My sister made this based on all the things I’ve been saying about Disney, for my birthday. 🥹
but just to recap in case you care BEFORE you watch
So much of Disney stories is about faith.
It’s about characters who have a wish, but they can’t make it happen on their own. All they can do is what’s right—and the only reason you can do what’s right when it’s in the face of not having your dream is if you have faith in something outside of yourself.
Usually, that’s the wishing star. (Sometimes it’s a magical person like The Fairy Godmother, or just a Concept like Righteousness. With Ariel it’s a Person, Eric. Main point is, it’s something bigger than yourself.)
Geopetto wishes for a son. He can’t have one on his own. But does he let that make him depressed and an old hermit? No. He’s a happy toymaker who nurtures who he does have: his cat and his fish, and he makes sweet things for the kids who aren’t his, and he trusts to the Wishing Star for what he can’t control.
Tiana wishes for her restaurant. She thinks she can get it on her own, but she can’t. But she won’t get it by doing what’s evil, taking Dr. Facilier’s deal. She sacrifices her human form to save Naveen from him; when she doesn’t know what’s left or what else to do, she trusts the Wishing Star—which she learned from Ray, who’s been trusting in Evangeline from the beginning, because he’s the character who isn’t limited by “what we see with our eyes.” Faith.
Simba wishes to be King, and then later, he still wants it but believes he “can’t have it because he’s not enough and he’s all alone”, so he’s running from it. But he realizes it’s not all about him and he’s not alone, and goes back even though it’s uncomfortable because he has faith in what his Father says to him, and gets to be a True King, after all.
Ariel wishes to be human, but can’t, and tries to do it on her own by making a dark deal. But she believed Eric was not a barbarian, and loved him beyond what he could give her—just like her father loved her even though she abandoned him—and so she was saved and got her wish. Because her father sacrificed himself, and she sacrificed everything she had. Both for love.
Belle wished for adventure and someone to understand her beyond a “pretty face and an odd lifestyle;” she couldn’t make that happen on her own, but when she sacrificed herself for her father and had faith in what she couldn’t see—love, inside the Beast, underneath what she could see with her eyes—she got it.
True love—sacrificing for someone outside of yourself—true faith—doing what you know is right regardless of how you feel and what you can see, because something Better Outside Yourself will make it all turn out all right—that’s what Disney is about.
The Real Disney, I mean. The Real Disney tells stories about that true fact of life: Faith and True Love make things turn out right. And by telling those stories, they gave hope and restored order to kids and adults alike. Way back when.
Of course, not just faith in anything. Only Faith in God will get you True Love (Who is also God) but you see what I’m saying.
And my sister’s video perfectly captures that. “Show Me.” Makes sense!
Hello hello I have very big and complicated questions that started out broad and complex but got more and more specific and more and more personal like my questions to my family and friends always do. Whoops lol. Buckle up.
I wanted to ask about fanfiction. I've really been thinking about that post you made about how a lot of fanfiction can be just used as a form of escapism, and not in a good way like Tolkien described it, but as a 'I hate life so I'm gonna read and write extensively about fictional characters rather than working hard/trying to improve my own life' Which I really want to avoid and not do. In the past I've certainly fallen into that trap- I would get so caught up in writing Marvel or Percy Jackson or Harry Potter fanfiction (not to toot my own horn, but was objectively good and I do think grew my skills a lot as a writer and character analyzer) that I would spend every free moment and many of ones when I really should've been working on school or chores or spending time with my actual family reading and writing it. I was probably doing that 5-8 hours a day when I was 11/12. (Yikes) Thankfully, my parents smacked some sense into me lol. It really just goes to show you how, for lack of a better term, soul-consuming, that these kind of fantasy pursuits can really be. Thankfully, I don't do that any more. I actively limit myself to a max of 3 hours of reading and writing fanfiction over the course of a week, which is a big improvement.
So yay! Now I have a definte separation from writing fanfiction to improve my writing and writing it to waste time because all of my energy is focused on it to the point where it is in my every thought. Good! Growth!
But now my new thing is this- I want to make sure that any and all fanfiction I write has a definite point. I want it to point to good things and have clear messages and blue flowers and point to Jesus, even if it isn't specifically a 'Christian' fanfiction.
