insert title here

twenties. new york.

[shesnake]

I know you’re a good guy… but you know why I have to kill you.

Sympathy for Mr. Vengeance (2002) dir. Park Chan-wook

[derrygirlsgifs]

1x02 // 2x02

[andydwyer]

But you loved me. I asked you to believe in impossible things. And you never once looked at me like I was crazy. That is why I can not give up on you. I will not give up on you.

[wyndampryce]

I want to stay married to Rhonda. I want to be the son my mother wants me to be. And I don’t wanna die. 

[bimulder-deactivated20250518]

fleabag - s02e01

[claudia-kishi]

You really would have let me leave without telling me? You say that like I’m not planning to make it through this. I am going to see you again, Sherlock. I just…

[blond-shell]

#like sister like brother

[isakvaltersern]

[wrightedgar]

The Matrix (1999) dir. The Wachowskis

[cinemaspam]

Parasite (기생충) 2019 dir. Bong Joon-ho

[bongjoonhoe]

Do you smell that?

Parasite (2019) dir. Bong Joon-ho

[fyeahmovies]

Parasite / 기생충 (2019): First vs Last shot

“I think that one way to portray the continuing polarization and inequality of our society is as a sad comedy. We are living in an era when capitalism is the reigning order, and we have no other alternative. It’s not just in Korea, but the entire world faces a situation where the tenets of capitalism cannot be ignored. In the real world, the paths of families like our four unemployed protagonists and the Park family are unlikely ever to cross. The only instance is in matters of employment between classes, as when someone is hired as a tutor or a domestic worker. In such cases, there are moments when the two classes come into close enough proximity to feel each other’s breath. In this film, even though there is no malevolent intent on either side, the two classes are pulled into a situation where the slightest slip can lead to fissures and eruptions.

In today’s capitalistic society there are ranks and castes that are invisible to the eye. We keep them disguised and out of sight and superficially look down on class hierarchies as a relic of the past, but the reality is that there are class lines that cannot be crossed. I think that this film depicts the inevitable cracks that appear when two classes brush up against each other in today’s increasingly polarized society.” — Bong Joon-ho

[shesnake]

“Wow, this is so metaphorical!”

Parasite (2019) dir. Bong Joon-ho

[fyeahmovies]

You know what kind of plan that never fails? No plan. No plan at all. You know why? Because life cannot be planned. Look around you. Did you think these people made a plan to sleep in the sports hall with you? But here we are now, sleeeping together on the floor. So, there’s no need for a plan. You can’t go wrong with no plans. We don’t need to make a plan for anything. It doesn’t matter what will happen next. Even if the country gets destroyed or sold out, nobody cares. Got it?

Parasite / 기생충 (2019) dir. Bong Joon-ho

[sculptureoflimitations-deactiva]

Parasite (Bong Joon-ho, 2019)

“Rich people are naive. No resentments. No creases on them.”

“It all gets ironed out. Money is an iron.”

[pedro-reed]

favorite movies of 2019: Parasite 🎬 Bong Joon-ho

[homeries]

“All of the actors who trained in it, in the beginning, [we] had the response that some of the audience had. We’re a bunch of actors, we’re not dancers, we’re not even necessarily particularly athletic, some of us, and we’re just showing up in our sweats in a room. We’ve all just met each other and now we’re going to move our body in ways we’ve never moved them before? And we’re going to do it in front of each other? In the beginning, you’re embarrassed, you’re ashamed, you laugh a little to make it feel OK, but by the time we were doing those movements for two or three months on end, something otherworldly starts to happen in your own body and starts to happen between people who are doing them.”

—  BRIT MARLING