Simone Weil, Waiting for God
i don't do bad sauce passes

Love Begins
Monterey Bay Aquarium
One Nice Bug Per Day
KIROKAZE

blake kathryn

#extradirty

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roma★
sheepfilms
d e v o n

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Keni

Kiana Khansmith

oozey mess
occasionally subtle

tannertan36
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Xuebing Du

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@thefoamofthedays
Simone Weil, Waiting for God
by Nikolett Emmert
Chen Chen, Your Emergency Contact Has Experienced an Emergency
Weightless Possibility
Artist Moonassi's official website. Drawings, prints, books, and daily blog.
very cruel to put this much love inside the body of such an unloveable creature
before sunrise (1995)
💬 0 🔁 1 ❤️ 5
시보다 용접이 좋습니다
솔직히 말하면
시보다 용접이 좋습니다.
좋다기보다 적성에 맞습니다.
시를 쓸 때는 좌절과 자괴감의 연속이었지만
용접을
지지고 있으면 그냥 일이 됩니다.
마음이 번다하지 않습니다.
용접봉을 놓고 돌아서면
또다시 이 생각, 저 생각 어지럽게 올라오지만
그래도
지지고 있는 동안에는 올라오지 않습니다.
난생처음 쉬는 것 같습니다.
일하는데
쉬는 것 같습니다.
네.
시보다 용접이 좋습니다.
To be honest,
I like welding better than poetry.
Rather than liking it, it suits me better.
Writing poetry was a constant cycle of frustration and self-loathing.
But with welding
being exhausted is just work.
My mind is not restless.
The moment I put down the welding rod and turn away,
once again,
this thought and that thought
rise up in a chaotic rush.
Still,
while I’m welding, they do not surface.
For the first time in my life
it feels like I'm resting.
I'm working
but it feels like resting.
Yes.
I like welding better than poetry.
모두가 자신의 무가치함과 싸우고 있다 (2026)
anything u think about YOUR life after 10pm is bs to be ignored. anything u think about a character’s life after 10pm should be posted about online and expanded on for paragraphs. :)
we are all trying here (2026) dir. cha young-hoon
I’m so grateful that so many things are none of my business
we are all trying here (2026) dir. cha young-hoon
The psychological thriller of figuring out what you want and what you’re going to do about it
god, there is so much to digest about we are all trying here's ending. and i will digest it, over the coming weeks, months, and maybe years, because this was never a drama meant to be watched in one sitting with you kicking your feet. it is a drama meant to be understood, deeply, and overall, a billboard sign from the writer park haeyoung to her own industry saying to protect art, protect our words, protect writers, protect poetry, protect what makes us human, no matter how much we remain failures, no matter if AI comes and erases us, no matter if we don't make $1 from it, that mark we leave will touch someone's heart.
these are not characters you make edits of. this is not a drama that'll land a subway CF in it. this is a drama that asks its audience to be smart and think about the dialogue and what each character represents.
hwang dongman may be the most complex male lead i have seen in a kdrama, perhaps ever. you root for him, you are embarrassed for him, you cry for him, you want to bang his head into the ground and stitch him right back up at the same time. and the three characters closest to his heart - eunah, jinman, and gyeongse, all represent each emotion within him. the anxiety of wanting to protect his brother, the unwavering support of eunah his soulmate, and the love/hate with him and gyeongse, who are somehow each other's muse and yet downfall, is just written so. goddamn. well.
at the end of the day, dongman's movie plot did not matter. we could gather it was something scifi, something melodramatic, something, something. but it moved those closest to him. he fought his worthlessness with his own words at the end, with his own humor. and i think that's what the drama was getting at; the scene between jinman and dongman, where he tells his brother i want to live humorously. i want to find HUMOR in the unrelenting pain and depression of our lives.......that is how we win. that is how we live, until the weather changes. like eunah's last dialogues say, how i wish i can live my whole life watching every terrible thing be comedic with you who makes it a comedy. weather maker hwang dongman's eternal spring; may it blossom over everyone who sat with this drama for these past weeks.
we are all trying here (2026) - episode 12
I wish I could spend my whole life just watching you. Even if you don't create anything great... Like now, it'll always be a comedy. Even when you step into a burning pit, it's still comedy. Depressing stories, sad stories, tragic stories... I want to keep watching you turn everything into a comedy.
모두가 자신의 무가치함과 싸우고 있다 (2026).
봄을 늘 기다립니다.
첫눈도 기다리고. 가을 하날도 기다리고.
기다리지 않는 계절이 없습니다.
지금인데.
봄여름가을겨울.
다 지금인데.
바람에 나뭇잎이 하얗게 뒤집어집니다.
Always waiting for spring.
Waiting for the first snow. Waiting for the autumn sky.
There's no season you don't wait for.
But it's right now.
Spring, summer, fall, winter.
It's all right now.
Leaves move in the wind flashing white as they turn.
모두가 자신의 무가치함과 싸우고 있다 (2026).
we are all trying here (2026) dir. cha young-hoon
We got 100 years at best. Everything disappears in 100 years... so does anything truly exist if it disappears? To lay those doubts to rest... you end up desperately writing stories [...] All stories are just cries that we exist.
모두가 자신의 무가치함과 싸우고 있다 (2026).
—Do you know what weather is? Do you know how terrifying... uncontrollable nature can be?
—I like how uncontrollable things exist. It makes me feel like... I might be something uncontrollable as well.
모두가 자신의 무가치함과 싸우고 있다 (2026).