It's been a long time. I miss the fandom space we had for ZR! and I still hold fond memories of all the interactions I had here.
I don't return empty handed. Last year, I had a spell of sort of limbo employment. I wasn't out of a job but I had no work so I would bed rot. I returned to ZR! to get me out the house again. It sparked some creativity I hadn't had in a long while and so here are some redesigns of some characters.
They're based on my old designs for them with a lil revamp and more thought put into the vibe. Runner 5, Sam Yao, Sara Smith - Runner 8, Janine De Luca, Maxine Myers and Archie Jensen - Runner 22.
I hope anyone still here enjoys these and I hope you're all doing well these years later.
Hello hello I have very big and complicated questions that started out broad and complex but got more and more specific and more and more personal like my questions to my family and friends always do. Whoops lol. Buckle up.
I wanted to ask about fanfiction. I've really been thinking about that post you made about how a lot of fanfiction can be just used as a form of escapism, and not in a good way like Tolkien described it, but as a 'I hate life so I'm gonna read and write extensively about fictional characters rather than working hard/trying to improve my own life' Which I really want to avoid and not do. In the past I've certainly fallen into that trap- I would get so caught up in writing Marvel or Percy Jackson or Harry Potter fanfiction (not to toot my own horn, but was objectively good and I do think grew my skills a lot as a writer and character analyzer) that I would spend every free moment and many of ones when I really should've been working on school or chores or spending time with my actual family reading and writing it. I was probably doing that 5-8 hours a day when I was 11/12. (Yikes) Thankfully, my parents smacked some sense into me lol. It really just goes to show you how, for lack of a better term, soul-consuming, that these kind of fantasy pursuits can really be. Thankfully, I don't do that any more. I actively limit myself to a max of 3 hours of reading and writing fanfiction over the course of a week, which is a big improvement.
So yay! Now I have a definte separation from writing fanfiction to improve my writing and writing it to waste time because all of my energy is focused on it to the point where it is in my every thought. Good! Growth!
But now my new thing is this- I want to make sure that any and all fanfiction I write has a definite point. I want it to point to good things and have clear messages and blue flowers and point to Jesus, even if it isn't specifically a 'Christian' fanfiction.
For example, let's just point at that Voice in the Dark one shot I wrote, which is one of, if not the, best singular fiction piece that I've written. I think the reasons why it was so good was that A) I expanded on the story in a way that was intriguing, and got inside my characters heads and accurately depicted their thought processes through it B) Made it pleasant to read with details and action and emotion and everything, C) set everything up for a part 2 conclusion of Sam and Five really connecting and talking about what they both said/thought, and becoming friends (which after procrastinating for months, I'm finally working on), but most importantly, D) Had clear themes of hope, perseverance, connection, trust, and encouragement. Which is really what I think made it so much more excellent than other fanfiction pieces I've written. I had a clear point and intention going into it that was more than just 'Have it be something I love and just for my entertainment' although that was one of the reasons I did decide to write it I will say- you do have to love what you want to write in order to write it well after all. But this is absolutely what I want the point of all my fanfiction writing to be like from here on out, being morally great, as well as well-written.
So now, because I really enjoy ZR and its really is kinda perfect for a fanfiction format, I want to turn it into more of an ongoing piece with my favorite missions and Five's relationships with the characters. But how do I go about this trying to intentionally bring in blue flowers and good messages and beautiful themes, and not just only write it for my entertainment because its a piece of media I love? How to I make sure to firstly know what themes I can bring in, and then do it in such a way that's well-written, while also being able to have those fun moments and situations that are both in the game and I've thought up?
