#zorobin eyecatcher

[hapifangurl]

omfg! new zorobin eyecatcher for elbaph arc 💚💜⚔️🌸🍶📚

in toei i trust 😭

husband sleeping under the tree near the library while wifey is smiling adoringly 🤭

thanks to twitter for spoiling the new episode 😁

[kushinauwu]

Flowers, Cards & Two Hearts

The Wano Arc is arguably the most deeply rooted in Japanese culture of all the One Piece arcs. Beyond its obvious references to samurai, Kabuki, Shinto, Japanese mythology, and history, the anime adaptation introduced another detail: a series of Eyecatches (the short intermission screens before commercial breaks) styled after traditional Japanese Hanafuda cards.

Some of you may have already read the wonderful post by kathitah on the subject! Since we often touch on aspects of Japanese culture in our posts, why not try to build upon this excellent work?

Tumblr is a place to express yourself, discover yourself, and bond over the stuff you love. It's where your interests connect you with your

So in this post, we'll take a look at every Hanafuda card recreated in the anime's eyecatches. We'll try to understand how and why each character received this particular card, and how this might relate to the plot of the Wano Arc itself.

And by the end, we'll put together one particularly beautiful piece of the puzzle.

At first glance, these are simply beautiful illustrations. In reality, however, each one faithfully recreates the composition of a specific Hanafuda card. The artists (or perhaps Oda himself) preserve the characteristic flowers, animals, and decorative elements of the original card, replacing only its central subject with a One Piece character.

It's important to understand that Hanafuda is not a simple system where "a character equals a flower." Each card is already a complete composition whose meaning emerges from the combination of its plant, animal, and decorative motifs. That's why it's far more interesting to examine each card as a whole rather than focusing on a single flower.

Naturally, there's no way to prove — and I have no intention of claiming — that every single detail was deliberately designed as a profound symbolic reference. Even so, these cards add another layer of cultural meaning, allowing us to view the characters through the lens of traditional Japanese aesthetics.

And I think you'll see exactly what I mean.

Robin

Butterflies: Robin uses her Hana Hana no Mi to fly alongside two butterflies.

Card: June — Peony and Butterflies (牡丹に蝶)

This is one of the most elegant Hanafuda cards.

The anime's artists preserve its composition almost entirely: lush peonies, broad leaves, and vivid butterflies surround Robin, whose flower-made wings echo the butterflies around her.

In Japan, the peony is often called the "king of flowers." It symbolizes:

dignity;

nobility;

refined beauty;

maturity;

inner richness.

Unlike the fleeting cherry blossom, the peony is not associated with youth. Instead, it represents beauty that has reached maturity!

For that reason, it appears frequently in classical Japanese painting, decorative arts, and traditional tattooing.

The butterfly carries a wide range of meanings in Japanese culture. It can symbolize:

transformation;

spiritual renewal;

the human soul;

the transition from one state of being to another.

Together, the peony and the butterflies are often understood as a harmonious combination of beauty and inner transformation.

Why does this card suit Robin?

Among the Straw Hats, Robin is perhaps the character who best embodies the calm, contemplative aesthetic of this card.

Her life story closely reflects the symbolism of the butterfly. For years, she lived alone, constantly on the run, until she gradually found a place where she was accepted for who she truly was.

The peony, in turn, emphasizes not outward beauty but Robin's dignity, wisdom, and maturity.

Interestingly, there is almost no sense of action in this composition. Everything about the composition is built around stillness, harmony, and an almost classical sense of beauty!

Zoro

Sake cup: Zoro laughing and drinking sake. The Sake cup represents the month of September, the same month Chapter 6, titled "The First", was released in 1997.

Card: September — Chrysanthemum and Sake Cup (菊に盃)

This is one of the best-known Hanafuda cards.

The original depicts a large sake cup beside a blooming chrysanthemum. In the One Piece version, the cup is replaced by Zoro himself, calmly drinking sake from a cup against a backdrop of oversized chrysanthemums. The overall composition remains almost identical to the original.

The chrysanthemum holds a unique place in Japanese culture. It is a symbol of:

nobility;

longevity;

dignity;

inner perfection.

The sixteen-petaled chrysanthemum, in particular, became the emblem of the Japanese Imperial House.

An old belief also held that dew collected from its petals could prolong one's life.

The second element of the card is no less significant.

In Japanese culture, a sakazuki is far more than simply a vessel for drinking alcohol. Sharing sake from such a cup traditionally symbolizes:

brotherhood;

trust;

an oath;

unwavering loyalty.

Ceremonies of this kind were practiced by samurai and, later, by the yakuza.

(It's the same ritual Luffy, Ace, and Sabo performed when they became sworn brothers)

The card is also closely associated with Chōyō, the Chrysanthemum Festival, during which people traditionally drank chrysanthemum-infused sake while praying for longevity and protection from misfortune.

Why does this card suit Zoro?

The most obvious reason is Zoro's well-known love of sake.

But that's only part of the picture.

The chrysanthemum reflects the nobility and steadfastness of his character, while the sakazuki echoes one of Zoro's defining qualities: his absolute loyalty to his captain.

Another interesting detail is the presence of his swords in the background. Although they are not part of the original Hanafuda card, they blend naturally into the composition, linking the symbolism of the chrysanthemum with the ideals of bushidō — the way of the warrior, which values beauty and self-sacrifice in equal measure.

Luffy Boar: Luffy riding on the back of a boar. The Boar represents the month of July, the same month the series started in 1997.

