The Open Air

[theopenair]

As the sap rises in plants and trees, so a new life seems to flow through the veins of bird and animal. The flood-tide of life rises to its height, and after remaining there some time, gradually ebbs. Early in August the leaves of the limes begin to fade, and a few shortly afterwards fall: the silver birch had spots of a pale lemon among its foliage this year on August 13. The brake fern, soon after it has attained its full growth, begins to turn yellow in places.

Wild Life in a Southern County

[theopenair]

One thing I missed—the corn. So quickly was the harvest gathered, that those who delight in the colour of the wheat had no time to enjoy it. If any painter had been looking forward to August to enable him to paint the corn, he must have been disappointed. There was no time; the sun came, saw, and conquered, and the sheaves were swept from the field. Before yet the reapers had entered one field of ripe wheat, I did indeed for a brief evening obtain a glimpse of the richness and still beauty of an English harvest. The sun was down, and in the west a pearly grey light spread widely, with a little scarlet drawn along its lower border. Heavy shadows hung in the foliage of the elms, the clover had closed, and the quiet moths had taken the place of the humming bees. Southwards, the full moon, a red-yellow disk, shone over the wheat, which appeared the finest pale amber. A quiver of colour—an undulation—seemed to stay in the air, left from the heated day; the sunset hues and those of the red-tinted moon fell as it were into the remnant of day, and filled the wheat; they were poured into it, so that it grew in their colours.

'Under the Acorns', The Open Air

[theopenair]

The tender flowers endure; the wide petal of the poppy, which withers between the fingers, lies afloat on the air as the lilies on water, afloat and open to the weight of the heat. The red pimpernel looks straight up at the sky from the early morning till its hour of closing in the afternoon. Pale blue speedwell does not fade; the pale blue stands the warmth equally with the scarlet. Far in the thick wheat the streaked convolvulus winds up the stalks, and is not smothered for want of air though wrapped and circled with corn. Beautiful though they are, they are bloodless, not sensitive; we have given to them our feelings, they do not share our pain or pleasure. Heat has gone into the hollow stalks of the wheat and down the yellow tubes to the roots, drying them in the earth. Heat has dried the leaves upon the hedge, and they touch rough—dusty rough, as books touch that have been lying unused; the plants on the bank are drying up and turning white. Heat has gone down into the cracks of the ground; the bar of the stile is so dry and powdery in the crevices that if a reaper chanced to drop a match on it there would seem risk of fire. The still atmosphere is laden with heat, and does not move in the corner of the field between the bushes.

'One of the New Voters', The Open Air

[theopenair]

The English simoon of heat drops suddenly on the heads of the harvesters and finds them entirely unprepared; they have not so much as a cooling drink ready; they face it, as it were, unarmed. The sun spares not; It is fire from morn till night. Afar in the town the sun-blinds are up, there is a tent on the lawn in the shade, people drink claret-cup and use ice; ice has never been seen in the harvest-field. Indoors they say they are melting lying on a sofa in a darkened room, made dusky to keep out the heat. The fire falls straight from the sky on the heads of the harvesters—men, women, and children—and the white-hot light beats up again from the dry straw and the hard ground.

'One of the New Voters', The Open Air

[theopenair]

The reaper had risen early to his labour, but the birds had preceded him hours. Before the sun was up the swallows had left their beams in the cowshed and twittered out into the air. The rooks and wood-pigeons and doves had gone to the corn, the blackbird to the stream, the finch to the hedgerow, the bees to the heath on the hills, the humble-bees to the clover in the plain. Butterflies rose from the flowers by the footpath, and fluttered before him to and fro and round and back again to the place whence they had been driven. Goldfinches tasting the first thistledown rose from the corner where the thistles grew thickly. A hundred sparrows came rushing up into the hedge, suddenly filling the boughs with brown fruit; they chirped and quarrelled in their talk, and rushed away again back to the corn as he stepped nearer. The boughs were stripped of their winged brown berries as quickly as they had grown.