For example, let's just point at that Voice in the Dark one shot I wrote, which is one of, if not the, best singular fiction piece that I've written. I think the reasons why it was so good was that A) I expanded on the story in a way that was intriguing, and got inside my characters heads and accurately depicted their thought processes through it B) Made it pleasant to read with details and action and emotion and everything, C) set everything up for a part 2 conclusion of Sam and Five really connecting and talking about what they both said/thought, and becoming friends (which after procrastinating for months, I'm finally working on), but most importantly, D) Had clear themes of hope, perseverance, connection, trust, and encouragement. Which is really what I think made it so much more excellent than other fanfiction pieces I've written. I had a clear point and intention going into it that was more than just 'Have it be something I love and just for my entertainment' although that was one of the reasons I did decide to write it I will say- you do have to love what you want to write in order to write it well after all. But this is absolutely what I want the point of all my fanfiction writing to be like from here on out, being morally great, as well as well-written.
So now, because I really enjoy ZR and its really is kinda perfect for a fanfiction format, I want to turn it into more of an ongoing piece with my favorite missions and Five's relationships with the characters. But how do I go about this trying to intentionally bring in blue flowers and good messages and beautiful themes, and not just only write it for my entertainment because its a piece of media I love? How to I make sure to firstly know what themes I can bring in, and then do it in such a way that's well-written, while also being able to have those fun moments and situations that are both in the game and I've thought up?
And finally, last thing, is I'm wrestling through if I should continue writing fanfiction to 'fix' a story (which is why I started a Percy Jackson and Marvel fanfictions, I wanted to take the parts of each story I didn't like and were poorly done and make them better) rather than make my own point with it. For most of the fanfiction writing I've ever done, my goal was to improve it, to act like a ghostwriting editor the author hired to fix their fundamentally flawed story. But now I'm realizing that I was spending so much time and effort (which don't get me wrong, I do not fully regret, I really do think that I've gotten far better at fiction writing through this) and I didn't even add any more goodness or morals to the story in a way that made it more soul-sustaining and truly good. I wanted to add a lot of bits that made be as a reader squeal and get happy over which... I don't think is bad per say, but its not what I want my fanfiction to be like any more. With my writing, I absolutely do want to improve on the source material, yes, but I also want to figure out what sort of themes and goodness I'm going for with it. So should I continue writing these large projects (cause each piece covers several books/movies) for improvement and also try to expand on the good ideas and themes the authors had, even bringing in my own, or should I just set it aside as that was great, but now I need to focus on making writing morally good and not just for entertainment?
I know a big part of this is wisdom and descretion- things that God has blessed me with but I know I always can pursue more of. So I know a absolute perfect answer to this question will require time and experience. But after sorting through my word-vomiting (sorry lol), what would you say to all of this? Thank you!! <3
Hey! First of all, I love getting questions from you, and I especially love it because you take enough time to read the previous things I say that we can have a very level conversation, and a deep back-and-forth, which is not always the case with everybody who sends me questions (I like those questions too, I’m just saying.) So thanks for typing all that up!
Second of all, I’m no expert on fanfiction writing. You’ve read what I have to say about making sure the “Tone & Style” and “Themes” of any “Continued Work” stay true to their source material when it comes to like, sequels and expansions? Well, I guess I would apply that philosophy, generally, to fanfiction, too.
But the point of my “second of all” is actually, there are better people to ask about this than me. I can answer you in a broad “here’s how I apply my storytelling philosophy to this hypothetical scenario” sense, but other people have more experience actually doing what you’re talking about with fanfiction. Specifically, @doverstar, who, if you don’t follow her or read her stuff, I seriously think you’re missing out.
So in summary, talk to Doverstar. She’ll answer this better. But if I had to try and succinctly respond, I’d say: “Intentionality is always better than doing something by accident. But if you genuinely value goodness, beauty, and truth, in your own personal worldview, in a way that is genuine, and you cultivate that…it’ll come out in your writing on accident.” So in a way, even when you’re being intentional, as long as you remember that, you don’t have to be too militant whether you’re writing fanfiction or fiction.
