PUT YOUR BEARD IN MY MOUTH

#extradirty
Cosimo Galluzzi
wallacepolsom
"I'm Dorothy Gale from Kansas"
ojovivo
trying on a metaphor
occasionally subtle
will byers stan first human second
Today's Document

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taylor price
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Claire Keane
Peter Solarz

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blake kathryn

oozey mess
One Nice Bug Per Day

seen from Türkiye
seen from Azerbaijan
seen from United States
seen from T1
seen from United States

seen from Germany
seen from Japan
seen from Belgium
seen from United States
seen from Venezuela
seen from Türkiye

seen from United States

seen from United States
seen from Türkiye
seen from United States

seen from T1
seen from Finland
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@theelectricrainbow
Dennis Stock Music Festival, Venice, CA 1968
David Gilmour, Isle of Wight Festival, 1969.
Book stall in Sulaymaniyah, Iraq.
Photo by dastan khdir
YEMEN 1999
© Ferdinando Scianna/Magnum Photos
they hate it when you’re pretty and slightly off-putting
That 40 min walk to nowhere particular Will save your life
1969 Old Spice Gift Set Advertisement From the December 6th, 1969 issue of TV Guide (via: archive.org)
answer, i'm calling you on my ayrton senna helmet phone
me rn because my original shirt of choice was Kreator's 'pleasure to kill' with a big "ARE YOU READY TO KILL?" in red on the back before I was informed that was not very wise to go through security with so now I'm wearing a massive fucking red demon pentagram gorgoroth shirt because somehow that's the least offensive shirt I have
Paris, vers 1965/1966.
the girls that get it get it
One could say that Pelle ‘Dead’ Ohlin cemented the foundations of Scandinavian black metal aesthetics, with the corpse paint he pioneered back when MORBID were still together and then introduced into MAYHEM. Not only the facial design, but also how to frame it with body-language and decomposing attire adorned with various intricate details. His suicide and subsequent mythos sealed this portrayal in the genre permanently, with everyone wanting to look like a man so genuine he truly embraced death.
– One of the greatest tragedies of Pelle’s premature demise was that he was never given the time to grow, develop and explore his highly original artistic sensibilities. That’s a tremendous shame, and it’s no wonder that people underestimate him as an artist, not just as an amazing musician. We have so little left, such a dreadful loss." - Jens Näsström, Bardo Methodology #1
@the.old.mayhem on instagram
Listening to The First Disciple by Tamino like
Jaroslava Schallerová and Jiří Prýmek in Valerie and Her Week of Wonders (Valerie a týden divů, 1970)