Emotions are hard, Stabbing is Not-Romeo and Juliet #6
Romeo and Juliet has opened and closed this past week (hence the missing Thursday post) and I had the chance of sitting down with out lovely director for few minutes and asked her some questions. More Romeo and Juliet coming in the next couple of weeks!
Hello! Please state your name for the court record:
My stage name is Natalie Faye (also my internet name)
So, what do you do in a theater?
Exist very contently. I am currently in the role of director. However I am full time freak and geek within the walls of a performance space.
Student directors are not very common at the high school level, what made you want to pursue this track in theater?
I was a bad actress. Also, it’s fun.
Because high schoolers can be difficult and life be hard. And budgets are a thing.
What has been your favorite moment as a director for Romeo and Juliet so far?
There’s a few: The first was getting my script bound because it was really nerdy and it was something that made me really excited. The second was casting it and doing the first read through. I just really liked seeing the decisions that I made pay off. Convincing Moon to cast females in role traditionally played by men was a huge victory for me and it meant a lot. And the last one would be when I was in ASB and we were talking about the show in class and someone turned to me and said, “Hey, you’re directing it. It’s going to be great” and then we talked about it for all of ASB for the like the next 10 minute. It was really fun.
Do you think that opening night will be added to the list?
I think that opening night will be an experience that....it will be something which can only be defined by whether or not I’ve had a chocolate chip cookie that day. It sounds ridiculous but there is point to what I’m saying. I’m serious.
If I’ve had a CC Cookie that day and it wasn’t poisoned and I am alive—I’ve had a cookie and nothing can go wrong. If that is the case, then I am alive, someone else has had my cookie, and there is a much larger problem than whatever happens with the show.
Willing to share your least favorite?
I think the worst was actually at the very very beginning. When my original concept was trashed that was really disheartening. But I think actually ended up working out in my favor because the progress I have made as a director and an artist with restriction are far more valuable than if I gotten what I wanted.
Has anyone surprised you during the course of rehearsals?
I think there are people that have surprised me in a negative manner and have done much less than I expected of them. But I think that overall what I expected of my cast was high, the demands were high, them living up to them is just me reassured that I made the right casting choice than being surprised that they could handle it.
Have you surprised yourself at all?
Yes. I don’t think I knew I was, I didn’t realize how invested I was in little details more so than big picture. I think as director I need to learn to see big picture in tandem with the little details.
Do you have a favorite scene in the show?
I do. I have two. I really love the opening for act 3, our fight scene. I love that scene, it’s so good. I’m actually a really big fan of our party scene. It’s not the best scene in the show, but it’s one of my favorites because of our history with it in our production. There has been a lot that’s gone into it.
What are you most excited for the audiences to see?
The swords. The implied sex. And those ridiculous masks.
Which scene took the longest to stage?
The Queen Mab scene had a lot of work that went into it and figuring out our opening scene and actually running it with the cast was a large undertaking.
Spotlight on: The amount of sponges covered in Ben Nye Makeup that have been strewn about the greenroom and dressing rooms. They served us well.