Name: Currently, Cordelia Verges (prev. Chirashree Lamsal) Occupation: Seamstress Age: 226 (appears 33) Sexuality: Aromantic Asexual (but she is not sex-averse) Species: Vampire Clan: Pretorius Hometown: Kathmandu, Nepal Relationship Status: Single (so long as you don't count that one questionable marriage -- she sure doesn't) Personality Traits: charismatic, cunning, dexterous, observant, manipulative, cowardly
Biography (tw: slight colonialism, dubious consent/forced marriage):
Chirashree, her parents named her. A girl of everlasting beauty. How funny things seem, prescribed into a life from the start. The threads of fate immovable and unchanging.
Born in Nepal in the very late 1700s after its unification, even more of her life was determined by the machinations of powerful men, untouchable, woven into their very nation. Political life was so far above her head, raised in a humble family and taught the art of textiles -- she learned handloom and eventually Dhaka weaving, enjoying the act of taking such small things as thread and weaving them into powerful swathes, colorful and united and infinitesimally intricate.
Chirashree's skills eventually caught the attention of one of the noble families taking up power in the restructuring of the kingdom and she was hired in their service for some time as a young adult. Consorting with high class families, she wasn't exactly able to find a suitable marriage partner, but that didn't bother her. She liked to do her work and listen to what morsels of political talk she could gather. The girl continued her work in this way through the Anglo-Nepalese War. And while it still concerned her family she hadn't found a husband, she did find passage back to Britain to bring her textile work to wealthy European families.
It was there she found that sitting and listening while she did her weaving work would not be the same -- there were cultural and language barriers that would take some time to cross, and while her fabrics were beautiful, they didn't fully fit the styles of en vogue British garb. So Chirashree learned to adapt and weave new fibers into her loom, both literally and metaphorically. A well-to-do man named Alastair Bell took an interest in her work and offered nights to teach her Shakespeare while she worked on sewing ladies' dresses. He seemed outwardly charming (and rather pale) and she was taken by a number of the literary heroines -- namely Lear's Cordelia, as well as Helena, Beatrice, and Casesar's wife Calpurnia.
But it's Cordelia most of all, for her refusal to play the political game of her father and sisters. Her unwillingness to say whatever it is her ailing father needs to hear simply for the sake of amassing power. It's fascinating to her, having grown up around the egos of men in politics. What a beautiful thing it would be not to have to serve their whims -- and yet, Cordelia is punished throughout the story. Chirashree took note of this with interest.
They continued to meet at night and eventually, her latest dress was completed -- white and delicate, lacking any of the color of her usual weaving work. And unbeknownst to her, this entire time, Alastair had commissioned it with the explicit purpose of marrying the girl, who had little say in the matter -- it was as if the man or the societal standards were compelling her to accept, even if she did not love him in that way. Would and could not say it back to him the way he wanted to hear, like Cordelia in the story.
In Nepal, she had heard stories of the brides in red, the ghostly women called kichkandi who drained the life from victims and made their nightly homes in cemeteries. They were known to be solitary spirits, tortured in life and restless in death. But it was just a story, and stories didn't walk the living world. Until they did, as she died in the arms of Alastair while crimson blood leached into the delicate fabric of the gown she'd spent so long working on. It was to be her burial shroud, as the vibrant color she was accustomed to blossomed in between every fiber. Chirashree died that moonlit evening -- Cordelia is who later woke up.
Their wedding wasn't legally binding, but it was lethally so. More a symbol than a ceremony, it was an assertion of power, a microcosm of the political turmoil in which she'd been raised. Over time, her sire's own true colors began to bleed into everything they did. Just as he'd taught her Shakespeare, he now instructed her how to feed and kill. How to talk and act her way around the specific set of rules that now governed her unnatural existence. How to be his perfect bride in red. But Alastair grew colder once she became more aware of the heart he lacked. He was cruel and controlling and obsessed with Cordelia -- and for all her cunning, she was quite scared of what he had made her into, at first. So Cordelia in turn made herself a patchwork afterlife, taking threads from other stories to fashion herself a woman of innumerable experiences, capable of being the protector she had needed.
But the world grew quite constricting under Alastair's thumb, and like any ill-fitted garment, lengths needed to be taken out. Sometime after several decades of planning and waiting, she managed to escape him, leaving him in a sorry state. He was old and unchanging, stuck in the ways of his vampiric tradition. And while some traditions deserved to be upheld and preserved, others were worth rebuking. Cordelia fled, spending time stalking throughout Europe for nearly a century before finding her way to the Americas. Occasionally, letters from her sire would find her, and each time they did she took a new name and story for the strangers she met.
As she traveled, Cordelia gathered scraps of information with which to cloak herself, to protect herself. She had an observant eye and a keen ear, able to enter conversations she had not been invited to (thank goodness, that vampire ruling only applied to the household, in her experience). She took to sewing things into the lining of clothes, hiding secrets in the seams -- and most preciously, weaving private messages into the warp and weft of her personal garments. Dhaka, damask, and other traditional textiles remained her art, as she kept her hands sharp as her fangs in their work. Cordelia was able to additionally amass a small amount of fortune against the changing tides of modern fashion.
In the mid 1970s, she came to settle in the town of Port Leiry -- recently repaired from a devastating typhoon -- and set up a storefront from which to do her work, these days known as Seam Queens. While there isn't much industry in selling fabrics to tourists, Cordelia serves the longtime residents of the town. She does most jobs by appointment only, typically working nights while her associates greet customers during the daytime hours. Repairs, cleaning, alterations, even custom garments -- you'd be surprised by how much information can be gathered from clients, their requests, and the urgency. And she's a dab hand at removing blood stains, from experience of course.
Lipstick stains on a gentleman's collar, a bride losing weight from the stress of the ceremony, something torn by a wild animal... While the majority of them weren't the nobility she was used to, she loved the information all the same. It helped her weave together a fuller tapestry of the town and her place in it. In the same way, she finds the act of compulsion on humans less fun than simply talking her way through with sheer cunning and skill -- she's deft at weaving what she wants into her words as well as her textiles. When confronted on her scheming by those of higher standing, though, she tends to lose composure -- her deep shame is that she's a coward who prides herself on being untouchably secretive, but sometimes if others are nimble enough to outpace her work, the threads can get tangled and ruin the weave of her plans.
Currently, the closest she can get to the upper castes of the city is keeping her eye on a certain erratic, grieving representative of Clan Pretorius. Cordelia is biding her time, gathering information, and waiting until the day the story changes -- and Lear's youngest daughter takes the crown.
---
Wanted Plots / Connections
Her Sire, Alastair Bell (looks about 40, of European descent, other details UTP)
A staunch traditionalist, potentially the inspiration for the legends of Jack the Ripper. At first he appears generous and kind, but he is manipulative and controlling. Obsessed with Cordelia, has killed and attempted to sire other women to replace her but it never works. He occasionally sends her letters to remind her that he's out there. This relationship is toooxic.
Clients who have used/regularly use her services
Cordelia is happy to service anyone with sewing/textile needs, though she is wary of hunters and won't always help them unless they have good reason or information.
Clients who prefer her... information services.
While she's quite protective of the things she knows and the knowledge she acquires, she's always weaving threads together and would be happy to make connections for the right price.
Laure Stephens
Hi, boo. Watch your back. ;)