'One of the New Voters', The Open Air

[theopenair]

Looking down from the stile on the high ground there seemed to be a white cloud resting on the valley, through which the tops of the high trees penetrated; the hedgerows beneath were concealed, and their course could only be traced by the upper branches of the elms. Under this cloud the wheat-fields were blotted out; there seemed neither corn nor grass, work for man nor food for animal; there could be nothing doing there surely. In the stillness of the August morning, without song of bird, the sun, shining brilliantly high above the mist, seemed to be the only living thing, to possess the whole and reign above absolute peace. It is a curious sight to see the early harvest morn—all hushed under the burning sun, a morn that you know is full of life and meaning, yet quiet as if man's foot had never trodden the land. Only the sun is there, rolling on his endless way.

'One of the New Voters', The Open Air

[theopenair]

If any one were to get up about half-past five on an August morning and look out of an eastern window in the country, he would see the distant trees almost hidden by a white mist. The tops of the larger groups of elms would appear above it, and by these the line of the hedgerows could be traced. Tier after tier they stretch along, rising by degrees on a gentle slope, the space between filled with haze. Whether there were corn-fields or meadows under this white cloud he could not tell—a cloud that might have come down from the sky, leaving it a clear azure.

'One of the New Voters', The Open Air

[theopenair]

Seen from a distance the water seems at first sight, when the broad stream fills the vision as a whole, to flow with smooth, even current between meadow and cornfield. But, coming to the brink, that silvery surface now appears exquisitely chased with ever-changing lines. The light airs, wandering to and fro where high banks exclude the direct influence of the breeze, flutter the ripples hither and thither, so that, instead of rolling upon one lee shore, they meet and expend their little force upon each other. A continuous rising and falling, without a line of direction, thus breaks up the light, not with sparkle or glitter, but with endless silvery facets.

There is no pattern. The apparently intertangled tracing on a work of art presently resolves itself into a design, which once seen is always the same. These wavelets form no design; watch the sheeny maze as long as one will, the eye cannot get at the clue, and so unwind the pattern.

[...]

Long roots of willows and projecting branches cast their shadow upon the shallow sandy bottom; the shadow of a branch can be traced slanting downwards with the shelve of the sand till lost in the deeper water. Are those little circlets of light enclosing a round umbra or slightly darker spot, that move along the bottom as the bubbles drift above on the surface, shadows or reflections?

In still, dark places of the stream, where there seems no current, a dust gathers on the water, falling from the trees, or borne thither by the wind and dropping where its impulse ceases. Shadows of branches lie here upon the surface itself, received by the greenish water dust.

'The River', Nature Near London

[theopenair]

The bank by the towing-path is steep and shadowless, being bare of trees or hedge; but the grass is pleasant to rest on, and heat is always more supportable near flowing water. In places the friable earth has crumbled away, and there, where the soil and the stones are exposed, the stonecrop flourishes. A narrow footpath on the summit, raised high above the water, skirts the corn, and is overhung with grass heavily laden by its own seed.

'The River', Nature Near London

[theopenair]

As there is a bloom upon the peach and grape, so this is the bloom of summer. The air is ripe and rich, full of the emanations, the perfume, from corn and flower and leafy tree. In strictness the term will not, of course, be accurate, yet by what other word can this appearance in the atmosphere be described but as a bloom? Upon a still and sunlit summer afternoon it may be seen over the osier-covered islets in the Thames immediately above Teddington Lock.

'The River', Nature Near London

[theopenair]

There is a slight but perceptible colour in the atmosphere of summer. It is not visible close at hand, nor always where the light falls strongest, and if looked at too long it sometimes fades away. But over gorse and heath, in the warm hollows of wheatfield, and round about the rising ground there is something more than air alone. It is not mist, nor the hazy vapour of autumn, nor the blue tints that come over the distant hills and woods.

'The River', Nature Near London

[theopenair]

The peculiar green of fern, which is more of a relief to the eye than any other shrub with which I am acquainted, so much so that I wonder it is not more imitated, is remarkable here when the burning July sun shines on the white dust thus fringed. By then trees are gone off in colour, the hedges are tired with heat, but the fern is a soft green which holds the glance. This varies much with various seasons; this year the fern is particularly late from a lack of moisture, but sometimes it is really beautiful between these bushes.

