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Goodness, CATHERINE âKATEâ LOCKHART has arrived in London. SHE is 23, of the KENSINGTON LOCKHARTS. Though they are NEW to the Season, we can only describe them as KIND and CREATIVE, dear reader. Accompanied by HER MOTHER, they have settled in and are accepting social calls. But be warned: they are known for their ENVY.Â
Catherine - Kate to her friends, Kitty to her family - can be described, above all, as kind. A sweet girl with a smile for everyone, she has always been accommodating, gentle, diligent, and eager to learn. She feels most at home in a field of wildflowers, reading a book or sketching a landscape, and while she enjoys dancing, she loathes the noise and clamor of parties. Her house was always full of laughter and catty bursts of yelling ââ after all, with four sisters so close in age, thereâs bound to be fights ââ but the noise was contained in a way that feels familiar to her, a way that feels more like home than anything else. Parties contain far too many people for her personal preference. Beneath her many accomplishments, however, Catherine often has a penchant for silence, for staring into the distance and losing track of her thoughts for long moments. There is a thick undercurrent of longing to her demeanor, though in all her years of life, sheâs never been able to answer just what exactly it is she yearns for. Perhaps itâs not a thing, or a person, but just that she is so enamored with the idea of longing for something that she canât quite let go of that desire, and so it often translates into a bone deep envy for the things that others have, and she has not.Â
When Catherine Lockhart, youngest of the four Lockhart sisters, was six years of age, her eldest sister, Elizabeth, showed her a priceless work of art. The piece in question was a large shard of what used to be the ceiling of an ancient temple, and had been made with glass and stone and tesserae. The colorful bits of glass reflected the light and shone in such a way that they could almost be gemstones, if not for the clarity of the light passing through them. The two sisters had stared at it, one in awe, one in confusion, until finally, after long moments of silence, Catherine had tugged on Elizabethâs sleeve. Elizabeth had knelt down to her younger sisterâs level, her blue eyes wide and expectant. Catherine had pointed at the broken mosaic, her blonde eyebrows pulled together so tightly, her little mouth curved into a frown.Â
âWhy are we looking at this?â She had asked, and Elizabeth had pressed her own mouth together against a laugh. âItâs just pieces of junk!âÂ
Elizabeth had laughed at that, and pulled Catherine into her arms with the kind of delighted joy that only an older sister could manage. âItâs not junk, Kitty,â she had explained. Her free hand moved in sweeping motions, filling in the blanks of missing pieces, painting the full picture for Catherine as she described what the mosaic would have looked like when it was newly assembled.Â
âThereâs beauty in making something whole out of so many broken pieces,â Elizabeth had told her. âAll of these pieces were nothing, and then an artist picked them up and made something whole and beautiful, and now all of those little bits make up something beautiful. Something complete.âÂ
Catherine hadnât understood what her sister was trying to say back then. After all, she was still just a child, too young to grasp the intricacies of art, of culture, of creating. Now, though, she understands perfectly.Â
She understands, of course, because she is that mosaic too.Â
You see, everything Catherine owns has belonged to someone else; her favorite green damask dress was once Cassandraâs, the faded linen apron she ties on every time she steps into the kitchen had been Ameliaâs first (and their motherâs before that), the boots that fit her just a little too tight in the toes belonged to Elizabeth for seven whole winters before going to Amelia, and then to Catherine. All of her books were novels her sisters had purchased and pored over voraciously, trading back and forth between the three of them like miniature cakes and secrets, and even the charcoals that she uses to sketch out figures and landscapes had belonged to Cassandra for two full weeks before she discarded them. There is nothing within Catherineâs possessions that has belonged to her and her alone, and this rings true even so far as her mannerisms and her personality.Â
From Elizabeth, Catherine developed her love for art, for capturing the essence of a thing onto paper and immortalizing the way you see it through your eyes. Her eldest sister taught her to sketch, to paint, even to read, long before their father even considered a governess for his youngest daughter. She taught her how to plant herbs in the garden, how to lace her own stays if no one else was around to help, and how to pick the ripest fruit from a bowl without even touching it. Elizabeth also gave her the way she tilts her head when she listens intently, the way the tip of her tongue sticks out through her teeth when she concentrates, and how she leans on her left leg when she studies a painting before her.Â
From Amelia, Catherine inherited the particular way she kneads bread, the way she punches the dough down with unusual ferocity and rolls it out without mercy. She inherited Ameliaâs unrestrained laughter, and her peculiar habit of leaping on her tiptoes in the early mornings before the rest of their household would wake, lest her heel clunk on a floorboard and - in Ameliaâs words - startle the dust awake. To this day, Catherine stirs her tea clockwise thrice and counterclockwise once, though sheâd never be able to fully articulate why, other than explaining, âthatâs how my sister always did it.âÂ
And from CassandraâŠfrom Cassandra, she learned how to play the pianoforte, how to speak a handful of French, and something far more damning and more important than any other accomplishment a young lady could need. From Cassandra, she learned that sometimes, the truth doesnât matter; at least, not in the way it does in their favorite novels.Â
Catherine spent her whole life emulating her sisters, both the good parts and the bad, the gentle kindness, the casual callousness, and everything in between. And that desire to be just like her big sisters ultimately led to the undoing of the four Lockhart girls.
After the disastrous events surrounding Ameliaâs wedding, the Lockhart sisters have been fractured at best, and Catherine has been left holding all of the broken glass that once made up their family mosaic. Cassandra barely speaks to any of them, Amelia is busy with the day to day duties of a farmerâs wife, and Elizabeth is difficult to reach at even the best of times. For the first time, the Lockhart estate is often quiet, and no matter how loud Catherine stomps in the morning, the dust is never startled awake.Â
She knows itâs her duty now to marry well and try to make her own way in the world in the same way that her sisters have, but Catherine has never been able to find her own voice before now, and she worries that she will always be a splintered echo of all the Lockhart women who came before her.Â













