DEAR READER
PUT YOUR BEARD IN MY MOUTH
NASA

if i look back, i am lost
wallacepolsom
Sade Olutola

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$LAYYYTER

@theartofmadeline
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"I'm Dorothy Gale from Kansas"

Love Begins

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Jules of Nature
Aqua Utopia|海の底で記憶を紡ぐ
Lint Roller? I Barely Know Her
will byers stan first human second
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@thefondfarewell
I think i’m sick and i want to go home
(via The Copenhagen Home Of Photographer Ditte Isager)
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If a poem holds only what we already understand and are comfortable with, we wouldn’t need the poem. Not to write it, not to read it. What we need poems for is their way of pressing beyond certainty, arrogance, and comfort. When we are unseated from ego’s throne, and we still have to find a way to live, when there is no chair or floor under us, what do we do? We look for what isn’t made of the simplest kinds of wood, glue, and joints. A poem is made of this world’s wood, glue, and joints—it’s still language, it’s still words, it still draws from our bodies and minds and this planet’s entire banquet of material and emotional and conceptual richness—but a poem is words somehow doing things that words can’t quite do. This allows us to think the unthinkable, to feel the unfeelable thing, to find ourselves and the world dismantled and continue to breathe, to live.
Jane Hirshfield, from an interview taken by Kim Rosen c. March 2013 (via violentwavesofemotion)
My life as a dog, John & Wolf | Tumblr
$1500/room in a shared space
Brooklyn ,NY
I Was Minor by Olena Kalytiak Davis
In this life, I was very minor.
I was a minor lover. There was maybe a day, a night or two, when I was on.
I was, would have been, a minor daughter, had my parents lived.
I was a minor runner. I was a minor thinker. In the middle distance, not too fast.
I was a minor mother: only two, and sometimes, I was mean to them.
I was a minor beauty. I was a minor Buddhist. There was a certain symmetry, but it, too, was minor.
My poems were not major enough to even make me a “minor poet,”
but I did sit here instead of getting up, getting the gun, loading it.
Counting, killing myself.
the politics of light and dark are everywhere in our vocabulary…psa to writers: subvert this, reveal whiteness and lightness as sometimes artificial and violent, and darkness as healing, the unknown as natural
Some ideas for bad things that are white/light:
lightning, very hot fire
snow storms, ice, frost on crops
some types of fungus/mold
corpses, ghosts, bones, a diseased person
clothing, skin tone, hair, etc. of a bad person
fur, teeth, eyes of an attacking animal/monster
bleached out deserts, dead trees, lifeless places
poison
Some ideas for good things that are black/dark:
rich earth/soil
chocolate, truffles, wine, cooked meat
friendly animals/pets/creatures
a character’s favorite vehicle, technology, coat, etc.
a pleasant night
hair, skin tone, clothing, etc. of a good person
undisturbed water of a lake
the case/container of something important
valued wood, furniture, art
velvet
Think to burn, to infect, to bleach vs. to enrich, to protect, to be of substance.
From tiny experiences we build cathedrals.
Orhan Pamuk, The Art of Fiction No. 187 (via theparisreview)
Small things to improve your life
change your bedding each month wake up early (at least before 8am) spend time with friends fairy lights everywhere wash your face daily moisturize regularly bake some treats don’t wear any make up clean your room at least every two weeks run outside get a new towel regularly invest time in cooking awesome meals discover new music spend less time online take your vitamins eat lots of fruit light some scented candles only go to bed to sleep (chill on the sofa) open your room’s windows have hot showers
Fig Mtn this morning
Alfred James Munnings (English, 1878 - 1959)