And finally, last thing, is I'm wrestling through if I should continue writing fanfiction to 'fix' a story (which is why I started a Percy Jackson and Marvel fanfictions, I wanted to take the parts of each story I didn't like and were poorly done and make them better) rather than make my own point with it. For most of the fanfiction writing I've ever done, my goal was to improve it, to act like a ghostwriting editor the author hired to fix their fundamentally flawed story. But now I'm realizing that I was spending so much time and effort (which don't get me wrong, I do not fully regret, I really do think that I've gotten far better at fiction writing through this) and I didn't even add any more goodness or morals to the story in a way that made it more soul-sustaining and truly good. I wanted to add a lot of bits that made be as a reader squeal and get happy over which... I don't think is bad per say, but its not what I want my fanfiction to be like any more. With my writing, I absolutely do want to improve on the source material, yes, but I also want to figure out what sort of themes and goodness I'm going for with it. So should I continue writing these large projects (cause each piece covers several books/movies) for improvement and also try to expand on the good ideas and themes the authors had, even bringing in my own, or should I just set it aside as that was great, but now I need to focus on making writing morally good and not just for entertainment?
I know a big part of this is wisdom and descretion- things that God has blessed me with but I know I always can pursue more of. So I know a absolute perfect answer to this question will require time and experience. But after sorting through my word-vomiting (sorry lol), what would you say to all of this? Thank you!! <3
Hey! First of all, I love getting questions from you, and I especially love it because you take enough time to read the previous things I say that we can have a very level conversation, and a deep back-and-forth, which is not always the case with everybody who sends me questions (I like those questions too, I’m just saying.) So thanks for typing all that up!
Second of all, I’m no expert on fanfiction writing. You’ve read what I have to say about making sure the “Tone & Style” and “Themes” of any “Continued Work” stay true to their source material when it comes to like, sequels and expansions? Well, I guess I would apply that philosophy, generally, to fanfiction, too.
But the point of my “second of all” is actually, there are better people to ask about this than me. I can answer you in a broad “here’s how I apply my storytelling philosophy to this hypothetical scenario” sense, but other people have more experience actually doing what you’re talking about with fanfiction. Specifically, @doverstar, who, if you don’t follow her or read her stuff, I seriously think you’re missing out.
So in summary, talk to Doverstar. She’ll answer this better. But if I had to try and succinctly respond, I’d say: “Intentionality is always better than doing something by accident. But if you genuinely value goodness, beauty, and truth, in your own personal worldview, in a way that is genuine, and you cultivate that…it’ll come out in your writing on accident.” So in a way, even when you’re being intentional, as long as you remember that, you don’t have to be too militant whether you’re writing fanfiction or fiction.
(That’s a thought I’m still learning to put into practice, myself. I err on the side of “control everything to a T, outline everything, everything has to have a tie-in to the theme—if it doesn’t you’re failing—“ and I don’t recommend that mindset 😅)
That’s the “short” answer to your ask. I’ve got a deep-dive below the cut if you’re interested, though.
How do I make sure to firstly know what themes I can bring in?
This has to do with knowing the source-story.
ZR unfortunately gets very political and social in further seasons, but to do it credit, the main, recurring, broad theme of Zombies, Run continues to be “Something greater than yourself is all that’s worth living and dying for.”
They keep coming back to it with literally every villain, and every hero, from multiple angles. You’ll see. They say, “the pursuit of pure happiness alone is bad because it’s selfish—the pursuit of immortality is bad because it’s selfish—the pursuit of everyone’s affections is bad because it’s selfish; but sacrificing for others is the real happiness, the real immortality, the real love, etc.”
So any fanfiction—even if, surface-read, it appears to be about Five falling in love with Sam or Janine learning to communicate, etc—that comes back to “Something greater than yourself is all that’s worth living and dying for.” is a success. Because it carried on the Main Point of ZR. Or it carried on a point that could be tied to the main point, whatevs.
But your question (for other fandoms) is “How do I know what themes I can bring in?”
Okay, well, that’s actually not so hard. Lots of “sub-themes” fit under the umbrella of the main theme. “Something greater than yourself,” well, that entails “self-sacrifice, gaining a broader perspective, finding empathy,” etc. (something you can see they do with sheltered characters or brittle, mission-focused miopic characters like Janine.)
