Joel Grey in his dressing room at the Imperial Theater in 1987, preparing for a performance in “Cabaret.” || ph. Sara Krulwich
Aqua Utopia|海の底で記憶を紡ぐ
will byers stan first human second
NASA
styofa doing anything
cherry valley forever

titsay
Misplaced Lens Cap

祝日 / Permanent Vacation
Cosmic Funnies

Kiana Khansmith
almost home
I'd rather be in outer space 🛸
🪼

⁂
Cosimo Galluzzi

Product Placement

❣ Chile in a Photography ❣
Claire Keane
occasionally subtle

izzy's playlists!
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@theatrewings
Joel Grey in his dressing room at the Imperial Theater in 1987, preparing for a performance in “Cabaret.” || ph. Sara Krulwich
Martin Freeman (106/366)
Rehearsal of The Dumb Waiter (2019)
Danny Dyer (Ben) and Martin Freeman (Gus) in a one-act play about two hitmen awaiting their next job.
Directed Jamie Lloyd
Writer Harold Pinter
Working with untrained stagehands is always so interesting
Ben Daniels in Rehearsals for Man and Boy at the National Theatre, London UK (2026). 📸: Manuel Harlan. Source
It was the first 1984 rehearsal tonight. Being a producer and director can be stressful but when you all get into a room and it all just slots together the buzz is unreal. Love this cast. 😍
King Lear performed in the fire-damaged ruins of Teatro Municipal de Lima (c. 1999), conceived by architect Luis de Longhi
📸 NEW | Rosamund Pike in rehearsals for the National Theatre’s ‘Inter Alia.’
Ph. Manuel Harlan
[via Deadline]
ruth wilson in a moon for the misbegotten
Meet Africa, our ASM on 1536, who keeps the pears, peas & props in perfect order (with a dash of backstage silliness) 🍐🫛🌿 We’re thrilled to
Dionysus Theatrotheos
"The God of Theatre". This epithet suggests that Dionysus sustains the art of theater. Through the devotion of his followers, theater has become inseparable from him. He does not only influence theater, but becomes theater itself and its very essence. Every part of the stage reflects his presence, embodying the spirit of theater in every play.
Tom Hiddleston as Benedick in Jamie Lloyd's Much Ado About Nothing
I think the best thing about liking theatre is that when you get a little crazy about a character (in any way shape or form), you can wear their skin if you like. You can say their words and perform as them in front of an audience and for a play’s duration you have as much claim to that character as anyone else who’s ever performed them has. And it’s literally the best way you can honour them and keep them alive. Which is my biggest issues with movies and tv shows and all that is it’s seperate and only really ever one idea done with one set of people, and if the same idea keeps showing up it’s generally a bad thing. But with theatre and performing arts, you can do the same thing over and over with different people and it fucking rocks every time
Backstage Glimpse of a Dramatic Stage Performance
Benedict Cumberbatch for the National Theatre Live.
Natalie Wood - Romy Schneider - Vivien Leigh
Edward Hopper First row orchestra 1951 oil on canvas
Costume of a Harlequin (costume of Harlequin, jacket). Germanischen Nationalmuseum Nürnberg