGowan?
Wow. Wow! In a fascinating development, Mr Wednesday may have just crossed his moral event horizon a bit earlier than expected. And Mad Sweeney became a sympathetic character avant he drinks himself to death. Out of all the deviations from the book so far, I like this one the most.
Is anybody else excited to see where Mr Schreiber’s career goes from here? Because he’s doing some spectacular work on this show.
The Essie McGowan story is the first Coming to America that feels like modern American storytelling. Probably because it’s the first one about a white character. I feel like I read it in a short story compilation or saw it at some museum exhibit dedicated to American history. Got a bit of a pioneer, wagons ho kinda smell about it. Familiar, and American, and not as challenging as the other material we’ve seen from this show. Grudgingly, I’ll allow it.
Did anyone else notice that neither Ricky Whittle nor Ian McShane showed up at all in this episode? This show is going places the book didn’t take us.
