Card: July — Bush Clover and Boar (萩に猪)

Luffy is depicted riding a giant wild boar among bushes of hagi (bush clover). The composition closely follows the classic July Hanafuda card from the tane ("animal") category.

In Japanese culture, the boar is one of the most recognizable symbols of unstoppable determination. It is associated with:

fearlessness;

relentless drive;

strength of character;

the resolve to keep moving forward without straying from one's chosen path.

There is even a Japanese expression, inoshishi-musha (猪武者), literally "boar warrior." It refers to someone who charges straight ahead without paying any attention to obstacles.

The description suits Luffy remarkably well.

He rarely relies on elaborate plans, has little patience for cunning, and almost always acts directly, guided by his own convictions.

Hagi is one of the Seven Flowers of Autumn celebrated in classical Japanese poetry.

In traditional literature, it symbolizes:

the arrival of autumn;

the beauty of change;

humility;

the ability to remain flexible in the face of life's hardships.

Its slender branches bend easily in the wind, yet they do not break.

For that reason, the pairing of the powerful boar with the delicate hagi creates a striking contrast between raw strength and nature's quiet resilience.

Why does this card suit Luffy?

An interesting detail is that the artists did not simply place Luffy beside the boar — they made him its rider.

The result is the image of someone who does not seek to dominate the force of nature, but instead becomes part of it.

The boar almost feels like an extension of Luffy himself: unstoppable, free, and utterly sincere.

Nami

Bush warbler: Nami sitting on a branch with Zeus.

Card: February — Plum Blossom and Bush Warbler (Ume ni Uguisu)

Nami is sitting among blooming plum blossoms next to Zeus. The artwork is based on one of the February cards from the Hanafuda deck — "Plum Blossom and Bush Warbler" (Ume ni Uguisu). In the classic version, a Japanese bush warbler (uguisu) sits on a branch of a blooming plum tree. In Japan, this bird is celebrated as one of the very first harbingers of spring.

The anime reimagines this motif: the bird is replaced by Zeus, the living storm cloud and Nami’s companion. This twist preserves the traditional composition while giving it a fresh meaning tied to her weather-controlling abilities.

The plum tree (ume) blooms earlier than the cherry blossom and has long been revered as one of the primary symbols of approaching spring.

Because the tree begins to bloom while it is still cold, it has become a symbol of resilience, hope, and inner strength — the ability to maintain beauty and dignity even after a harsh winter.

Thus, the plum blossom symbolizes:

The beginning of spring

Hope and renewal

Resilience in the face of hardship

Vitality and life force

Noble beauty

The bush warbler (uguisu) is one of the most beloved birds in Japanese poetry. Its first spring song is seen as nature's definitive awakening from winter. Paired with the plum blossom, it forms one of the most recognizable seasonal motifs in Japanese art, symbolizing harmony between humanity and nature, new beginnings, and the anticipation of joyful changes.

Why does this card suit Nami?

Nami’s backstory resonates deeply with the symbolism of the blooming plum. Despite a tragic and heavy past, she maintained her strength of character and started a new life with Luffy's crew. Much like a plum tree blossoming after the winter cold, Nami became a symbol of hope and moving forward.

Replacing the bush warbler with Zeus adds a whole new layer of meaning to the classic card. Instead of a tiny spring bird, Nami is joined by the embodiment of a storm — a power she has mastered.

This creates a striking contrast: delicate plum blossoms right next to a thundercloud. It perfectly reflects Nami’s own personality — her outward lightheartedness and charm coexist with determination, sharp wit, and an immense power that strikes at the perfect moment. Just like spring weather, she can be both gentle and fierce.

Usopp

Curtain: Usopp passing through a curtain.

Card: March — Cherry Blossom and Curtain (Sakura ni Maku)

Usopp features on the March card, which belongs to the Hikari category. The traditional festive curtain is kept almost entirely intact, with Usopp himself peeking out from behind it while frogs leap around above him.

The frog is one of the most famous wordplays (puns) in the Japanese language. The word kaeru (かえる) simultaneously means both:

"Frog"

"To return home"

Because of this, frog figurines are traditionally given to travelers as a charm for a safe return. Additionally, they are believed to help money "return" to its owner's wallet.

The Curtain On the original card, the curtain is closely tied to the Hanami (cherry blossom viewing) festival. It symbolizes the venue of a celebration, theatricality, and the transition between everyday life and a special, festive space.

Why does this card suit Usopp?

Out of all the Straw Hat crew members, Usopp is the one who embodies a theatrical character the most. He is a storyteller, a fabricator, a performer — a master at turning an ordinary tale into a legendary epic. This makes the curtain motif an unexpectedly perfect fit for him.

As for the frogs, they wonderfully reflect Usopp’s constant, deeply human desire to return home alive and well, despite all the terrifying adventures he faces.

Chopper

Deer: Chopper collecting exfoliated leaves.

Card: October — Maple and Deer (Momiji ni Shika)

In the original Hanafuda card, a majestic deer stands among vibrant red maple leaves. In the One Piece version, Chopper naturally steps into the deer's place. This makes it one of the closest and most faithful adaptations to the original artwork in the entire series!

The autumn maple symbolizes:

maturity;

the passage of time;

the changing stages of life;

and a sense of calm melancholy.

Autumn leaf viewing (momijigari) remains one of Japan's most cherished cultural traditions.

In Japanese culture, the deer carries multiple layers of meaning. It is revered as a sacred animal, a messenger of the gods, and a symbol of both peace and sincerity.