But how did I find the main theme to begin with? This post. In summary:
Take in the Story, With the Single Expectation that They’re Trying to Tell You Something.
Take Note of Where You Felt Something. Then Figure Out Why You Felt It.
Figure Out What Each Character Wants, and If They Have a Moment of Change.
Look at What Decisions the Storytellers Reward, and What Decisions They Punish.
You can apply this to Marvel, to Percy Jackson, to anything. Once you figure out the main theme, it’s not so hard to break that down into little supporting ideas. And inject those into your own story. And you can even figure out where the storytellers dropped the ball, or lost their theme and did something totally out-of-character, and then fix that with your fanfiction.
Or, galaxy-brain, is when you figure out what the story was trying to say—and it was saying something bad or wrong, but you liked some of the setting or characterizations, you can fix that. Like I’ve always wanted to do with A Streetcar Named Desire.
What you don’t want to do is try to make the story about a theme that has nothing to do with any good or true thing—it’s just gratuitous. For example, I see about sixty fanfics for Twisters (one of my new favorite movies, you may recall) and they’re all about Tyler (the main guy) needing to be defended from his abusive alcoholic dad.
There is no mention of his dad, or alcohol, or Tyler having any emotional trauma, at all, in Twisters. Because the point of the movie Twisters is the girl character’s trauma (and her best friend’s,) and Tyler’s role in all of that is to be the guy who pushes her past that. Because he’s lived a lifestyle of “you ride your fears, you don’t run from them, you don’t even just face them.”
So why would a character who’s whole conception, who was created to say that, be curled up in a sad little miserable ball because his out-of-nowhere made-up father is back in town? He wouldn’t do that. His lifestyle is “ride your fears.” He’d be the guy reaching out and inviting his dad to lunch to see if something he does can make the outcome different, even though his dad never shows up, or always makes a scene, or whatever, because that would be “riding his fears.” That’s Tyler’s character. So why would you have him curl into a little ball and need his 126-lb girlfriend to defend him?
I’ll tell you why, it’s because the point of your story was not the point of Twisters, or anything good. The point of your story was, “I have a thing for emotional scenes where a man gets all weak and vulnerable and needs his love interest to take care of him,” and it shows. So you just hung skin-puppets and names of established characters on “your thing” and that’s trash storytelling. The characters are supposed to serve the story, and the story is supposed to serve the audience, not serve you.
That would be an extreme example of what not to do.
And then do it in such a way that's well-written, while also being able to have those fun moments and situations that are both in the game and I've thought up?
If my fanfic is all about Sam and Five coming clean about their feelings together, that’s fine—but they should be driven to do that because not doing that is selfish. And selfishness is the opposite of “something greater than yourself is all that’s worth living and dying for.” So I’d have Sam avoid admitting to himself that Five means so much to him because if he does, he opens himself up to crippling worry after what happened to Alice. So out of fear, which is ultimately self-protection, he doesn’t admit that he has feelings for her. But then eventually he comes to realize that caring about someone else actually drives him to work harder for the Greater Good, etc.
See what I mean? Your fanfic can be a string of scenes of will-they-won’t-they, romcom popcorn, as long as the thread holding them together is that character arc that points back to the game’s main theme.
To make it well-written, you just have to be genuine. I know everyone has lots of good tips like “show don’t tell” but books like Jane Eyre tell much more than they show. Some people say, “break up the pace with dialogue,” or “cut the tension with comedy, then ramp it back up,” etc., but there’s no cut to the tension in Dr. Jekyll & Mr. Hyde. There’s breaks to every rule. There’s an audience for every style. Just do what C. S. Lewis says and “tell the truth, without caring two pence if it’s original.”
If you know your source material and love the loveable parts for what it is, and then you marry that with what you really believe and value in the real world, you’ll get it.
Know what you’re trying to say, love what you’re trying to say, and sacrifice to say it.
I think now that you’re thinking about this stuff, you’re going to have a hard time not writing something morally good, with entertainment as a supporting pillar.
