Cosimo Galluzzi
taylor price
The Bowery Presents

❣ Chile in a Photography ❣
NASA

oozey mess

Andulka
Claire Keane
almost home
Interview Vampire Daily
Fai_Ryy

gracie abrams

bliss lane
noise dept.
Doug Jones
RMH
Cookie Run:Kingdom Official!
official daine visual archive
Misplaced Lens Cap

if i look back, i am lost
seen from India

seen from United States
seen from Brazil

seen from T1
seen from United States

seen from United States
seen from Iraq
seen from Türkiye
seen from T1
seen from India
seen from United States

seen from United States
seen from T1
seen from Türkiye

seen from United States

seen from United States

seen from Malaysia
seen from Japan
seen from Mexico

seen from Belgium
@thepowerlife
MINE(ral) is a minimalist copper furniture collection located in Lisbon, Portugal, designed by Studio Gameiro for ST VINCENTS. Most of what surrounds us begins in the dark. The raw minerals that become tools, surfaces, and objects come out of the ground through work that few of us ever picture, done by people who stay largely invisible to the rooms their material eventually furnishes.
John Armleder Chabasite signed, titled and dated 'John Armleder 2008 CHABASITE' (on the overlap) acrylic on canvas 99 x 79 1/8 in. (251.4 x 200.9 cm.) Painted in 2008.
John Armleder Furniture Sculpture Mehdi Chouakri Wilhelm Hallen, Berlin February 15 – April 5, 2025
King of Cool
Fee-Gloria Grönemeyer
Sinkhole in Illinois, 2024
Louise Nevelson, "End of Day XXXVII," 1973,
Wood construction, painted black,
(341⁄2 x 19 x 2 in. (87.6 x 48.3 x 5.1 cm.))
Lost in the monochromatic world of Louise Nevelson today. There is something so silent and commanding about the way she gathers the "discarded" and builds it into a wall of mystery.
The deep shadows between the wooden fragments feel like they hold a thousand different stories, all painted in the same infinite black.
It feels less like an object and more like a place you could inhabit if you only knew the way in.
PS: This sculpture is not a door, but it could be.
Este Lewis at Triangolo, Cremona July 13, 2026
Mauro Reggiani Senza titolo Acrilico su cartoncino applicato su tela 31.5 × 28.5 cm
Columba Tree House, Melides, Portugal,
Courtesy: Studio Madeiguincho
Ad Reinhardt (1913–1967) [USA] — ‘Abstract Painting, Blue’, 1952. Oil on canvas (61 x 50.8 cm).
Jun Kaneko, Untitled (Dango), 1996,
Glazed stoneware,
61 h × 70 w × 61 d in (155 × 178 × 155 cm)
Longhouse Reserve, East Hampton