The Hill: Hobbiton-across-the Water
by J. R. R. Tolkien
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The Hill: Hobbiton-across-the Water
by J. R. R. Tolkien
Idyll (c.1880-81) by Frederic Leighton
"A Magical Morning" was created by British artist Thomas Edwin Mostyn.
June, 1876 Fidelia Bridges
Duel in Mediterranean Seaport, Johann Wilhelm Baur, c. 1637, Harvard Art Museums: Drawings
Harvard Art Museums/Fogg Museum, Bequest of Frances L. Hofer Size: 15.3 x 21.3 cm (6 x 8 3/8 in.) Medium: Watercolor and gouache on parchment
https://www.harvardartmuseums.org/collections/object/295709
Animation backgrounds from Disney’s THE BLACK CAULDRON (1985).
Hunting Party in the Courtyard of a Country House
Artist: Ludolf de Jongh (Dutch, 1616-1679)
Date: ca. 1665-1670
Medium: Oil on panel
Collection: Detroit Institute of Arts, Detroit, MI, United States
Francesco Clemente, painter inspired by Wm. Blake, looking over album I'd scribed for his watercolor illumination, his loft overlooking Great Jones Street Manhattan. He liked this picture, October 1984, Photo by Allen Ginsberg
Enric Galwey
Circe's Palace (1907)
by Maxfield Parrish
Above the Clouds at Sunrise by Frederic Edwin Church
“It struck me what quality went to form a Man of Achievement, especially in Literature, and which Shakespeare possessed so enormously - I mean Negative Capability, that is, when a man is capable of being in uncertainties, mysteries, doubts, without any irritable reaching after fact and reason.”
John Keats, Letter to George and Tom Keats, On Negative Capability
She was swept up in an unfamiliar feeling. A longing, for something she had never laid eyes on, for something she could barely name or imagine.
– Kim Choyeop, from “Symbiosis Theory,” If We Cannot Go the Speed of Light (Saga Press, 2026)
Source details and larger version.
My modest collection of vintage poets and poetry.
The Gate, Spring, 1919 by Harold Harvey (source)
Karl Friedrich Schinkel.
Sleeping Beauty, 1864 by Bertha Froriep (German, 1833–1920)