THE HAPTIC TIMES

This is a place for those who love expression in print and analog format.

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Keith A. Smith, Back and Forth, Book Number 108, Visual Studies Workshop, Rochester, NY, 1985 [Jonathan A. Hill, Bookseller, Inc., New York, NY]

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Patti Smith on the cover of music magazine Fool’s Mate in Japan, 1988.

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Rubbish FAMzine #12

The latest issue of Rubbish FAMzine is out this week! We take a look through this twelfth in the series from Singapore, this time titled, ‘T

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Research Guides: Researching Magazines at The New York Public Library: Home

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— 🎟 La Scala 📍 Paris, France 🎥 — 🗓 ~1960s

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Cover for Dreary Modern Life, 2014

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'My Back Has Eyes' - Designed by Kristyan Sarkis

'My Back Has Eyes' is as powerful a statement as it is haunting. It represents the struggle of every persecuted community and individual since the dawn of time. Inspired by the song where the sentence originates, the aim of the piece is to translate the grounded power and connection of women across generations. Stylistically, It is meant as a tribute to the Palestinian cross-stitching patterns and technique, a painstaking craft prominent among Palestinian women. This piece is dedicated to every person who has felt the need to grow eyes on their back to protect themselves. Giclée print on Hahnemuhle Photo Rag Smooth. Limited edition of 50 prints, numbered and signed.

As this piece was inspired by and made for persecuted individuals and communities, 100% of the proceeds will go to the Palestine Children’s Relief Fund (@thepcrf) in support of the children of Gaza.

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A Magazine Curated By Grace Wales Bonner

Issue N°22 has been curated by the British fashion designer Grace Wales Bonner.

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This Project From Onion Design Was Inspired By the Humble Library Card

Onion Design Associates recently created the “One-Day Pass” for the design library inside the Taiwan Design Research Institute.

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Tenderness: A Black Queer Meditation on Softness and Rage (Second Edition) — co—conspirator press

TENDERNESS: A BLACK QUEER MEDITATION ON SOFTNESS AND RAGE (SECOND EDITION) *Please give your order up to one week to ship Tenderness is back

From author Annika Hansteen-Izora via Co-Conspirator Press

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Untitled (Fear is the Most Elegant Weapon...), from Inflammatory Essays | The Art Institute of Chicago

Jenny Holzer, 1979/82

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W. E. B. Du Bois's Data Portraits: Visualizing Black America

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via Printed Matter:

S.M.S. No. 3 — 1968 Artist Magazine

"We're excited to share a new selection of the artist magazine S.M.S. (Shit Must Stop) published throughout 1968 by The Letter Edged in Black Press, founded by William Copley and Dimitri Petrov. Conceived as a utopian/democratic meeting ground for artists' projects of all kinds, S.M.S. contributors were not given any direction or restrictions on the work they produced for the bi-monthly portfolio. Whatever the artists created, Copley and his assistant Dimitri Petrov reproduced with scrupulous fidelity to the original. The work ranged from the purely conceptual to the carefully crafted, from well-known and unknown artists alike. Subscriptions were sold and the portfolios were sent through the mail. Issue No. 3 features work by Dick Higgins, Hannah Wiener, John Battan, William Bryant (Billy Copley), Enrico Baj, Aftograph, Roland Penrose, Man Ray, Joseph Kosuth, Ronnie Landfield and H.C. Westermann. The slipcase portfolio is by John Battan."

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georgia peach shoot

NOV2021

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Gossamer Volume 8: Space

The one with the half-inch hole drilled right through the center of it.

"For this volume, we wanted to focus on the intangible and unknown, and the ways in which we fill space—with objects or ideas, silence or sound, religion or drugs. You’ll find Conversations with How Long Gone host Jason Stewart, photographer Pia Riverola, entrepreneur Kenisha White, astrophysicist Janna Levin, and Gorilla Rx founder Kika Keith, the first black woman to own a dispensary in Los Angeles and whose work in cannabis is a reminder that making space matters."