DANI & JAMIE + kisses

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Jar Jar Binks Fan Club
"I'm Dorothy Gale from Kansas"

Discoholic 🪩
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Origami Around
KIROKAZE
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pixel skylines
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official daine visual archive
Lint Roller? I Barely Know Her
hello vonnie
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RMH
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TMBGareOK. The Official They Might Be Giants tumblr
Aqua Utopia|海の底で記憶を紡ぐ
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@thesamesupreme
DANI & JAMIE + kisses
DANI & JAMIE in THE HAUNTING OF BLY MANOR
Love isn’t patient and kind and humble. Love is messy. And horrible and selfish and bold. It’s not finding your perfect half. It’s the trying and reaching and failing. Love is being willing to ruin your good painting for the chance at a great one.
THE HALF OF IT (2020) dir. Alice Wu
Mod: “How many times did you shoot it and what was it like for you? Tell us about how you filmed that very last scene.”
Adèle had only one instruction: to finish on an inhalation. -Céline Sciamma
Adèle: “I think I prefer not to say what was happening while we were shooting this scene just because it belongs to [all of you].”
Portrait of a Lady on Fire Q&A || ArcLight Collider FYC - Jan. 8, 2020
En liberté (2018)
Adèle Haenel as Madeleine Beaulieu in ’Les Combattants’ (2014) dir. Thomas Cailley part 1 part 2
my lovely badass
I'm going to review poalof again
Literally everything Noémie Merlant do is art.
Do you think i'm here to be pretty? ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ Adèle Haenel - Les enfants de la nuit, 2011
Adèle Haenel in 120 Battements Par Minute (2017) dir. Robin Campillo.
Adèle Haenel, Céline Sciamma, and other attendees leave the Cesar2020 after Roman Polanski’s win for Best Directing
isak // martino // cris
I’m living for this season of skam spain
i love my children
penelope park’s iconic one-liners
always in my heart penelope park.