I've got questions. From the Isabella Psalter (1308).
Edited to add: It portrays a legend that tells of a panther that lured animals with its breath and then ate them. A perfectly wholesome tale for a twelve year old girl and explains much about the woman Isabella grew up to be.
Robert Eggers makes terrifying, stylistic horror films set in the past. “Nosferatu,” (2024) “The Lighthouse” (2019) and “The Witch” (2015) a
In this blog post, I address the ersatz Middle English in the upcoming film and link to a terrific blog post that respects what the film is trying to do, even if the author recognizes that its not pure Middle English, especially not Chaucer's Middle English. It's long and worth reading. I have to put that in because people are being rather snooty about the film in a way that exhausts me.
I'm far more interested in Eggers's lack of any nostalgia or romanticism of the past. He evokes fear of it, especially the deep past. While this may be unfair at times, it works as horror in a way that I'm not sure any other filmmaker quite gets. Even Ingmar Bergman adds a little romanticism to The Seventh Seal.
That's far more interesting to me than any discussion of accuracy.
Also, the font created for the movie is glorious. I will die on that hill.
This fictionalized version of The Peasant's Revolt looks interesting, despite going with the bleak, grey and ahistorical color palate that filmmakers think reads Middle Ages. I'd watch Andrew Garfield read the phonebook, and it looks like he's giving an epic performance as a Wat Tyler analog. Richard II is getting the full "Joffery" treatment as the villain.
Over on Reddit, a person asked a very good question about Edward II’s status as a “sexual minority” damaging his reputation as king. Here’s
I love questions like this because when you drill down, there's no easy answer and there's a long history of prejudice and misinformation to address. Edward himself would certainly not understand the question. I once spoke with one of his biographers, and she said his own understanding of his sexuality would be the thing she would like to hear from him most. I agree.
A cute little donkey in the marginalia of the Isabella Psalter, which Edward II gave to his child bride in 1308. She was twelve at the time, and the manuscript is filled with cuteness.
A curious incident in May of 1313 occurred when Edward II, who was about to depart for France with Isabella, sent six saracens (aka Muslims)
I use the negative painting very specifically here, because even though it dates from more than a century later, it shows how saracens were seen during the Middle Ages. So, that makes Edward II treating a group of saracens with generosity very curious.
This is also one of those cases where I hold out hope that new information may come to light. *crosses fingers*
A close up of Edward II’s effigy at Gloucester Cathedral, which is thought to be a good likeness. It’s a lovely, ethereal gothic tomb, and it is just one of the many worthwhile sights at the cathedral.
Edward III and Richard II pushed for Edward II’s canonization, and the tomb was built with the idea of turning Gloucester into a second Canterbury. That didn’t happen, but it’s still a magical place.
A close up of Edward II’s effigy at Gloucester Cathedral, which is thought to be a good likeness. It’s a lovely, ethereal gothic tomb, and it is just one of the many worthwhile sights at the cathedral.
Edward III and Richard II pushed for Edward II’s canonization, and the tomb was built with the idea of turning Gloucester into a second Canterbury. That didn’t happen, but it’s still a magical place.
In November of 1326, Edward II and his hated favorite Hugh Despenser the Younger were on the run, soon to be captured. They fled Caerphilly
The story of Huchon Despenser and the Siege of Caerphilly should be better known, if only because Felton and his men risked their own lives to save a teenage boy whose only crime was being the son of Hugh Despenser the Younger.
This painting of Catherine parr was painted either right before Henry VIII died or right after, and it thought to be an accurate representation of her. It was sold in 2023 for a great deal of money, because Tudor stuff sells.
This gruesomely adorable image is just one of many gorgeous details from the Isabella Psalter, which was given to twelve-year-old Isabella of France by her husband, Edward II, as a wedding gift. And it really does give Medieval Creepypasta vibes all throughout.
Who doesn't love a Medieval Elephant? The anonymous monk who drew this one, which is from the Isabella Psalter, did really well in that it looks like an elephant. That's too many knights, though.
The extraordinary psalter was given by Edward II to his twelve-year-old bride, Isabella, on their wedding day.