Flowers by Irving Penn (1980)

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Flowers by Irving Penn (1980)
Marvin Koner. Miles Davis. Jazz club Cafe Bohemia. New York City. 1956
âQarrtsiluniâ (Inuit, Iñupiaq / v. / kÊËrÊ.sÉȘ.luËnÉȘ / kartz-sih-loo-nih)â Sitting together in the darkness, perhaps expectantly (e.g., waiting for something to happen or to âburst forthâ); the strange quiet before a momentous event.
morticia and gomez are my favorite coupleâŠ..cara mia â€ïž
PARIS IS BURNING (1990), Jennie Livingston.
my gf took these fire ass 35mm film camera stills of Meg Thee Stallion in HTX at her Red Bull Music Show. she was determined to capture Meg & she did. I am proud of her and want to share her work with the world. I LOVE YOU @nakedbybria KEEP FUCKIN IT UP!!! đ„đ„đ„đ„
Despite I Empty out I Sleeping out IÂ
I am attracted to me? It is fun to sit in me?
â Elaine Kahn, from âName Like an Empty Bag,â Women in Public
âMedusa lost her beautyâor rather, it was taken from her. Beauty is always something you can lose. Womenâs beauty is seen as something separate from us, something we owe but never own: We are its stewards, not its beneficiaries. We tend it like a garden where we do not live. Oh, but uglinessâugliness is always yours. Almost everyone has some innate kernel of grotesquerie; even fashion models (Iâve heard) tend to look a bit strange and froggish in person, having been gifted with naturally level faces that pool light luminously instead of breaking it into shards. And everyone has the ability to mine their ugliness, to emphasize and magnify it, to distort even those parts of themselves that fall within acceptable bounds. Where beauty is narrow and constrained, ugliness is an entire galaxy, a myriad of sparkling paths that lurch crazily away from the ideal. There are so few ways to look perfect, but there are thousands of ways to look monstrous, surprising, upsetting, outlandish, or odd. Thousands of stories to tell in dozens of languages: the languages of strong features or weak chins, the languages of garish makeup and weird haircuts and startling clothes, fat and bony and hairy languages, the languages of any kind of beauty thatâs not white. Nose languages, eyebrow languages, piercing and tattoo languages, languages of blemish and birthmark and scar. When you give up trying to declare yourself acceptable, there are so many new things to say.â
â What If We Cultivated Our Ugliness?, Jess Zimmerman (via xshayarsha)
Reminder that it really doesnât matter what ways youâre marginalized, if youâre not black youâre just as capable of anti blackness as white cishet people. No amount of âbut Iâm gay!â, âbut Iâm trans!â, or âbut Iâm not white!â changes that.
And being neurodiverse/disabled isnât an excuse for anti blackness either.
Donât like this post if youâre not gonna also reblog it.
Boost my voice, donât just like it for woke points.
Iâd fucking love it if white people didnât use this post to pat themselves on the back. I guarantee that no amount of âdonât people know this already?â or âisnât this obvious?â will actually make you a good ally to black people.
The only things that will make you a good ally to us is listening to us, boosting our voices, defending us when we need it, calling out your fellow whites when they display overt and/or covert racist behavior, and checking yourself consistently.
âIf they pronounce your name like a curse then you might as well teach their mouths how to taste a growing hell.â
â Scherezade Siobhan© (via viperslang)
âMy whole being is a dark chant which will carry youâ
â Forugh Farrokhzad , Another Birth
âI need more than 26 letters to articulate / How I survived you.â
â jessica Care moore, from âShe Was.â We Want Our Bodies Back
âDistances revealed distancesââ
â Michael Burkard, from âThe Hour Hand,â Fictions from the Self (W. W. Norton & Co., 1988)
âAnd you didnât want to recognize me when I told you of the thing in me that was you.â
â Alejandra Pizarnik, from Extracting the Stone of Madness: Poems 1962 - 1972; In Honor of a Loss.
âI am cradled in the dark that wombed me and nurtured in every artery like a small hillock.â
â Seamus Heaney, from Antaeus