(That’s a thought I’m still learning to put into practice, myself. I err on the side of “control everything to a T, outline everything, everything has to have a tie-in to the theme—if it doesn’t you’re failing—“ and I don’t recommend that mindset 😅)
That’s the “short” answer to your ask. I’ve got a deep-dive below the cut if you’re interested, though.
How do I make sure to firstly know what themes I can bring in?
This has to do with knowing the source-story.
ZR unfortunately gets very political and social in further seasons, but to do it credit, the main, recurring, broad theme of Zombies, Run continues to be “Something greater than yourself is all that’s worth living and dying for.”
They keep coming back to it with literally every villain, and every hero, from multiple angles. You’ll see. They say, “the pursuit of pure happiness alone is bad because it’s selfish—the pursuit of immortality is bad because it’s selfish—the pursuit of everyone’s affections is bad because it’s selfish; but sacrificing for others is the real happiness, the real immortality, the real love, etc.”
So any fanfiction—even if, surface-read, it appears to be about Five falling in love with Sam or Janine learning to communicate, etc—that comes back to “Something greater than yourself is all that’s worth living and dying for.” is a success. Because it carried on the Main Point of ZR. Or it carried on a point that could be tied to the main point, whatevs.
But your question (for other fandoms) is “How do I know what themes I can bring in?”
Okay, well, that’s actually not so hard. Lots of “sub-themes” fit under the umbrella of the main theme. “Something greater than yourself,” well, that entails “self-sacrifice, gaining a broader perspective, finding empathy,” etc. (something you can see they do with sheltered characters or brittle, mission-focused miopic characters like Janine.)
But how did I find the main theme to begin with? This post. In summary:
Take in the Story, With the Single Expectation that They’re Trying to Tell You Something.
Take Note of Where You Felt Something. Then Figure Out Why You Felt It.
Figure Out What Each Character Wants, and If They Have a Moment of Change.
Look at What Decisions the Storytellers Reward, and What Decisions They Punish.
You can apply this to Marvel, to Percy Jackson, to anything. Once you figure out the main theme, it’s not so hard to break that down into little supporting ideas. And inject those into your own story. And you can even figure out where the storytellers dropped the ball, or lost their theme and did something totally out-of-character, and then fix that with your fanfiction.
Or, galaxy-brain, is when you figure out what the story was trying to say—and it was saying something bad or wrong, but you liked some of the setting or characterizations, you can fix that. Like I’ve always wanted to do with A Streetcar Named Desire.
What you don’t want to do is try to make the story about a theme that has nothing to do with any good or true thing—it’s just gratuitous. For example, I see about sixty fanfics for Twisters (one of my new favorite movies, you may recall) and they’re all about Tyler (the main guy) needing to be defended from his abusive alcoholic dad.
There is no mention of his dad, or alcohol, or Tyler having any emotional trauma, at all, in Twisters. Because the point of the movie Twisters is the girl character’s trauma (and her best friend’s,) and Tyler’s role in all of that is to be the guy who pushes her past that. Because he’s lived a lifestyle of “you ride your fears, you don’t run from them, you don’t even just face them.”
So why would a character who’s whole conception, who was created to say that, be curled up in a sad little miserable ball because his out-of-nowhere made-up father is back in town? He wouldn’t do that. His lifestyle is “ride your fears.” He’d be the guy reaching out and inviting his dad to lunch to see if something he does can make the outcome different, even though his dad never shows up, or always makes a scene, or whatever, because that would be “riding his fears.” That’s Tyler’s character. So why would you have him curl into a little ball and need his 126-lb girlfriend to defend him?
I’ll tell you why, it’s because the point of your story was not the point of Twisters, or anything good. The point of your story was, “I have a thing for emotional scenes where a man gets all weak and vulnerable and needs his love interest to take care of him,” and it shows. So you just hung skin-puppets and names of established characters on “your thing” and that’s trash storytelling. The characters are supposed to serve the story, and the story is supposed to serve the audience, not serve you.
That would be an extreme example of what not to do.
And then do it in such a way that's well-written, while also being able to have those fun moments and situations that are both in the game and I've thought up?
