Krystyna Sienkiewicz photographed by Zofia Nasierowska.
art blog(derogatory)

祝日 / Permanent Vacation
wallacepolsom
Mike Driver
d e v o n
Aqua Utopia|海の底で記憶を紡ぐ
Xuebing Du

Product Placement

Kaledo Art
noise dept.

No title available
Alisa U Zemlji Chuda
Cosimo Galluzzi

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YOU ARE THE REASON
ojovivo
Show & Tell

roma★

JBB: An Artblog!

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@theforeverlook
Krystyna Sienkiewicz photographed by Zofia Nasierowska.
analogue-jugend: chloë sevigny with a throbbing gristle vinyl album and (gulp!) a george michael cd - source unknown
Anatomically correct, Juana Gómez
I remember this scene and it still cracks me up.
This is basically an Adam Sandler movie today, unironically.
Psh. No Adam Sandler movie can even try to compete with this cinematic masterpiece. Duh.
No other, Gene Clark
VALENTINO Pre-Fall 2015 - Details
Bill Murray on Gilda Radner:
"Gilda got married and went away. None of us saw her anymore. There was one good thing: Laraine had a party one night, a great party at her house. And I ended up being the disk jockey. She just had forty-fives, and not that many, so you really had to work the music end of it. There was a collection of like the funniest people in the world at this party. Somehow Sam Kinison sticks in my brain. The whole Monty Python group was there, most of us from the show, a lot of other funny people, and Gilda. Gilda showed up and she’d already had cancer and gone into remission and then had it again, I guess. Anyway she was slim. We hadn’t seen her in a long time. And she started doing, “I’ve got to go,” and she was just going to leave, and I was like, “Going to leave?” It felt like she was going to really leave forever.
So we started carrying her around, in a way that we could only do with her. We carried her up and down the stairs, around the house, repeatedly, for a long time, until I was exhausted. Then Danny did it for a while. Then I did it again. We just kept carrying her; we did it in teams. We kept carrying her around, but like upside down, every which way—over your shoulder and under your arm, carrying her like luggage. And that went on for more than an hour—maybe an hour and a half—just carrying her around and saying, “She’s leaving! This could be it! Now come on, this could be the last time we see her. Gilda’s leaving, and remember that she was very sick—hello?”
We worked all aspects of it, but it started with just, “She’s leaving, I don’t know if you’ve said good-bye to her.” And we said good-bye to the same people ten, twenty times, you know. And because these people were really funny, every person we’d drag her up to would just do like five minutes on her, with Gilda upside down in this sort of tortured position, which she absolutely loved. She was laughing so hard we could have lost her right then and there.
It was just one of the best parties I’ve ever been to in my life. I’ll always remember it. It was the last time I saw her.”
- from Live from New York: an Uncensored History of Saturday Night Live
Harriet Andersson and Lars Ekborg in SUMMER WITH MONIKA (1953) directed by Ingmar Bergman
Chris Stein and Frank Infante, 1975
Sara Serna
“I knew I wanted to sing, and I wanted to sing rock ‘n’ roll.” — Ronnie Spector The Ronettes, 1966
When women used to be depressed or were not “taking care of their men” properly their husbands could send them to the psych ward for attitude adjustments. This was part of conditioning them to always wear a smile. They believed that if a woman saw herself smiling that it would become natural practice and that she would be “cured”. This often went along with shock therapies.
CREEPY.
Jesus