The Toilers of the Field

[theopenair]

Sparrows may sometimes be seen in July hawking in the air just above the sward by the roadside—hovering like the kestrel, a foot or so high, and then suddenly dropping like stones: they are then so absorbed that they will scarcely fly away on your approach. At the same time a rather long red fly is abundant in the grass, and may be the attraction. The swift’s long narrow wings shut behind him as if with a sharp snip, cutting the air like shears; and then, holding them extended, he glides like a quoit.

Wild Life in a Southern County

[theopenair]

It is a pleasure to explore this little dell by the side of the rising ground, creeping under green boughs which brush the shoulders, after the empty space of the firs. Within there is a pond, where lank horsetails grow thickly, rising from the water. Returning to the rising ground I pursue the path, still under the shadow of the firs. There is no end to them—the vast monotony has no visible limit. The brake fern—it is early in July—has not yet reached its full height, but what that will be is shown by these thick stems which rise smooth and straight, fully three feet to the first frond.

'Heathlands', Nature Near London

[theopenair]

I was sitting on a log in the narrowest of narrow lanes, a hedge at the back, in front thick fir trees, whose boughs touched the ground, almost within reach, the lane being nothing more than a broader footpath. It was one of those overcast days when the shelter of the hedge and the furze was pleasant in July. Suddenly a swallow slid by me as it seemed underneath my very hands, so close to the ground that he almost travelled in the rut, the least movement on my part would have stopped him. Almost before I could lift my head he had reached the end of the lane and rose over the gate into the road—not a moments pause before he made that leap over the gate to see if there was a waggon or not in the way; a waggon-load of hay would have blocked the road entirely. How did he know that a man or a horse would not step into his course at the instant he topped the bar?

A swallow never hesitates, never looks before he leaps, threads all day the eyes of needles, and goes on from half-past two in the morning till ten at night, without so much as disturbing a feather. He is the perfection of a machine for falling.

'Swallow-Time', Field and Hedgerow

[theopenair]

The useful products of the field are themselves beautiful; the sainfoin, the blue lucerne, the blood-red trifolium, the clear yellow of the mustard, give more definite colours, and all these are the merely useful, and, in that sense, the plainest of growths. There are, then, the poppies, whose wild brilliance in July days is not surpassed by any hue of Spain. Wild charlock—a clear yellow—pink pimpernels, pink-streaked convolvulus, great white convolvulus, double-yellow toadflax, blue borage, broad rays of blue chicory, tall corn-cockles, azure corn-flowers, the great mallow, almost a bush, purple knapweed—I will make no further catalogue, but there are pages more of flowers, great and small, that grow at the edge of the plough, from the coltsfoot that starts out of the clumsy clod in spring to the white clematis. Of the broad surface of the golden wheat and its glory I have already spoken, yet these flower-encircled acres, these beautiful fields of peaceful wheat, are the battle-fields of life.

'Walks in the Wheat-Fields', Field and Hedgerow

[theopenair]

The July grasses must be looked for in corners and out-of-the-way places, and not in the broad acres—the scythe has taken them there. By the wayside on the banks of the lane, near the gateway—look, too, in uninteresting places behind incomplete buildings on the mounds cast up from abandoned foundations where speculation has been and gone. There weeds that would not have found resting-place elsewhere grow unchecked, and uncommon species and unusually large growths appear. Like everything else that is looked for, they are found under unlikely conditions. At the back of ponds, just inside the enclosure of woods, angles of corn-fields, old quarries, that is where to find grasses, or by the sea in the brackish marsh. Some of the finest of them grow by the mere road-side; you may look for others up the lanes in the deep ruts, look too inside the hollow trees by the stream. In a morning you may easily garner together a great sheaf of this harvest. Cut the larger stems aslant, like the reeds imitated deep in old green glass. You must consider as you gather them the height and slenderness of the stems, the droop and degree of curve, the shape and colour of the panicle, the dusting of the pollen, the motion and sway in the wind. The sheaf you may take home with you, but the wind that was among it stays without.

'The July Grass', Field and Hedgerow