However, there is another rich literary tradition tied to this imagery. In classical Japanese poetry, the autumn cry of a lonely deer is almost always associated with

longing;

solitude;

and wistful memories.

Because of this, the combination of maple leaves and a deer became one of the most iconic autumn motifs in Japanese art.

Why does this card suit Chopper?

On the surface, the answer is obvious: Chopper is a reindeer. But the choice of this card runs much deeper.

Chopper’s childhood was defined by profound isolation. He was rejected by humans and abandoned by his own herd. It wasn't until he met Dr. Hiriluk that his life changed forever. This is why the image of a lonely deer wandering through an autumn forest resonates so powerfully with Chopper's backstory.

At the same time, the autumn maple prevents the card from feeling bleak. Instead, it serves as a reminder that beauty can flourish even in moments of fading and loss. Just like the resilient autumn leaves, Chopper managed to transform the pain of his past into a profound desire to heal others — evolving into a doctor who saves lives rather than mourning what was lost.

Franky

Eight-plank bridge: Franky doing his pose with the Thousand Sunny in the background.

Card: May — Iris and Yatsuhashi Bridge (Ayame ni Yatsuhashi)

Franky stands proudly on the deck of the Thousand Sunny, which cleverly replaces the famous wooden Yatsuhashi bridge — the core element of May's Tanzaku category card. This is easily one of the most inventive adaptations in the entire set: instead of just recreating the original composition, the artists integrated the ship itself into the card's landscape.

In the Japanese language, the word for iris (shōbu) is a homophone for several powerful concepts:

尚武 — "martial spirit" 勝負 — "duel" or "victory and defeat"

Because of this wordplay, the iris became a defining symbol of Boy's Day (now Children's Day), celebrated on May 5th. Furthermore, the long, sharp leaves of the iris closely resemble sword blades. Consequently, the plant has come to symbolize courage, resilience, protection, and martial valor. Since ancient times, the Japanese have believed that iris leaves possess the power to ward off evil spirits and bring good fortune to a household.

The eight-plank Yatsuhashi bridge is legendary, primarily known from The Tales of Ise (Ise Monogatari). In Japanese literature, it has become a profound symbol of journeying, overcoming obstacles, transitioning between life stages, and bridging divided worlds. A bridge connects not just two shores, but the past and the future.

Why does this card suit Franky?

Replacing the bridge with the Thousand Sunny is nothing short of brilliant. While a bridge connects two shores, a ship connects entire nations and oceans.

Franky is the shipwright — the man who literally crafts the vessel that allows his friends to sail forward. In this sense, he becomes a modern reincarnation of the ancient master bridge-builder.

The iris, meanwhile, underscores his strength, determination, and fiercely protective nature. Despite his eccentric and flamboyant personality, Franky consistently uses his genius not for destruction, but for creation and defense.

Jinbe

Chinese phoenix: Jinbe swimming with a school of fish.

Card: December — Paulownia and Phoenix (Kiri ni Hōō)

Jinbe is depicted among giant paulownia leaves, surrounded by a powerful torrent of water and a school of fish. This composition is almost certainly based on December’s highest-value Hikari card in the Hanafuda deck — "Paulownia and Phoenix." In the classical version, the mythical bird Hō-ō (the Japanese phoenix) soars above the paulownia leaves. In the anime version, Jinbe himself takes the place of this legendary creature.

The paulownia tree is one of the most revered plants in Japan, symbolizing

high dignity;

nobility;

wise governance;

and the prosperity of the state.

For centuries, its crest (Go-Shichi no Kiri) was used by shoguns, and today it remains the official emblem of the Government of Japan. Within Japanese tradition, the paulownia rank is second only to the imperial chrysanthemum in status. (a parallel to Jinbe's bounty ranking just after Zoro's!)

The Japanese phoenix (Hō-ō) differs significantly from the Western concept. It is not associated with rising from the ashes. Instead, it symbolizes peace, justice, harmony, and righteous leadership.

According to Sino-Japanese tradition, the phoenix appears only when a land is ruled by a worthy and just leader. Therefore, the imagery of the phoenix is always tied to moral perfection rather than raw, destructive might.

Why does this card suit Jinbe?

At first glance, replacing a fiery bird with a master of water might seem unexpected. But looking deeper, the choice becomes remarkably logical.

Jinbe rarely acts on emotion. He embodies calmness, honor, responsibility, and the unique ability to reconcile people. Even his fighting style is not built on mindless destruction, but on channeling the natural, fluid power of water.

Thus, the phoenix imagery here is symbolic rather than literal. Much like the mythical bird, Jinbe stands as a figure who restores order, delivers justice, and brings harmony wherever he goes.

Yamato

Ono no Michikaze: Yamato walking and reading Oden's Logbook.

Card: November — Willow and Ono no Michikaze (Yanagi ni Ono no Michikaze)

This one is slightly more complex and nuanced.

In the artwork, Yamato joyfully holds up Kozuki Oden's journal high above their head. Shattered wooden beams lie scattered around, while the background is filled with lush green tones that resemble foliage. The creators here likely drew inspiration from one of the most famous legends in Japanese cultural history — the story of the calligrapher Ono no Michikaze.

In the classic Hanafuda deck, November is dedicated to the willow tree (yanagi). The highest-value card of the month belongs to the Hikari category and is known as "Ono no Michikaze."

The card depicts the legendary Heian-period calligrapher, Ono no Michikaze, watching a tiny frog repeatedly trying to jump onto a low-hanging willow branch. After countless failed attempts, the frog finally succeeds. Witnessing the small creature's sheer persistence, Michikaze realizes that one must never give up, motivating him to return to his work and perfect his craft.

