Ivory diptych sundial, crafted by Hans Droschel the Elder of Nuremberg, Germany, dated 1584
from The Jagiellonian University Museum

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Ivory diptych sundial, crafted by Hans Droschel the Elder of Nuremberg, Germany, dated 1584
from The Jagiellonian University Museum
Bodies that resist legibility.
Maryam Hoseini Undertow Deborah Schamoni, Munich May 16 – July 11, 2026
Roman castration clamp used in the initiation rituals of the Galli (eunuch priests of the goddess Cybele) found in the Thames River, London.
Matt Connors
Aboriginal painting by John Kipara Tjakamarra
Èmile Bayard. 1870
Victor Brauner, Prelude to a Civilization, 1954
S. Miniato • Eric Lindbloom • Angels At The Arno
Women fighters of the Polsario Front, Western Sahara, 1975
30% of guerrilla combatants were women. In Nicaragua’s first democratic elections in 1984, 67% of the women who voted in that election voted for the FSLN.
The women in Nicaragua during the Sandinista Revolution saw their way of life drastically change, emerging as active participants and leaders. Empowered by the movement, they boldly challenged any attempts to confine them to traditional domestic roles.
Albert Hasselwander (1877–1954)
“Ein Anatomischer Totentanz.” München: J.F. Bergmann, 1926
source
Now, unlike Michael Newton’s book of hope, I appreciate the clarity of this book’s title: Encyclopedia of Things that Never Where (1985). Stating that definitively really gets all that belief malarkey out of the way and lets us appreciate these things on their own imaginary terms (as Georgess McHargue encouraged us to do on Monday).
This book is more like a collection of several small topical encyclopedias, each discrete from the others and in their own alphabetical order. Nor do they necessarily make a perfect or intuitive sense all the way through. Things of the Cosmos is mostly gods of major mythologies, but also King Arthur and his knights. Things of the Ground and Underground collects faeries and tree spirits, but also the manticore, Minotaur and Sphinx. Things of Wonderland seems to imply things from literature, but really it collects all manner of fantastical places, from fiction, but also from legend. Things of Magic, Science and Invention could just as well have been called Things and left it at that; it collects notable items, from Thor’s hammer to Jekyll’s potion to the many unusual uses for nails. Things of Water, Sky and Air covers all the creatures not detailed in Earth chapter — Grendel is here, griffins, too, and all the sea serpents. Finally, Things of the Night details the undead and other creatures who hide from the sun, whether they go bump or not.
Robert Ingpen’s art throughout is a pure joy. There are so many illustrations, the book is awash in them, and they’re all amazing, often subverting expectation but also remaining recognizable. There’s a warmth to it, like sitting by a fire, and he has a real talent for collaging together different elements that feels less museum-like and more evokes the crowded study of an eccentric scholar. I can’t imagine the amount of time it took to put together this portfolio, but it was well worth it. It’s a treasure.
Robert Ingpen's illustration of that Aztec god felt very familar to me, so I looked it up - it seems likely he swiped the mask from this 1976 Dean Ellis cover for To Live Forever by Jack Vance. But perhaps they were both using the same reference material?
(via our heat is gospel: Image)
by Thamer Ossra