Outfits in the Studio

This is a blog dedicated to some beautiful outfits you can see in professional ballet classes and reharsals. I hope it can serve as inspiration! :) (Header image by National Ballet of Canada).

[balletwarrior]

Sara Mearns of NYCB, shot by Benjamin Chasteen for the Epoch Times

[yoiness]

Yasmine Naghdi in rehearsal for The Invitation, The Royal Ballet © 2016 ROH. Photograph by Andrej Uspenski by Royal Opera House Covent Garden Via Flickr: Yasmine Naghdi in rehearsal for Kenneth MacMillan’s The Invitation, The Royal Ballet Season 2015/16 www.roh.org.uk/productions/the-invitation-by-kenneth-macm…

[qwphoto]

Flying so high! An outtake of @jenjenssstahl from the recent @dancemagazine piece. #dance #ballerina #ballet

[fuckyesballet]

Beatrice Sebelin in company class at Tulsa Ballet, photo by Rosalie O'Connor

[melmothblog]

This just in: Stanislava Postnova (ruby.tear) is among the thirteen BBA graduates hired by the Bolshoi this year.

[prosthetic-dance]

Olesya Novikova in rehearsal for The Sleeping Beauty

© Nikolay Krusser

[thedailyballet]

[qwphoto]

If I only I could have that hamburger across the street… mmmmmmm Eve Mutso for Dance Magazine

[textbooksandtendus]

Elizabeth Murphy of PNB in rehearsal for Dancing on the Front Porch of Heaven

Photo by Lindsay Thomas

[gorbigorbi]

Bolshoi Ballet Academy of Russia student Stanislava Postnova

[balletwarrior]

Iana Salenko by Carlos Quezada

[yoiness]

The Australian Ballet

Photography Kate Longley

[nationalballet]

Life of a Dancer: Layers and layers and layers.

[cincinnatiballet]

“Kirk Peterson’s choreography is difficult, but it’s so pure and so rewarding,” says Melissa Gelfin, pictured here rehearsing for Coppélia with Cervilio Miguel Amador. #CBCoppelia #CincinnatiBallet #CincyArts http://ift.tt/2dcdvw2

[qwphoto]

Finding her light, Gretchen H. Smith of NYCB

[qwphoto]

Emotion AND technique, Ekaterina Shipulina from the Bolshoi for Dance Magazine. 

[prosthetic-dance]

Sarah Lamb in rehearsal for Tetractys - The Art of Fugue

© Johan Persson