An Index Of Possibilities

Another Division of Time Extrusion Laboratories

[gacougnol]

Jean-Pierre Sudre Apocalypse, Révélation 1967

[twentygototen-deactivated201712]

Tucked away in a lonely corner of the SDF baggage claim a once-futuristic videophone sits unpowered, next to a couple of empty payphone cabinets that grimly foreshadow its fate.

[dappledwithshadow]

[aubreylstallard]

René Magritte, L’invitation au voyage, 1961

[transgressiv]

Pipilotti Rist, “Mutaflor”, 1996 x

[inneroptics]

HANS RICHTER PRODUCTIONS- ARNOLD EAGLE

JEAN COCTEAU

[inneroptics]

Marcel Duchamp New York 1957 - John D.Schiff

[frenchcinema]

L’Année dernière à Marienbad (Alain Resnais, 1961) in color.

[inneroptics]

Hermann Landshoff Max Ernst at Peggy Guggenheim’s home, New York, fall 1942 1942

[inneroptics]

Jean Marais in a suit designed by Coco Chanel and Jean Cocteau for “Oedipus the King”  1937 

[carrefouretrange]

Scan of a rare book cover by surrealist Wolfgang Paalen (1905-1959) for Contes Bizarres by Achim d’Arnim, introduction by André Breton, published by Eric Losfeld for Arcanes, 1954.

[yesmisslisa]

[reorientmag]

Faig Ahmed

[authentic-boredom]

György Kepes

[telabs]

[telabs]

[telabs]

View this post on Instagram

This is a test.

[telabs]

Manfred Mohr, "Cubic Limit" (1973-74) from bitforms gallery on Vimeo.

Manfred Mohr "Cubic Limit" (1973-74) digital transfer of 16mm film 4 minutes

About Manfred Mohr: bit.ly/pBrODI

[telabs]

The 33 Brightest Shots of "Tokyo Story" (1953, Ozu) from Retnull on Vimeo.

A computational analysis of Ozu's film, one of the masterpieces of Japanese cinema. The brightest four minutes of the complete film's 136 minutes are seen in an alternate visualization: motion over time is presented as geometry, and spatial form as sequentiality.