he’s got a chronic case of pathetically sad face
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@thebaked
he’s got a chronic case of pathetically sad face
the art of touch in Crash (1996), dir. David Cronenberg.
listening to pulp and saying "thank you jarvis" every time jarvis cocker sings anything weird or makes any weird noises
i'm right
ER S01 E19 "Love Labor Lost" (1995) | The Pitt S01 E13 "7:00PM" (2025)
JOHN CARTER ER I Season One
David Dastmalchian as Johnson in Reprisal (2019)
Anderson should make an Asteroid City spin off but it’s just two hours of various shots and clips of Jones Hall chilling I think
Emotionally flailing from 2023 and then rewatching Asteroid City makes everything alright for a while.
someone needs to conduct an academic study on why guys such as jason schwartzman and paul dano possess that certain charm that draws in lesbians from every corner of the world
Cooper wearing Phil’s hat ❤️
i love the line “i still don't understand the play”, it's one of my favourites in the film, because it conveys so much and it perfectly encapsulates many of the themes of the film: it's about grief and how we can't fully understand death; it's about how art is subjective and how we sometimes express things through it subconsciously, how we are compelled to create without fully understanding what we're doing, how even Conrad can't give a definite explanation of what his play is about or how Midge isn't sure if her character is a ghost; it's about searching for meaning and our purpose in the universe; it's about not knowing why we do the things we do, why we burn our hand on the quickie-griddle or why we keep getting our heart broken every night; it's about not knowing how to move on, not understanding why it is important for three little girls to bury their dead mother next to an unmarked cactus but accepting it anyway; it's about not knowing how to feel or react in certain situations.
few things make sense in life, there's so much we don't understand, and maybe we're not meant to fully understand it. but it doesn't matter, just keep telling the story.
I find it hilarious how some shows can’t manage to write good queer characters for like 15 seasons and Wes Anderson is out here nailing it every single time in his one hour and something movies.
He also read us pretty hard that one time:
The text and subtext of Conrad being gay and living his life through his art and Schubert being possibly bisexual and living through his art in a fantasy world and Jones being gay and having his heart broken every single night on stage which ultimately leads to his heart being broken in reality at Conrad’s death, there’s something about being an artist and being consumed by your work but also simultaneously about having a life where you’re too scared of the repercussions of what you want. The parts of the movie in color as the play itself and then the black and white as the context and textual subtext behind a queer reading of the narrative.
he tries to be sweet for once and this is how it went
Wes it's not even an ask at this point it's a need to reunite these two
he walks so fruity