CALL ME WHEN YOU'RE SOBER: MUSE A and MUSE B have a long, volatile history—maybe childhood best friends or ex-lovers who never quite managed to sever the tie. MUSE A is fiercely independent on the surface but emotionally exhausted beneath it, constantly being pulled back into the orbit of MUSE B, who is charismatic, damaged, and deeply self-destructive. MUSE B doesn’t just struggle with substance abuse—it’s a pattern of escapism: alcohol, reckless behavior, emotional avoidance. every time they spiral, they come back to MUSE A in the aftermath, raw and apologetic, making promises they almost believe in the moment. and MUSE A, despite knowing better, keeps answering the call—until the breaking point. the plot really begins when MUSE A finally refuses to be the safety net anymore, drawing a hard, painful boundary: don’t come back until you’re actually better. from there, the tension splits in two directions—MUSE B is forced to confront who they are without MUSE A as their constant anchor, while MUSE A has to learn how to exist without the chaos they mistook for love. you can weave in relapses, almost-reunions, late-night voicemails that go unanswered, and the slow, gutting realization that love isn’t enough to save someone who won’t save themselves. the emotional climax could hinge on whether MUSE B truly gets sober—not just physically, but emotionally accountable—and whether MUSE A, even then, wants them back… or has already outgrown the version of love they once begged for.
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