Tetradrachm of Philip II of Macedon, circa 342-336 BC
from The Louvre
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Tetradrachm of Philip II of Macedon, circa 342-336 BC
from The Louvre
Apollo the Python-Slayer, Praxiteles, c. 350 BC, Cleveland Museum of Art: Greek and Roman Art
Although Praxiteles was more successful, and therefore more famous for his marble sculptures, he nevertheless also created very beautiful works in bronze. He made a youthful Apollo called the Sauroktonos (Lizard-Slayer), waiting in ambush for a creeping lizard, close at hand, with an arrow. -Pliny the Elder, 1st century ad This statue of the Apollo Sauroktonos may be the one Pliny the Elder saw in the 1st century ad. The complete sculpture most likely showed the young god pulling back a slender laurel tree with his raised left hand, while holding an arrow at waist level with his right, poised to strike the lizard creeping up the tree. Two Roman marble copies preserve the complete composition: one in the Louvre, the other in the Vatican. The museum’s sculpture is the only known life-size bronze version of the Apollo Sauroktonos. Technical features such as the way the sculpture was cast and repaired in antiquity, the copper inlays of the lips and nipples, and the stone insert for the right eye (the left is a restoration) are consistent with a date in the 4th century bc. However, technically it may have been possible to produce such a work in the Hellenistic period. The Apollo Sauroktonos is thought to have been created by Praxiteles about 350 bc. Androgynous sensuality and languid, gracefully curved poses are hallmarks of his style. The finest large classical Greek statues were bronzes, but few have survived. If this sculpture is a product of Praxiteles’ workshop, it is the only large Greek bronze statue that can be attributed to a Greek sculptor. Praxiteles was widely popular in his day. His famous Aphrodite of Cnidus (late 360s bc) introduced the life-size nude female figure to Western art. Size: Overall: 150 x 50.3 x 66.8 cm (59 1/16 x 19 13/16 x 26 5/16 in.) Medium: bronze, copper and stone inlay
https://clevelandart.org/art/2004.30
'Sphynx' by Joseph Urban, 1903.
The Prince Entering the Briar Wood by Edward Burne-Jones
English, 1869
oil on canvas
private collection
Dragon, 1700s or later, Cleveland Museum of Art: European Painting and Sculpture
This figure was probably originally meant to serve as the decorative foundation to a larger object such as a casket or urn. In transition from decorative motif to independent work of art, the nether half may have been an addition, evidenced by the seam along its torso. Size: Overall: 17 x 28.3 x 18 cm (6 11/16 x 11 1/8 x 7 1/16 in.) Medium: bronze
https://clevelandart.org/art/1973.226
Detail from Orpheus by Gustave Moreau
French, 1865
oil on panel
Musée d’Orsay
Statuette of nude flying Eros
Flying Eros, probably Greek, Late Classical to Hellenistic Period, late 4th to mid 2nd century BC. Its elegance reminiscent of a terracotta lekythos in the Metropolitan Museum of Art collections.
A Philosopher, Pierre Puget , 1662, Cleveland Museum of Art: European Painting and Sculpture
Puget traveled to Rome in the early 1660s, where he closely studied ancient busts in the collections of wealthy nobles. Although inspired by Greek and Roman depictions of individual philosophers, orators, and writers, Puget created a generalized image of this type—a mature, bearded man with a furrowed brow— rather than a portrait of a particular historical figure. The rounded forms of the flesh and individual locks of hair are particularly characteristic of 17th-century baroque taste. Size: Overall: 39.4 x 22.6 x 25.4 cm (15 ½ x 8 7/8 x 10 in.); Base: 20.5 x 20.5 x 20 cm (8 1/16 x 8 1/16 x 7 7/8 in.) Medium: marble
https://clevelandart.org/art/1969.121
Door knocker, 19th century, after 16th century original, Metropolitan Museum of Art: European Sculpture and Decorative Arts
Gift of Henry G. Marquand, 1883 Size: Height: 10 in. (25.4 cm) Medium: Bronze
https://www.metmuseum.org/art/collection/search/186592
Jupiter et les Tonnerres by Gustave Moreau
French, 19th century
pencil and grey wash
private collection
Sappho, Erastus Dow Palmer, 1855; carved 1861, American Decorative Arts
Gift of Clevepak Corporation, 1986 Size: 16 ½ x 16 ¼ in. (41.9 x 41.3 cm) Medium: Marble
https://www.metmuseum.org/art/collection/search/11678
Two versions of Olympus (Surprise) by Niccolò Vicentino after Parmigianino
Italian, c. 1540-1550
chiaroscuro woodcut from three blocks in brown/blue
Metropolitan Museum of Art
Marble relief of a horseman, Metropolitan Museum of Art: Greek and Roman Art
Rogers Fund, 1907 Metropolitan Museum of Art, New York, NY Medium: Marble, Parian ?
http://www.metmuseum.org/art/collection/search/247989
Greek terracotta dancing Satyr group
500 - 475 BCE
Cleveland Museum of Art 1992.352
Apollo and Marsyas, Cristoforo di Geremia, c. 1468, Cleveland Museum of Art: European Painting and Sculpture
Size: Overall: 4.1 x 3.4 x 0.4 cm (1 5/8 x 1 5/16 x 3/16 in.) Medium: bronze
https://clevelandart.org/art/1969.261
Greek statue of a veiled dancer
3rd - 2nd century BCE
Metropolitan Museum of Art 1972.118.95
Walking Lion (Le Lion qui Marche), Antoine-Louis Barye, modeled before 1847, executed after 1848, Metropolitan Museum of Art: European Sculpture and Decorative Arts
Rogers Fund, 1910 Size: Overall: 10 3/8 × 16 × 5 ¾ in. (26.4 × 40.6 × 14.6 cm) Medium: Bronze, wood base
https://www.metmuseum.org/art/collection/search/191585