This timeless legend has turned the November card into one of the most recognizable symbols of unwavering perseverance, resilience, and overcoming despair in Japanese culture.

What do these images symbolize?

Ono no Michikaze — Perseverance and Loyalty to One's Dream. The story of Michikaze is not about raw talent, but about strength of character. The core message of the legend is that even the most gifted individual can lose faith in themselves, but true success comes to those who keep moving forward despite failure. Therefore, this card traditionally symbolizes

persistence;

inner strength;

overcoming life's trials;

and staying true to one's chosen path.

This symbolism fits Yamato with astonishing accuracy. For nearly twenty years, they lived imprisoned on Onigashima, yet they never once abandoned their dream of setting sail to the sea. Even while bound by exploding handcuffs, Yamato continued to admire Oden, read his journal, and believe that freedom would one day be theirs.

In Yamato’s hands is Oden's journal — one of the most critical symbols in their entire narrative arc. It is far more than just a book of memories. For Yamato, it became a beacon of hope, a symbol of freedom, a reminder of the world beyond Onigashima, and the very embodiment of the dream they stayed loyal to for so many years. Drawing a parallel to the legend of Michikaze, the journal plays the exact same role as the frog: it prevents the hero from giving up on their goal.

Why does this card suit Yamato?

If this interpretation is correct, the choice of this card is profoundly symbolic. Yamato’s story aligns almost perfectly with the moral of the Ono no Michikaze legend. Both characters endure years of doubt and severe trials, yet they refuse to let circumstances break their spirit or shatter their dreams.

While Michikaze found inspiration in a tiny frog that never stopped trying to reach its branch, Yamato found inspiration in Oden, who showed them what it truly means to be free.

Ultimately, this card is not about physical might; it is about unwavering faith in one’s dream and the rare ability to pursue it no matter what blocks the path.

Momonosuke

Momonosuke, as an adult, stands in front of the Flower Capital.

Since there is no official confirmation, I cannot be 100% certain about this one.

It is highly likely that Momonosuke's eyecatch is inspired by the March Hanafuda suit and the "Cherry Blossom and Curtain" (Sakura ni Maku) card. However, the composition has been significantly redesigned and infused with traditional Kabuki theater symbolism. Given that the symbolism of the "Cherry Blossom and Curtain" fits Momonosuke perfectly, I will lean into this interpretation, even if it remains a theory.

Card: March — Cherry Blossom and Curtain (Sakura ni Maku)

Momonosuke shares the same March card theme as Usopp. However, the composition is given a completely fresh interpretation! Instead of the classic Hanafuda curtain, a distinct Kabuki theater curtain appears, while the Flower Capital stretches out grandly behind Momonosuke.

As established before, the cherry blossom (sakura) signifies

new beginnings;

renewal;

spring;

and hope.

Yet, in Momonosuke’s case, this symbol takes on a profound political meaning. Spring is not just returning to nature — it is finally arriving for the entire Wano Country.

The Kabuki curtain serves as a meta-reminder of the theatrical acts structuring the entire Wano Arc. Its presence can be interpreted as a symbol marking the grand finale of a decades-long tragic history and the dawn of a bright new act.

Why does this card suit Momonosuke?

Out of the variants for the March card imagery, Momonosuke's version aligns closest to the original spirit of the festival.

Momonosuke steps up to become the ultimate symbol of a brand-new era. Here, spring represents far more than just blooming flora — it embodies the literal rebirth and resurrection of a whole nation.

Eustass "Captain" Kid

Butterflies: Kid using his Jiki Jiki no Mi to make metal butterflies.

Card: June — Peony and Butterflies (Botan ni Chō)

Just like Robin, Kid features on the June card, "Peony and Butterflies." However, the artists completely transform the mood of the original composition. The living butterflies are reimagined as mechanical ones. Instead of a serene, calm nature setting — metallic scraps and gears swirl through the air, magnetically pulled by the power of his Devil Fruit.

The peony remains a symbol of dignity, power, and high social status. Yet, within Japanese tradition, there is another, deeper layer of meaning. In the art of irezumi (traditional Japanese tattooing), peonies are frequently paired with lions, dragons, or tigers. Irezumi has historically been closely associated with the Japanese criminal underworld, the mafia (Yakuza) and rebels. In that context, the peony symbolizes a form of beauty that is entirely unafraid of danger. Consequently, the flower represents the raw courage of a person willing to risk everything.

While the butterflies on Robin's card signify inner transformation, on Kid's card, they lose all of their original weightlessness. Their metallic wings turn them into a symbol of power forged from destruction. Nevertheless, the core concept of metamorphosis remains. Kid literally constructs brand-new forms out of heaps of scrap metal. Thus, even a mechanized butterfly continues to tell a story of transformation.

Why does this card suit Kid?

The most fascinating element here is the direct contrast with Robin. The creators utilize the exact same Hanafuda card but evoke two completely opposite atmospheres. For Robin, the peony highlights her inner harmony and grace. For Kid, it underscores his unstoppable, raging power and his desire to "risk everything"!

This single motif perfectly demonstrates how vastly differently the same traditional symbolism can be interpreted and unleashed.

Trafalgar D. Water Law

Deer: Law watches Bepo fighting.

Card: October — Maple and Deer (Momiji ni Shika)

Just like Chopper, Law features on the October card, "Maple and Deer." However, instead of a deer, we see Bepo — the loyal navigator of the Heart Pirates. This is one of the delightful and clever ways the artists adapted a traditional Hanafuda motif.

