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titsay

shark vs the universe
sheepfilms
untitled
PUT YOUR BEARD IN MY MOUTH
Cosimo Galluzzi

if i look back, i am lost
Noah Kahan
occasionally subtle

pixel skylines
Peter Solarz

#extradirty
Stranger Things

oozey mess
official daine visual archive
EXPECTATIONS
we're not kids anymore.
đ©” avery cochrane đ©”
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@thereandthen
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âUn viejo amigo me contĂł que hizo un viaje al norte de MĂ©xico, estuvo por el desierto y la sierra, se encontrĂł con una comunidad que lo acogiĂł unos dĂas. Me hubiera gustado estudiar para doctor, le platicaba a uno de los jefes de la comunidad y aquel hombre no pudo entenderle. Mi amigo tratĂł de explicarle el verbo âhubieraâ, el hombre aun con ejemplos, seguĂa sin llegar al entendimiento de aquella palabra. ÂżCĂłmo explicas un âhubieraâ? ÂżCĂłmo explicas un tiempo que no puede perderse porque todavĂa estĂĄs aquĂ? Los siguientes dĂas en aquella comunidad en lugar de tratar de explicarles el âhubieraâ mejor tratĂł de comprender la concepciĂłn del tiempo de aquellas personas. Ellos no podĂan entender un verbo que hablara de un tiempo que se perdĂa en el pasado y se manifiesta casi como una lamentaciĂłn en el presente. QuizĂĄs era por eso, es que aquella comunidad vivĂa tanto el presente, que su lenguaje no entendĂa el pasado y tampoco les asustaba el futuro.â
â El libro tinto para charlar con el que no vino, Quetzal Noah
Porque al final, todo sale bien.
đšđ
Women: the softest creatures with the strongest bite.
N.M.Sanchez (via quotemadness)
âPeople who need help sometimes look a lot like people who donât need help.â
â Glennon Doyle Melton (via quotemadness)
Totally
https://wordsnquotes.com/
âLet us be grateful to people who make us happy.â
â Marcel Proust (via fy-perspectives)
âListen. A healthy relationship isnât living vicariously through one another. True love isnât someone being there at your side every moment of every day, but being free, and encouraged, to pursue your own passions, and then sharing in the spoils of your triumphs together.â
â Beau Taplin | @thelovejournals
đđđ
I prefer the stillness here.
Dr. Manhattan's Monologue
I am looking at the stars. They are so far away. And their light takes so long to reach us. All we see of stars are their old photographs.
Itâs July, 1959, and I am in love. Her name is Janey Slater. She is a physicist like me. I am 30 years old. We were introduced by a good friend of mine from college, Wally Weaver.
It is February 12, 1981. Wally dies of cancer which they now say I am the cause.
That night, Janey and I make love for the first time. A month from now the accident awaits me.
I cross the room to the Intrinsic Field Center. I find my watch. [Door slams shuts] When I get to the door, Wally is turning white. I am terrified.
It is May 12th, 1959, when Iâm introduced to Janey. She buys me a beer, the first time a woman has done this for me. As she passes me the cold, perspiring glass, our fingers touch.
I feel fear for the last time. A token funeral is held. There is nothing to bury. Janey frames the snapshot. Itâs the only photograph of me anyone has.
A circulatory system is seen by the perimeter fence. A few days later, a partially muscled skeleton stands in a hallway and screams for a moment before vanishing.
They call me Dr. Manhattan. They explain the name has been chosen for the ominous associations it will raise in Americaâs enemies. They are shaping me into something gaudy, something lethal.
In January, 1971, President Nixon asks me to intervene in Vietnam, something that his predecessors would not ask. A week later, the conflict ends. Some of the Vietcong forces wanna surrender to me personally.
Hollis Mason, a retired costume hero, writes a book. In it, he calls my arrival the dawn of the superhero. I am not sure if I know what that means.
It is Christmas, 1963. Janey tells me she is afraid, and worried. She says I am like a god now. I tell her I donât think there is a God, and if there is, Iâm nothing like Him. I tell her I still want her and that I always will.
As I lie to her, it is September 4th, 1970. I am in a room full of people wearing disguises. A very young girl looks at me and smiles. Sheâs beautiful. After each long kiss, she plants a smaller, gentler one upon my lips, like a signature.
Janey accuses me of chasing jailbait. She bursts into angry tears, asking if itâs because sheâs getting older. Itâs true. Sheâs aging more noticeably every day, while I am standing still.
I prefer the stillness here. I am tired of Earth. These people. Iâm tired of being caught in the tangle of their lives. They claim their labors are to build a heaven, yet their heaven is populated with horrors. Perhaps the world is not made. Perhaps nothing is made. A clock without a craftsman. Itâs too late. Always has been, always will be, too late.
âTo all the women who silently made historyâ
The kindest words my father said to me Women like you drown oceans.â
Rupi Kaur, milk and honey (via a-distant-stranger)
âSo why donât you talk to each other anymore?â âŠ. âBecause,â he paused giving a soft smile. âStrangers can not start a conversation with Iâve missed you even if itâs all there is to say.â
kfroy (via wnq-writers)