I sat and watched the cutest little skipper butterflies enjoy their time with my zinnias.
Noah Kahan

Discoholic 🪩
will byers stan first human second
almost home
Fai_Ryy
trying on a metaphor
let's talk about Bridgerton tea, my ask is open
d e v o n
art blog(derogatory)

bliss lane
noise dept.
Keni

No title available
wallacepolsom
cherry valley forever
Aqua Utopia|海の底で記憶を紡ぐ

tannertan36

Kiana Khansmith

❣ Chile in a Photography ❣
official daine visual archive
seen from United States
seen from Italy

seen from Nepal
seen from Italy

seen from Brazil
seen from Nepal
seen from United Kingdom
seen from Türkiye
seen from Ukraine

seen from United States

seen from Russia

seen from Spain
seen from Saudi Arabia
seen from Türkiye
seen from Brazil

seen from South Korea
seen from Palestinian Territories

seen from United States

seen from Brazil

seen from Germany
@tarynandre
I sat and watched the cutest little skipper butterflies enjoy their time with my zinnias.
Taro Okamoto (1911 - 1996) was eighteen years old in 1929 when he moved from Japan in the Far East, to Paris, the world center of art. Taro despaired of the other Japanese artists he met who had traveled to Paris to study, only to congregate together, painting conventional landscapes and dreaming of triumphant exhibitions on their return to Japan. Instead, he was determined to make himself self-sufficient within French society, becoming a boarding student at a private school, improving his French and adopting Western culture. Later he opened his own studio in the Montparnasse district of Paris, enjoying unique experiences for more than ten years before he returned to Japan in 1940.
In 1933 he became the youngest member of the Abstraction-Création group, producing several series of works, such as Kuukan (Space) and Contrepoint etc. In 1937 he submitted his Itamashiki ude (Sad Arm) in the Salon des Surindépendants and gradually moving away from Pure Abstract art, he left the Abstraction-Création group. This work was highly praised by André Breton and the following year he was invited to participate in the first Exposition Internationale du Surréalisme (Paris). He deepened his relationship with members of the Surrealism movement such as Max Ernst, Alberto Giacometti, Man Ray, Raymond Tanguy, etc. and in this way, rare for an artist, Okamoto participated at the forefront of two major avant-garde art movements in real-time.
Continue https://taro-okamoto.or.jp/en/taro-okamoto
@isla_mckayx
Kitchen king and gold rush beans with green onions has been on of my favorite snacks and side dishes.
Just pictures from the past two days
sampling another white tea cake from fuding, this one from 2018. ☁️
what if it all worked out in my favour
アオバト(White-bellied green-pigeon)
Iman Abdulmajid photographed by Janice Dickinson in NYC, September 1983.
catarinatourinho