The autumn maple remains a poignant symbol of maturity, deep reflection, the passage of time, and a quiet, bittersweet melancholy. These specific motifs align incredibly well with Law’s character. His entire narrative arc is built around memory, profound loss, and an unwavering desire to fulfill the final wish of Donquixote Rosinante (Corazon).

By replacing the sacred deer with Bepo the polar bear, the visual is completely transformed, yet the animal's symbolic function remains remarkably similar. Bepo becomes the ultimate embodiment of loyalty, friendship, and fierce devotion to his captain. Just as the deer is inseparable from the traditional autumn landscape, Bepo is an irreplaceable presence right by Law’s side.

Why does this card suit Law?

While Chopper's version of this card focuses on overcoming isolation, Law's version speaks directly to the power of memory. In Japanese poetry, autumn has always been deeply intertwined with reflecting on the past.

Law's past is undeniably tragic, but it is precisely because of that history that he became the man he is today. This makes the autumn maple an almost poetic and flawless symbol for him — representing a beauty born from endurance and remembrance.

Monkey D. Luffy (Sun God Nika)

Full moon: Luffy, in his Gear 5 form, poses as Nika before a full moon. Kaido, in his Dragon form, covers the bottom right corner.

Card: August — Full Moon and Susuki Grass (Susuki ni Tsuki)

This is one of the most iconic and instantly recognizable Hikari cards in the entire Hanafuda deck.

The original card depicts a massive full moon rising over a hill covered in wild susuki grass (pampas grass). In the One Piece adaptation, the distinct, joyful silhouette of the Sun God Nika appears directly against the glowing lunar disc. Visually, this is easily one of the most stunning and impactful transformations in the entire collection.

In Japanese culture, the full moon is deeply intertwined with the festival of Tsukimi (moon viewing). It serves as a profound symbol of

enlightenment;

completion;

inner harmony;

and peaceful contemplation.

Making it one of the most sacred images in classical Japanese poetry.

Susuki grass is revered as one of the ultimate harbingers of autumn.

It represents

the passage of time;

tranquility;

and humanity's deep connection to nature.

During Tsukimi celebrations, stalks of pampas grass are traditionally placed alongside offerings to the moon as a protective charm.

Why does this card suit Luffy(Nika)?

At first glance, the setup presents a fascinating paradox: we are looking at the Sun God, yet he is placed squarely within the moon.

However, Japanese aesthetics do not rely on a rigid, Western dualism that pits the sun against the moon. Instead, both celestial bodies are perceived as complementary forces within a single, harmonious natural order.

Nika’s stark white silhouette against the full moon strips away the feeling of a brutal brawl, transforming the scene into a moment of mythic revelation. It transcends a mere victory over Kaido; it marks the literal dawn of a new era. This is exactly why the August card feels like the definitive, showstopping climax of the entire Hanafuda eyecatch series.

Sanji

Cuckoo: Sanji along a flying cuckoo.

Card: April — Wisteria and Cuckoo (Fuji ni Hototogisu)

Sanji is depicted alongside a bird against a backdrop of long, cascading clusters of blooming wisteria. The composition mirrors April’s Tane (animal) Hanafuda card, which traditionally features a hototogisu (Japanese cuckoo) among wisteria branches. Interestingly, the bird here resembles a falcon or a hawk rather than a classic cuckoo. This makes it one of the few cards where the animators allowed themselves to noticeably reimagine the animal's appearance while strictly preserving the core composition.

Wisteria holds a deeply sacred place in Japanese culture, symbolizing

nobility;

refinement;

timeless beauty;

longevity, and patience.

Due to its long, draped clusters of blossoms, wisteria was historically compared to the elegant sleeves of a high-class kimono or the flowing hair of a beautiful woman. In classical Japanese poetry, it frequently serves as a metaphor for female grace and serene elegance. Furthermore, wisteria is intrinsically tied to the aristocratic Fujiwara clan, whose family crest featured this very flower, embedding the plant with connotations of high lineage and regal nobility.

The ORIGINAL card features the hototogisu, a bird immensely celebrated in Japanese literature. Its song is universally associated with the arrival of early summer, longing, bittersweet separation, and poetic inspiration.

In classical waka and haiku poetry, the cuckoo often symbolizes

a soul yearning for something distant;

beautiful and unattainable.

Even though the bird in the eyecatch has been visually altered, these rich poetic associations still echo through the card's theme.

Why does this card suit Sanji?

First and foremost, it connects through the wisteria itself. Sanji’s character is fundamentally built around chivalry, gallantry, and a profound, almost sacred respect for women. Wisteria, which symbolizes refined femininity in Japanese lore, aligns flawlessly with his inner code.

Moreover, if we interpret the redesigned bird as a falcon, an extra layer of meaning emerges. In Japanese culture, the falcon represents

nobility;

high status;

sharp foresight;

and fierce determination.

This imagery perfectly captures Sanji’s role as one of the top, most reliable powerhouses of the Straw Hat crew. The card beautifully harmonizes raw strength with effortless elegance — two traits that define Sanji's essence.

Additionally, there might be one more hidden meaning here, directly tied to the plot of One Piece and specifically the Wano Arc! But this is my personal theory, and I will share it here a bit later.

Brook

Crane and Sun: Brook playing the violin to a crane.

Card: January — Pine, Crane, and Rising Sun (Matsumoto ni Tsuru)

This is another one of the five ultra-rare Hikari cards — the highest-value tier in the entire Hanafuda deck.

