🎵https://soundcloud.com/articulatedsounds/busy-streets-demo🎵
$LAYYYTER
One Nice Bug Per Day

oozey mess
Jules of Nature
h
Aqua Utopia|海の底で記憶を紡ぐ
Lint Roller? I Barely Know Her

⁂
Three Goblin Art

No title available

blake kathryn
KIROKAZE
Sweet Seals For You, Always
Game of Thrones Daily
he wasn't even looking at me and he found me
🪼

Kaledo Art
"I'm Dorothy Gale from Kansas"
Cosimo Galluzzi
let's talk about Bridgerton tea, my ask is open
seen from Dominican Republic

seen from Australia

seen from Indonesia

seen from United States
seen from Brazil
seen from Saudi Arabia
seen from United States

seen from Türkiye

seen from Türkiye
seen from United Kingdom
seen from United States

seen from United States
seen from Israel

seen from United States

seen from Netherlands
seen from Russia
seen from Albania

seen from Australia
seen from Brazil

seen from United States
@themaeeffect
🎵https://soundcloud.com/articulatedsounds/busy-streets-demo🎵
When I Learned to Talk to Strangers
Along 32nd Avenue, string lights and graffiti were a stone’s throw away at all times. Riffs from musicians with cups for spare change and radio coming from the restaurant patios spilling out from converted brick houses, mix with the honking of cars trying to part the sea of people walking down the middle of the road. The air was muggy and thick that night.
I have never been the type to enjoy engaging with strangers. I don’t make small talk on elevators, nor say hello to the person beside me on airplanes. But the stillness she held amongst the bustling activity of 32nd Avenue that night made me pause to read the hand-painted sign propped on the cement beside her. It read “Spontaneous Poems”. She sat on a wooden chair on a street corner along one of the most cultured and animated blocks in the city.
In front of her was a small table covered with a white tablecloth, slips of paper, and a pen. A glass jar was placed on one corner. Next to her on the ground was a tall tin vase packed full of long-stemmed red roses.
“What is this?” I asked, gesturing to her odd setup.
She laughed at my blunt greeting. “It’s a pay-what-you-can poem table.” She smiled warmly from behind thick-framed black glasses. She had short, dirty-blonde hair and a small elf-like nose. “You give me however much you want to, and I give you a spontaneously-written poem and a rose.”
“Okay, two things. Firstly, you missed out on the fantastic title ‘A pROSE for your troubles’. Secondly, do you actually make money off this? Aren’t roses expensive?”
“Poetry and prose are two different things. Well, maybe that’s a little pedantic… you’re right, that would’ve been a good name.” She laughed again, sitting up straight and leaning forward. “Secondly, it’s not about the money really, and I actually get these roses for free.”
I smirked. Curiosity got the best of me and, reaching into my back pocket, I pulled out an old toonie. I dropped the coin into her jar. “I would absolutely LOVE a poem and a rose, Miss.”
“You got it!”
She sat in silence for 30 seconds, tapping her pen against her lips, then scribbled on a small piece of creased beige paper.
After handing me a rose and the poem, I looked down at her scrawling handwriting. The verse read,
Festivals of leaves and trees,
have much more meaning than nights like these,
we’d sit in a meadow, so at ease,
if you’d look my way and notice me.
“Y’know the last line doesn’t rhyme, right?”
“Does it have to? No more questions,” her eyes twinkled, “I have another customer.”
I turned to see a couple, laughing tipsily, hands around each other’s waists. Before I can say anything more, she welcomed them to her table.
I strolled away and ducked through an alley, taking a shortcut home. The sounds of the grimy, eclectic street behind me began to fade like a memory even as I planned to return the following day.
The Unlikely Friendship of Mae and Sameer
Snip.
Snip.
Snip.
His clippers detached another rose from its bush, severing its relationship with the ground forever. He used to feel guilty about cutting flowers, but now thinks of it like a farmer’s harvest, a ritual of sorts. Being the gardener for a wealthy family didn’t give him flexibility to cave to a preference for growth and cultivation over the beauty of having bouquets on every table.
Sameer had been with the family for over 20 years now. For this long he’d managed to survive the eyes of the Mrs. that saw every fleck of dirt and wilted petal. He’d survived her pursed lips of subtle disapproval when the hydrangeas weren’t quite the right shade of yellow. He had crafted displays worth thousands for banquet after banquet and maintained the grounds that The Manor lay on to seemingly unattainable perfection. For the last seven months, he had paid extra attention to the quality of his work, to avoid attention or scrutiny - or the uncovering of his new secret partnership.
