Jean-Pierre Sudre Apocalypse, Révélation 1967

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Jean-Pierre Sudre Apocalypse, Révélation 1967
Tucked away in a lonely corner of the SDF baggage claim a once-futuristic videophone sits unpowered, next to a couple of empty payphone cabinets that grimly foreshadow its fate.
René Magritte, L’invitation au voyage, 1961
Pipilotti Rist, “Mutaflor”, 1996 x
HANS RICHTER PRODUCTIONS- ARNOLD EAGLE
JEAN COCTEAU
Marcel Duchamp New York 1957 - John D.Schiff
L’Année dernière à Marienbad (Alain Resnais, 1961) in color.
Hermann Landshoff Max Ernst at Peggy Guggenheim’s home, New York, fall 1942 1942
Jean Marais in a suit designed by Coco Chanel and Jean Cocteau for “Oedipus the King” 1937
Scan of a rare book cover by surrealist Wolfgang Paalen (1905-1959) for Contes Bizarres by Achim d’Arnim, introduction by André Breton, published by Eric Losfeld for Arcanes, 1954.
Faig Ahmed
György Kepes
This is a test.
Manfred Mohr, "Cubic Limit" (1973-74) from bitforms gallery on Vimeo.
Manfred Mohr "Cubic Limit" (1973-74) digital transfer of 16mm film 4 minutes
About Manfred Mohr: bit.ly/pBrODI
The 33 Brightest Shots of "Tokyo Story" (1953, Ozu) from Retnull on Vimeo.
A computational analysis of Ozu's film, one of the masterpieces of Japanese cinema. The brightest four minutes of the complete film's 136 minutes are seen in an alternate visualization: motion over time is presented as geometry, and spatial form as sequentiality.