sheepfilms
Show & Tell
YOU ARE THE REASON
art blog(derogatory)
h
Mike Driver
Cosimo Galluzzi
official daine visual archive
he wasn't even looking at me and he found me
🩵 avery cochrane 🩵

oozey mess
2025 on Tumblr: Trends That Defined the Year
EXPECTATIONS
RMH

★
almost home

roma★

Discoholic 🪩
Not today Justin
noise dept.

seen from Chile
seen from Japan
seen from United States
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seen from United States

seen from China
seen from United States

seen from China

seen from United States
seen from United States
seen from United States
seen from Philippines

seen from Poland
seen from Italy

seen from France
seen from United States

seen from United States
seen from United States

seen from Malaysia
seen from Australia
@thedirectory
“On the older Metro stocks, the voyageur gets to open the door…This is done either by pressing a green button or, on the still older trains, by employing a winding motion to lift a steel latch called a loqueteau, whereupon the double doors spring violently apart as if they’d always hated each other.”
– Andrew Martin, Metropolitan: An Ode to the Paris Metro
“The overwhelming success of ‘hip’ advertising in the 1960s solidified the idea that youth culture possessed the most valuable asset to a successful ad campaign: being cool. Whatever young people were thinking, it needed to be appropriated and capitalized on. If they loathed consumerism, advertising employed anti-advertising tactics. To keep up with the styles of the time ‘typefaces and graphic design reflected new hallucinogenic styles as quickly as they could be invented.’”
– Caps Lock: How Capitalism Took Hold of Graphic Design, and How to Escape From It
Zoe Leonard
Josef Hartwig's 1924 model chess set
As Nilay Patel observed, the product of a social network is content moderation.
Twitter, Failure Modes, and Your Favorite Bar
Andor S1 (2022)
Varityper #phototypesetting disc #letterlibrary
John George Brown - Reading on the Rocks, Grand Manan (1855)
not the goncharov renaissance curing my art block
The Roaring Season