Text Post
Lorem ipsum dolor sit amet, consectetuer adipiscing elit. Donec odio. Quisque volutpat mattis eros. Nullam malesuada erat ut turpis. Suspendisse urna nibh, viverra non, semper suscipit, posuere a, pede.

if i look back, i am lost
Claire Keane
Keni
Sweet Seals For You, Always
One Nice Bug Per Day
Game of Thrones Daily
Acquired Stardust
AnasAbdin
Aqua Utopia|海の底で記憶を紡ぐ
Monterey Bay Aquarium
occasionally subtle
No title available
Lint Roller? I Barely Know Her
tumblr dot com
Jules of Nature
NASA

No title available
sheepfilms
styofa doing anything
Stranger Things

seen from Morocco
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from Malaysia
seen from United States

seen from United States
seen from United States
seen from United States

seen from Hong Kong SAR China
seen from United States
seen from Poland
seen from T1

seen from Poland

seen from Germany
seen from Türkiye
seen from United States
seen from United Kingdom
@theme-carter-2
Text Post
Lorem ipsum dolor sit amet, consectetuer adipiscing elit. Donec odio. Quisque volutpat mattis eros. Nullam malesuada erat ut turpis. Suspendisse urna nibh, viverra non, semper suscipit, posuere a, pede.
MATAJAN
#TREEHOUSE
CREATIVE DIRECTION HANNAH FAITH X SPACEY BLAK
Untitled, 1999
Sol LeWitt
https://soundcloud.com/popularbass
Presented by Gold Coast Trading Co, Kae sun – “So Much Things” Acoustic ( Lauryn Hill Cover) Captured live during a warm-up for his acoustic set at the Gasteig München, Germany – MMXIII
Great work from Dijon based design duo Atelier Tout va bien.
Street Etiquette Journal : Test shots 01 - Narada Wesonga
Ricky Yeung Sau Churk, Earth Art, Shek O, 1985
"Don’t Lose Your Head" Mixed Media Artwork, me
streetetiquette
Gebrauchsgraphik No. 1 1966 by sandiv999 on Flickr.
Ruth-Marion Baruch and Pirkle Jones, The Vanguard: A Photographic Essay on the Black Panthers, 1970.
In 1968, the wife and husband team of photographers Ruth-Marion Baruch and Pirkle Jones, who were interested in the counterculture movements of the 1960s in California, produced an extensive reportage on the Black Panthers for the Young Museum in San Francisco. Their aim was to promote understanding of the movement and counteract its negative social perception, fostered by the media. Their series showed an intimacy with the Black Panthers, beyond the military and gang connotations of their uniform, strategically adopted by the Party to counter the victimisation of the community and promote empowerment though an attractive self-image. Baruch and Jones revealed the under-represented side of the Panthers’ activity, their soup kitchens and social welfare services, as well as how they were repressed and attacked.