The composition almost completely mirrors the original design: a sturdy pine tree, a brilliant red sun, and a majestic white crane. Brook seamlessly integrates into this classic landscape, elegantly playing his violin.

The pine tree (matsu) is a timeless symbol of

longevity;

resilience;

constancy;

and unwavering loyalty.

As an evergreen tree, it never loses its vibrant needles even during the harshest winters. Because of this endurance, pine branches are a staple in traditional kadomatsu (New Year's decorations), serving as a powerful charm for a fortunate start to the year.

The crane (tsuru) stands as one of the most sacred auspicious symbols in Japan, representing longevity, peace, profound wisdom, and marital fidelity. According to ancient legends, a crane lives for a thousand years.

This is precisely why the pine and the crane are traditionally depicted together — as a profound blessing for a long, prosperous, and happy life.

Meanwhile, the red solar disc symbolizes the rising sun, the dawn of a new journey, renewal, hope, and Japan itself as the "Land of the Rising Sun."

Why does this card suit Brook?

At first glance, the selection feels beautifully ironic. Brook is a living skeleton who has long since experienced his own death. Yet, because of this supernatural twist, the symbolism of longevity takes on a whole new, literal dimension. He has truly endured through an incredibly vast stretch of time.

The crane also deeply resonates with Brook’s defining character trait — his absolute, ironclad loyalty to his promise to return to Laboon. Even after decades of isolation in the dark fog, he continues to honor his word. Finally, his music infuses the traditional card with a sense of serene peace and inner harmony, transforming a symbol of a long life into a celebration of a life well-lived.

Although each eyecatch is based on a separate Hanafuda card, together they weave into a single, cohesive system of imagery. The anime's creators didn't simply assign characters based on pretty colors or aesthetic animals — they actively utilized the language of traditional Japanese symbolism, where every plant, bird, and object carries its own profound cultural meaning.

It is especially fascinating to observe how the exact same cards receive completely fresh and unique interpretations depending on the character they represent.

Robin and Kid: Two Sides of the Same Butterflies.

Robin and Kid share the exact same June card, "Peony and Butterflies." However, the card's symbolism unfolds in two completely opposite directions.

For Robin, the peony remains a symbol of dignity, inner beauty, maturity, and serenity. The butterflies around her underscore her personal transformation — her journey from a lonely, hunted child pursued by the entire world to someone who has finally found a true home and family.

For Kid, those very same butterflies are reimagined as mechanical scrap, and the peony takes on a much harsher, more rugged meaning found in traditional Japanese irezumi tattoos: a beauty that is entirely unafraid of danger, a readiness to go all-in, and a willingness to embrace any risk.

This creates a fascinating parallel: the exact same Hanafuda card tells the story of two completely different paths to achieving inner strength.

Usopp and Momonosuke: Two Sides of the Theater.

If the theory holds true that Momonosuke’s card is indeed "Cherry Blossom and Curtain," then this gives us our second instance of a single card being completely reinterpreted.

Both of their eyecatches are rooted in March's Hanafuda card, "Cherry Blossom and Curtain" (Sakura ni Maku), yet they unfold the motif in vastly different ways.

For Usopp, the focal point becomes the festive curtain (maku). It transforms the entire composition into a theatrical stage, which aligns astonishingly well with Usopp's identity as a storyteller, a fabricator, and a natural-born performer. Throughout his entire journey, he is constantly putting on personas, weaving impossible epics, and seemingly existing right on the borderline between fiction and reality.

For Momonosuke, the exact same motif strikes a completely different chord. Instead of a traditional festival curtain, we are presented with a formal Kabuki theater curtain (jōshiki-maku), symbolizing the grand finale of Wano Country’s multi-decade tragedy. Here, the cherry blossoms represent far more than just the arrival of spring — they embody the literal resurrection of a nation after twenty brutal years under Orochi and Kaido's tyranny. Momonosuke stands tall as the rightful Shogun, gracefully drawing open the curtain to a bright new chapter in his country's history.

In this way, the same Hanafuda card is split into two distinct meanings. For Usopp, it is intimately tied to the art of performance, tales, and the very process of storytelling itself. For Momonosuke, it represents the sweeping conclusion of a massive "play" and the dawn of a grand new era for Wano.

Chopper and Law: Two Tales of Autumn.

The October card, "Maple and Deer," is yet another motif that makes a dual appearance in the series.

The autumn maple is traditionally intertwined with the passage of time, the weight of memory, and a quiet, introspective melancholy.

For Chopper, the card serves as a poignant reminder of his childhood isolation, his journey of growing up, and his desperate search for a family.

For Law, while the bittersweet autumn atmosphere remains completely intact, the core focus shifts toward Bepo, who steps into the place of the classical deer. Because of this clever twist, the card evolves: it stops speaking of raw loneliness and begins to tell a story of fierce loyalty, deep friendship, and the irreplaceable people who help you heal from and survive your past.

Ultimately, both characters are doctors, both endured incredibly harrowing childhoods, and both suffered the agonizing loss of their closest father figures. It is no wonder that this specific, melancholic autumn card became the shared emotional canvas for both of them.

Luffy and Nika: The Hero’s Journey.

It is incredibly fascinating to look at Luffy’s two distinct cards together.

The first is July’s "Bush Clover and Boar" (Hagi ni Inoshishi). The second is August’s "Full Moon and Susuki Grass" (Susuki ni Tsuki).

