sylva santagar
Sylva laughed, finding some novelty in Desmera’s matter-of-fact way of speaking. She seemed so sure of every word that fell from those red-painted lips and it was a refreshing change from the um-ing and ah-ing that characterized her art-industry colleagues. The time she’d had waiting had been put to use deciding in advance what she would have - a house-made gnocchi in a roasted capsicum sauce that had instantly caught her eye. When the server came to pour their wine, she took the opportunity to order, wanting to keep things moving when it seemed Desmera had a million things to do in her busy schedule, requesting the gnocchi and then handing over to her company to order. It was the professional thing to do, even if it were at odds with the fact she felt a little as though she’d like to sit here and listen to her talk about art for hours on end.Â
She could claim to be many things, but humble was not one of them. The first sip of wine was accompanied by a knowing shrug, and a smile. Sylva thanked the server and then turned back to their conversation, holding the glass aloft on the way to her lips. “This is good - whoever made it really knows what they’re doing.” She smirked, knowing full well who that person was. There was also no attempt made to hide how impressed she was with Desmera’s opinion of the merit of the Hightower - clearly she was not the kind of collector who threw her money thoughtlessly wherever trend and prestige lead her. “As would I. To think paintings of such high skill and beauty derivative seems a crime to me.” Â
Sylva’s area of expertise was Dornish art, though she had spent a little time studying the practice of artists from the Iron Islands and the North while still at university - art from the Reach, however, had become an obsessive interest for her ever since taking the job as curator for the Oldtown Museum of Art and getting her hands on the capital of the Reach’s beautiful collection. She’d come across a few works by Norcross in her time here, beautiful, tender pencil drawings of figures one could not help but become fond of. Sylva had a print of one - two women walking in a garden - stuck to her fridge. “I think I’ve read about that somewhere… but I assumed it was lost or buried in a collection without anyone knowing its significance as most of her works are.” Sylva breathed a sigh of excitement, though it was subdued as ever for a woman who wore nonchalance like armour. “I’d love for it to be seen the way Norcross intended it - if I can weave it into the exhibition, I think it would do wonders for putting her more on the map as is deserving of an artist of such high caliber that the history books have so often left out.” She puntuated her pause with a sip from her wineglass. “Of course, that is if you’d be willing to lend it to me- us, I mean.” Sylva corrected, collected as ever despite realising that she was thinking of this all too personally, too fast.Â
Desmera ordered the salad, as usual, and as she took a sip of her wine, she could not stop the crinkle of her eyes at the corners as Sylva smirked. She supposed it was rather bold of her to choose the wine that she produced, but Desmera was not the type of woman to try new things just to see if they would suit in a business setting. “The winemaker I employ is quite good,” she agreed with a wry smile. “He knows how to work with my vision and does not seem to find me incredibly micro-managerial. I am thankful for that at least.” She took another sip. “Sometimes I think that art should simply be. There does not always need to be a purpose behind it other than enjoyment. It is why I am so selective of which organizations I will lend some to.” Desmera offered a small smile. “And I will admit sometimes I am simply selfish. There are some pieces that I’ve been hounded about for years now and I am certain some experts would be scandalized that I simply…hang them in my home.”
It was clear that they saw art similarly and Desmera found she was enjoying the conversation; it was rare for her to enjoy a business meeting so much. “There are so many rumors about the Redwyne Collection,” Desmera allowed, her lips quirking up at the corners. “And what I may or may not have.” A shoulder rose in a catlike shrug. “I find that I’m not exactly amenable to enlightening the general public.” She took a sip from her wine glass before sitting it back down on the table – making a mental note to have her assistant inform the sommelier that Arbor Gold of this vintage should be served approximately five degrees colder – hand remaining around the base should she want another sip. There was something incredibly endearing about Sylva, about her passion for art; so many curators that she met seemed interested only in the prestige and not in the art itself. Desmera inclined her head. “I would not have mentioned it if I had no intention of offering it. I’ve no desire to keep all of these pieces in climate-controlled storage facilities where no one can enjoy or learn from them,” she responded, hoping her words were not too blunt for the other woman; Desmera did not often mince words and though she could maintain social niceties, she did not couch her work speak in pretty little words that meant nothing. “My assistant will need to figure out if the dates of the exhibition align with other commitments, but I do not believe either the Norcross charcoals or the Hightower still life are committed to any other shows until next autumn. They are yours if you want them, for the exhibition of course.”













