RMH
Cosimo Galluzzi
pixel skylines
Kaledo Art
Discoholic 🪩
ojovivo
⁂
sheepfilms
Product Placement
NASA
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i don't do bad sauce passes
Game of Thrones Daily
I'd rather be in outer space 🛸
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Stranger Things
TVSTRANGERTHINGS
todays bird
cherry valley forever
Peter Solarz
seen from United States
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seen from Jordan
seen from Canada
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@evictedfromdreamland
For anyone who's interested, I have a blog where I write in-depth about the kinds of things I post about here.
If you like my Tumblr, you'll probably like the blog too. Give it a read.
You can also follow me on Instagram through @ex_plain_it
Explore the underground world of alternative culture, art, and ideas with Ex-Plain.
© Gabrielle Duplantier - Courtesy Galerie 127
Gabrielle Duplantier, Wild Rose
Dust kicks up in front of the view of a partially destroyed tower in the scorched enclave.
🎮 The Forever Winter
monochrome monday
follow along on #YouTube for more
Bernd & Hilla Becker, Watertower, 1960
Prison of Husks
Official Demo Trailer
Website / Steam
Metal Garden, by Tinerasoft.
You nonetheless find the familiar step of your nomadic wanderings returning; the promise engraved in every mile travelled that the seeking itself is the answer.
METAL GARDEN (2025), Tinerasoft
henry draper. glass positive of the sun. 1876.
Egon y Edith Schiele acompañados de Paul Erdmann, sobrino de Edith. Fotografía de Johannes Fischer, ca. 1915.
Marchesa Luisa Casati
cindy lee - just for loving you i pay the price
“I keep learning over and over and over again in different ways to just obey my intuition, and if I like the results, I don’t need to answer any other questions.”
— Caroline Polachek on making work that’s useful – The Creative Independent
“Finish each day and be done with it. You have done what you could. Some blunders and absurdities no doubt crept in; forget them as soon as you can. Tomorrow is a new day. You shall begin it serenely and with too high a spirit to be encumbered with your old nonsense.”
— Ralph Waldo Emerson (via childrenofthetao)
Eugène Carrière, The Sleep, before 1897, crayon lithograph with scraping on chine collé, 39.9 x 49.2 cm; image: 33.8 x 42.8 cm, National Gallery of Canada
"When I use the autobiographical, it is as artifice. It is not an invitation to witness transparency."
--Dionne Brand, To Recover Belongings from a Wreck