On the first card, Luffy is depicted simply as a human — a boy recklessly and unstoppably charging straight ahead. The wild boar perfectly symbolizes his raw courage, straightforward nature, and unyielding willpower.

On the second card, however, he transcends humanity and becomes a living legend. The massive, glowing full moon transforms his silhouette into a mythic icon, elevating him far beyond the boundaries of an ordinary shonen hero.

Ultimately, if the first card captures Luffy’s true character and personality, the second card defines his profound place in the history of the world.

The Famous Combination.

Together, the cards of Luffy, Kid, and Law form one of the most famous winning combinations in Hanafuda. In fact, if you’ve watched Naruto, you already know the name of this combination without even realizing it — Ino, Shikamaru, and Choji.

Boar, Deer, Butterfly — Ino-Shika-Chō (猪鹿蝶).

Just as these three captains are tied together in the plot of the Wano Arc, their corresponding Hanafuda cards are intrinsically linked by this legendary winning hand in the game!

Sanji and Brook: The "Bridges" Between Robin and Zoro.

If you read Zorobin analysis blogs (including my own), you have probably noticed that the cards featuring Sanji and Brook subtly contain core symbols belonging to Zoro and Robin.

On Sanji’s card, we see a falcon and wisteria. The falcon is explicitly Robin’s official animal, while wisteria is Zoro’s official flower (additionally, wisteria blossoms are deeply associated with Robin’s signature purple color). We see the exact same pattern on Brook’s card: the crane is Robin’s official animal, while the pine is a tree intrinsically linked to Zoro’s signature green color in Japan.

This means that both central symbols on Sanji’s card simultaneously reference Robin and Zoro. And fascinatingly, these are the exact two characters who become uniquely vital to his narrative arc during the Wano Country saga!

During his clash with Black Maria, Sanji famously throws away his stubborn pride and cries out to Robin for help. This scene serves as a turning point for the growth of both characters. Later, Sanji fights shoulder-to-shoulder with Zoro, and he trusts Zoro — and only Zoro — enough to make him promise to kill him if he completely loses his human emotions after awakening his Germa 66 modifications.

Thus, Sanji’s card acts as a visual bridge, uniting the official emblems of the two crewmates with whom his Wano storyline is most deeply intertwined.

A remarkably similar, mirroring pattern can be observed on Brook’s card!

Throughout the Wano Arc, Brook acts as Robin's primary shadow and protector. He helps her infiltrate Orochi’s castle, fights right alongside her on Onigashima, supports her in battle, and remains faithfully by her side while she recovers from the exhausting victory over Black Maria.

His path crosses with Zoro's in a completely different, yet equally narrative-heavy way. It is Brook who first discovers Zoro wandering in the Ringo region and delivers the news about Tonoyasu's (Yasuie) scheduled execution — a devastating event that becomes a massive driving force for Zoro's emotional arc in Wano.

Ultimately, while Sanji’s card visually unifies the official symbols of the two people most central to his Wano storyline, Brook’s card relies on classical Japanese motifs to honor the two characters he spent the most time supporting through this Arc.

I forgot to mention this, so thank you to @hapifangurl for reminding me and pointing it out in the comments! I'll leave the comment right here.

And finally, what we are all here for. Do they match?

Robin and Zoro: Two Visions of Nobility

When you examine the Hanafuda cards through the lens of traditional Japanese symbolism, one of the most mesmerizing parallels emerges when comparing Robin and Zoro’s eyecatches.

Although their cards belong to completely different months, they share a remarkably similar artistic language. They mirror each other across multiple dimensions — through their floral motifs, the deeper meanings of their secondary elements, and their core conceptual themes.

Robin was assigned June's card, "Peony and Butterflies" (Botan ni Chō). Zoro was given September's card, "Chrysanthemum and Sakazuki" (Kiku ni Sakazuki).

Both the peony and the chrysanthemum stand among the most sacred and revered flora in Japanese art. For centuries, their imagery has graced elegant kimonos, folding screens, fine lacquerware, porcelain, and traditional irezumi tattoos.

Fascinatingly, these two blossoms belong to the exact same elite tier of "noble flowers" (shikunshi equivalents/nobility flowers), intrinsically associated with unparalleled beauty, ultimate dignity, and high societal standing.

The Peony symbolizes:

Nobility and regal grace;

Prosperity;

Mature, refined beauty;

Honor;

Good fortune.

The Chrysanthemum symbolizes:

Nobility and imperial dignity;

Unyielding resilience;

Longevity;

Unwavering loyalty to one's principles;

High, revered status.

Both cards seem to speak of the exact same inner quality, yet they express it through completely different artistic imagery.

The secondary symbols on their cards make this parallel even more captivating.

For Robin, it is butterflies; for Zoro, it is the sakazuki (ceremonial sake cup).

On her card, Robin is not merely posing next to the butterflies — she is soaring right alongside them, using wings crafted by the power of her Hana Hana no Mi. Through this, Robin becomes an active, living part of the classical "peony and butterflies" motif. This act of flight underscores the core theme of her card: liberation after an grueling journey and a profound inner transformation.

On Zoro's card, he is drinking from a sakazuki. Since the cup is the defining element of the artwork, Zoro similarly integrates into the classic "chrysanthemum and sake cup" motif.

In Japanese art, butterflies are frequent symbols of:

Love;

A happy marriage;

Transformation and metamorphosis;

Feminine beauty.

Meanwhile, the ceremonial sake cup (sakazuki) is deeply associated with:

Wedding ceremonies (the san-san-kudo ritual);

Sacred unions;

Oaths and vows of loyalty;

Shared celebrations.

