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PUT YOUR BEARD IN MY MOUTH
Cosimo Galluzzi

@theartofmadeline
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Kiana Khansmith
Today's Document
One Nice Bug Per Day
Sweet Seals For You, Always

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pixel skylines
Xuebing Du
sheepfilms
will byers stan first human second
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let's talk about Bridgerton tea, my ask is open

JVL
Sade Olutola
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@tanunatsu
assassin’s quest, chapter 41: the scribe
Cuties
something about reality imitating art
gentle fitz with his heart in his eyes
for i have already forgiven you.
fitz and the fool I drew so gf and I could match icons :)
Verity and Fitz's relationship is a really good metaphor for grooming, even unintentional. Isolate a child so a word of praise feels like the world to them. Gradually ingratiate yourself with them, vacillating between codependence and command. Disintegrate all boundaries so they have no space in their mind or body that is not under your purview. Then commit such a violation of their agency, bodily autonomy, and sense of self even they cannot justify it- and they do anyway. Because they love you.
if i had a nickel for every time these two made their gay situationship everyone else's problem on some sort of life or death quest i'd have 2 nickels which isn't a lot but. yeah
some sketches
I haven’t drawn with a ballpoint pen since I was about 13, and it turns out it’s actually quite enjoyable
where we must be, when we must be, who we must be
/I defended my thesis and came back.
Beloveds <3
3/5 interior illustration for Assassin’s Quest!!
Unlike the other two there not much symbolism going on, just wanted to focus on tranquility and recovery after harsh time. Based on chapter 20 ✨
Making a series of illustrations for The Assassin’s Quest to expand my portfolio, here is the first one (out of five)!! I was planning to illustrate The Fool’s Fate since that it’s my favorite of all but my CPTSD got worse recently and I got more emotionally invested in TAQ, specifically trauma related scenes. I really liked(?) how Hobb described the state the Fitz was in after all the torture and tormenting, his desire for escapism, dissociations, night terrors and flashbacks, which leaves him so empty, so confused and lost. In this illustration I tried to show exactly that. The objects around illustrate how other people perceive him (objects on the left are some that could belong to stable boy, while those on the right would belong to an assassin), and the mirror is a reflection of his inner perception of himself (I’ll leave it up to you how to interpret it). The mirror is slightly covered, showing just a glimpse of his reflection, which shows that Fitz is protective over his identity and emotions, afraid to show his true self to other , and ,at this point of the book, he’s even afraid to show it to himself.
So yeah, a lot of overthinking going on in my brain 😂 Let me know what you think, I’ll be back with new overly descriptive illustration soon lmao
chivalry’s shadow.
Bro the young wolf is starting to trust Fitz, and I’m overjoyed! I love them so much!!