If my fanfic is all about Sam and Five coming clean about their feelings together, that’s fine—but they should be driven to do that because not doing that is selfish. And selfishness is the opposite of “something greater than yourself is all that’s worth living and dying for.” So I’d have Sam avoid admitting to himself that Five means so much to him because if he does, he opens himself up to crippling worry after what happened to Alice. So out of fear, which is ultimately self-protection, he doesn’t admit that he has feelings for her. But then eventually he comes to realize that caring about someone else actually drives him to work harder for the Greater Good, etc.
See what I mean? Your fanfic can be a string of scenes of will-they-won’t-they, romcom popcorn, as long as the thread holding them together is that character arc that points back to the game’s main theme.
To make it well-written, you just have to be genuine. I know everyone has lots of good tips like “show don’t tell” but books like Jane Eyre tell much more than they show. Some people say, “break up the pace with dialogue,” or “cut the tension with comedy, then ramp it back up,” etc., but there’s no cut to the tension in Dr. Jekyll & Mr. Hyde. There’s breaks to every rule. There’s an audience for every style. Just do what C. S. Lewis says and “tell the truth, without caring two pence if it’s original.”
If you know your source material and love the loveable parts for what it is, and then you marry that with what you really believe and value in the real world, you’ll get it.
Know what you’re trying to say, love what you’re trying to say, and sacrifice to say it.
I think now that you’re thinking about this stuff, you’re going to have a hard time not writing something morally good, with entertainment as a supporting pillar.
It’s time for (theme music starting up in the background) Unnecessary Fun Facts with Doverstar! Yes.
That eye mask Jim’s got in Treasure Planet, while also seen in the right light on Jimmy Dean’s marbled face, is intentionally placed upon Jim to show he’s struggling, he’s lost, he’s closing in on himself due to teenagey pain, etc. etc., and the directors/animators have it removed when he’s opened up and moving forward, if you watch closely! It’s gone forever by the end of the film.
Behold the salt-scrub benefits of leaving the commentary on loop from ages 12-18 on one’s portable DVD player. The pores of my brain remain open to excrete upon you the unnecessary fun facts.
Thanks for tuning in, you are my favorite audience! (theme music playing is out in the background)
what are your thoughts on the disney fairies book? the original one by Gail Levine? a lot of people are saying it's racist cause theirs so many white fairies in the book which is based off the original peter pan and losers say it should be more black fairies and honestly as a black girl myself i wish these people would shut up. tinker bell is white with blonde hair and blue eyes not black. the tinker bell movie did sooo bad people forgot about it already, and people made fun of it.
disny has been ruining things much to the point it's hard separating the book from the movie...what ate your thoughts on this?
I’ve never actually read the Disney fairy books, but I’d direct your attention to my friend @doverstar, she knows much more about those than I do.
I have seen all of the Disney Tinker Bell fairy series…if those are the movies you mean? I actually really love the first one and can find charming things about the sequels, too.
As far as the books or movies being racist because a lot of fairies are white, that is silly. Just because there is a majority of a certain skin color in a movie, that alone does not make the movie racist; it doesn actually say anything about races.
Because, for example: If you go to Togo, Africa, and take inspiration from a town there, and try to tell a story about that town, all of the people you’re getting inspiration from will be black. Therefore, your characters will all probably be black. It just makes sense. So why would a story about a specific corner of the Neverland world need to have every single possible color of human on Planet Earth represented? That wouldn’t even make any sense; and it’s not needed at all. People of all skin colors can relate to anything that is human-like, especially in fiction. So there’s no need for everybody to look like somebody.
As far as the original Tink goes, in J.M. Barrie’s play, she was just a light. Nobody could see what “skin color” she had, because she was just a light. Because the color of her skin doesn’t matter at all—it shouldn’t matter to white people, it shouldn’t matter to black people, it shouldn’t matter to anybody. Her race has nothing to do with who she is; she’s a fairy, and she’s supposed to be hot-tempered, glow, sacrifice herself for Peter who she loves, and fly. These are the traits that matter.
So in the books, the movies, the new movies—it doesn’t matter if her skin color is different. Ask yourself, “is she hot-tempered? Does she glow? Can she fly? Is she in love with Peter Pan? Would she sacrifice for her friends?” As long as those questions—and those questions alone—are answered with “yes” then she’s Tinker Bell. And everyone should stop making it more complex than that!