If the butterfly symbolizes absolute freedom, then the sakazuki represents voluntarily accepted commitment and devotion.

One card tells the story of a person who has finally found their long-sought freedom. The other speaks of a person who has consciously and wholeheartedly dedicated themselves to their chosen path.

The visual compositions of these two cards also feel like extensions of one another.

Robin is depicted in fluid motion. She soars gracefully above the ground alongside the butterflies, infusing her entire scene with a profound sense of weightlessness, air, and absolute freedom. Zoro, by stark contrast, is firmly anchored to the earth. He sits in serene stillness among the chrysanthemums, cradling his sake cup, giving his composition a powerful sense of stability and balance.

This creates a beautiful, poetic contrast.

Robin embodies fluid motion, while Zoro embodies grounding stability. Robin ascends upward into the sky, while Zoro remains an unyielding, immovable force.

Yet, these qualities do not clash. Instead, they demonstrate two entirely different paths leading to the exact same inner harmony.

The most captivating realization is that both cards focus not on the characters' raw physical might, but on the profound depth of their character.

The peony speaks of a nobility achieved through inner growth, deep wisdom, and the rare ability to preserve one's core identity despite weathering unimaginable trials.

The chrysanthemum, meanwhile, speaks of a nobility manifested through strict duty, ironclad self-control, and unwavering loyalty to one's chosen path.

Together, they form a remarkably cohesive composition.

This is precisely why these two cards resonate so masterfully when placed side by side. They act as two different facets of a single, shared ideal deeply rooted in Japanese aesthetics: an innate inner nobility that reveals itself not through loud words, but through silent actions, enduring patience, and staying entirely true to oneself.

The cards of Zoro and Robin connect with the earth-shattering events of Onigashima in an incredibly profound and thrilling way!

During her brutal clash with Black Maria, Robin unleashes her terrifying demonic form for the very first time — Demonio Fleur. Her transformation beautifully mirrors the symbolic journey of a butterfly, shedding its cocoon to finally spread its wings. And on the Hanafuda card itself, this imagery is literally brought to life: Robin soars gracefully alongside the butterflies using wings manifested by her Devil Fruit, effectively weaving herself into the classical Japanese motif of "Peony and Butterflies."

Zoro, on the other hand, reaches monumental peaks during the Wano Arc by openly confirming his Conqueror's Haki for the first time and and receives the blade Enma. In this exact context, assigning him the chrysanthemum — the ultimate Imperial Flower of Japan — feels especially fitting, given his awakening of Conqueror's Haki.

The second core element of his card is the sakazuki, the traditional sake cup. As established before, in Japanese culture, sharing sake from a sakazuki signifies an unbreakable vow, ultimate trust, brotherhood, and welcoming someone into your family. Remember Zoro's words against King — "I will not lose! I made a vow to my captain and my best friend!"

It also evokes the idea of Kinchou (金打) — the sacred, unbreakable samurai oath. Just as Zoro once performed Kinchou back in Enies Lobby by subtly clicking his katana to swear an eternal oath to save and protect Robin, the sakazuki on his Wano card reinforces this exact samurai code.

Ultimately, while Robin's card screams of hard-won freedom and magnificent metamorphosis, Zoro's card stands as a monument to absolute loyalty to his chosen path, his sacred oaths, and the family(crew) he has sworn his life to protect.

When you look at all four of these cards simultaneously, a truly interesting composition begins to take shape.

The eyecatches of Robin and Zoro stand as the two pillars, the structural centers of this narrative. Both are built entirely on the foundational motifs of classical Japanese art, and both speak volumes about inner nobility — yet they approach this ideal from two completely different vantage points.

Robin reflects nobility through magnificent metamorphosis, hard-won freedom, and effortless flight.

Zoro reflects nobility through unyielding resilience, absolute duty, and ironclad loyalty.

Meanwhile, the cards featuring Sanji and Brook step in as literal bridges seamlessly connecting them.

On Sanji’s card, both primary symbols — the falcon and the wisteria— directly mirror the official character motifs assigned to Robin and Zoro.

On Brook’s card, the crane once again points to Robin, while the timeless pine evokes a classical Japanese symbolism that naturally resonates with Zoro's essence.

As a result, these four eyecatches cease to feel like independent, separate illustrations. Instead, they merge into a single, cohesive, and deeply symbolic ecosystem where traditional Hanafuda motifs are unexpectedly yet flawlessly woven into the characters' inner growth and their profound dynamics during the Wano Arc.

Ultimately, this is where the most breathtaking aspect of the entire Wano eyecatch series truly lies: they don’t just invite us to decipher isolated symbols, but rather allow us to witness the beautifully hidden threads that bind these characters together.

And this is precisely what makes Zoro and Robin as a pairing so incredibly beautiful! It isn’t just about a "pretty aesthetic" or visual chemistry; it is a a connection that can be read through rooted in a profound network of cultural, literary, mythological, historical, and philosophical connections.

This post could be expanded further, but I think it's already quite long. Of course, as always, I could have made a mistake somewhere or misinterpreted a detail. If you happen to notice anything, please don't hesitate to correct me in the comments! Also, I apologize for any repetitive phrasing throughout this post, but as the old saying goes — Repetitio est mater studiorum!

Well, this post turned out to be quite long, but it is what it is. Thank you!

bonus If anyone thought that was "nonsense," well… Oda has already used Hanafuda cards in the manga~

SBS vol. 87 I mentioned this in the post @toomuchpineapples Happy Birthday!~