Beneath the Golden Willow by Ed Perkins
Color Me Curious

if i look back, i am lost
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Beneath the Golden Willow by Ed Perkins
Dolores Marat
Willy Ronis, Vincent et le chat, Paris, 1955
CRISS CANNING, Green Chrysanthemum, 2016
Random thing for people to consider is that since Laika is the saint of one way trips should Felicette be known as the saint of safe landings since she did make it back to the ground safely
jean paul gaultier ss09 haute couture look thirty-eight
MALICE MIZER
Illuminati visuals;
Merveilles
Paolo Sebastian “Once Upon a Dream” Spring 2018 Couture Collection
Archibald J. Motley, Jr. (American, 1891 - 1981) • Cocktails • c. 1926
Vampire Levitation | Takato Yamamoto
Flowering Plum and Moon by Ohara Koson
alice auaa fall 2012
“Autumn Maples with Poem Slips Date:
c. 1675
Artist: Tosa Mitsuoki
Japanese, 1617-1691
ABOUT THIS ARTWORK
“Japanese aristocrats engaged in the elegant custom of recollecting classical poetry while viewing spring and autumn foliage. In these delicate screens, premier court painter Tosa Mitsuoki meditated on the inevitable passage of beauty by depicting the melancholy hours after the departure of reveling courtiers. A cherry tree bursts into bloom on the right screen (seen here at top), while its mate displays the brilliant red and gold foliage of maples in autumn. Slips of poetry, called tanzaku, waft from the blossoming limbs, the remaining evidence of a human presence. Courtiers (whose names are recorded in a seventeenth-century document) assisted Mitsuoki by inscribing the narrow strips with quotations of appropriate seasonal poetry from twelfth- and thirteenth-century anthologies. The screens were either commissioned by or given to Tofukumon’in (1607–1678), a daughter of the Tokugawa shogun who married the emperor Gomizunoo (1596–1680). In an era otherwise marked by increasing control of the feudal shogunate over imperial prerogatives, this royal couple encouraged a renaissance of courtly taste that nostalgically evoked the past glories of early-medieval aristocratic life.
— Entry, Essential Guide, 2013, p. 110.”