He had met her one day while delivering a bundle of roses that hadn’t met the Mrs.’ expectations to a florist in the city. This was a regular occurrence. The flowers seemed perfectly fine to the untrained eye, and this way they would find their final resting place in a nice family’s home rather than The Manor’s trash can.
“How much for the roses?”
He turned to see a young woman, probably in her early twenties.
“Oh, I’m not selling them, they’re extra from my work. I'm giving them to this florist to sell,” he said, pointing to the storefront across the street.
She then introduced herself as Mae, and went on to describe the remarkable way she spent her evenings, handing out poems and roses to strangers. “It started as a fun social experiment but has become very special to me. But roses aren’t cheap, so I may have to reconsider my business model. Unlesssss….” She eyed the severed stems he had in tow.
From that day onwards, Mae and Sameer were a duo united by a mutual desire to make the world just a little better: him through salvaging beauty deemed not up to snuff, and her by helping people pause during their busy days to receive a dose of kindness and creativity. Their deal was to meet weekly to exchange his rose rejects for a poem. He didn’t want anything in return, but she insisted. He enjoyed her writing, so this was the compensation they eventually compromised on.
One of his favourites was given to him the last time he saw her, two years to the day after they met. It began with a play on the first two lines of Emily Dickinson’s poem “Because I Could Not Stop for Death.” It read,
Because I could not stop for Death —
He tried to stop for me —
But I was not yet ready,
So I curtesied,
turned to leave —
He coughed and gestured warmly,
to the bare seat on His right,
but I was not yet ready,
So I waved,
and wished Him Goodnight.
Epilogue: What the Poem Might've Said
A soft glow wakes me up. As her pen continues its journey, a scene begins to take shape around me. Cedar, beech, and sugar maple saplings spring from the ground. Without hesitation they grow and swell until reaching their full potential, towering above me as if I had stumbled upon an old-growth forest. Lanterns hang from their lower branches. Strings of beads connect the space between adjacent trunks, wrapping around their tall wooden bodies like a colourful, solenoidal belt. Leaves plucked from the deciduous trees are attached after every 10th bobble.
Festivals of leaves and trees,
She moves her pen back to the left side of the page, like an old typewriter being reset after its ding.
“Why am I here?” I ask, but she cannot see nor hear me. The world beyond her seems foggy, unformed. She continues scribbling, working slowly as the words arrive to her from their home of Nowhere.
The sun sulks low on my horizon, tinting the sky with inferno hues before a deep indigo seeps in, like the dye of a new shirt bleeding into an unlucky sock. A feeling of warm weightiness that until now had been persistent, wanes with the onset of nighttime.
Now being conscious for more than a moment, reality outside my pocket of existence is becoming clearer. I feel like a patient testing new pairs of glasses. Her sense of clarity might not be much more than my own though, in the grand scheme of things.
“Do you feel the same way as me? Are things foggy to you too?” I ask, once again trying to connect without success.
have much more meaning than nights like these,
I prefer this forest to where she is right now, too. I can tell she is on a busy, smoky street corner; there is lots of movement just beyond my depth of field. The Sun set long ago where she is. I gaze away from her table, up at the garnished trees which are now only dimly illuminated by a cloudy moon.
I can now smell the forest, the yummy dirt scent. I move to one of the sugar maples and sniff the bark, a sparkle of sweetness subtly tinging the crisp, clean air.
The comma in her lines make me nervous, not knowing what is to come. Suddenly, I notice a clearing through the trees. I step into a meadow full of flowers. The grass feels soft, inviting me to sit down and relax.
A branch cracks. I look up to see a man walking along the perimeter of the clearing. Just as I think he will pass right by, he pauses, and turns to face me. He comes and sits down, looking both at me and through me.
we’d sit in a meadow, so at ease,
if you’d look my way and notice me.
Finally, a period, signifying the end. But what about her? I leave my new friend, quickly winding my way back to where I awoke. But he is here, too. Except he’s real this time, standing and watching her write a poem for him.
She’s done writing my story, it’s time for me to be read by someone new.
The last thing I see is her smile as I’m folded up and gifted away.