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Michael Reeder’s “DEADRINGER” at Hashimoto Contemporary NYC.

Opening on Saturday, December 1st, 2018 at Hashimoto Contemporary at their New York City location is artist Michael Reeder’s solo exhibition, “DEADRINGER.”

Through the use of bold saturated color and graphic geometric patterns blended with figurative elements, Reeder’s work delves into the concept of self, and the innate human desire to be an authentic entity. Skulls and hands are prevalent in the artists work, calling attention to both internal and external physical elements that connect us all as humans. As we strive for uniqueness, we are bound together through our humanity, highlighting the fact that we are ultimately the same.

About the exhibition, Reeder states, “I wanted to focus on how similar we as humans are regardless of our external differences and how desperately we attempt to stand apart in society. We are all composed of distinct experiences, backgrounds, cultures, fashion styles, careers, etc., yet it is all individually mashed up into a dead ringer, almost carbon copied vessel - the human body. This concept is the underlying premise of DEADRINGER.”

The exhibition will be on view until December 22nd, 2018.

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Kayla Mahaffey, Paintings.

Chaotically gorgeous paintings from Chicago-based artist Kayla Mahaffey.

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Photo // Jovell

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Artist: Linsey Levendall

Linsey defines his work as being engaging decadence, mildly trippy and takes great joy in entertaining the viewer with obscure controlled chaotic worlds and strangely interesting and complex characters. While his skill lies in his versatility and ability to adapt to various styles, he finds himself mostly drawn to Cubism, Surrealism and Pop Surrealism. In his work, he aims to stay open to evolving and preserving unconventional thinking

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Curated by Very Private Art

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Yorgos Lanthimos, ‘The Lobster’ (Poster detail). 2015.

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by Kyle Thompson

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Handmade collages by artist øjeRum

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Alex Garant’s “Voyage of the Insomniac” at Thinkspace Projects.

Opening this Saturday, August 4th, 2018 at Thinkspace Projects in Los Angeles, California is artist Alex Garant’s breathtaking solo exhibition entitled, “Voyage of the Insomniac.”

With “Voyage of the Insomniac” Garant has produced her best, most compelling work to date, having honed her talented artistic voice to epic visual ecstasy. Her trademark distorted portraits, humming with expression, are meant to confuse and create questions in the viewer as to what identity and reality truly means.

“Voyage of the Insomniac” will be on view until August 25th, 2018 and should be sought out at all costs if in the area.

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finofilipino

Una de fracasos en el marketing

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Platos Congelados, Colgate, 1982

En el 82, Colgate decidió ampliar el negocio vendiendo cenas congeladas. La gente seguramente pensó que sabrían a pasta de dientes. Después de esto, sus ventas bajaron en todos sus productos.

Clippy, Microsoft, 1990s

Clippy se considera la peor interfaz de usuario jamás desarrollada. Aparecía cada vez que el sistema pensaba que el usuario necesitaba ayuda y era muy molesto.

Ez Squirt Ketchup, Heinz, 2006

Para llamar la atención de los niños, Heinz decidió sacar ketchup de colores: verde, turquesa y morado. Tras 6 años, dejaron de fabricarlo.

Bic Para Ella, 2012

En 2012, la gente de Bic pensó que las mujeres necesitaban un bolígrafo especial para ellas. Todos se burlaron.

Google +, 2011

Google+ fue el intento de Google de hacer la competencia a Facebook, pero fue una decepción.

Frito-Lay Wow!, 1998

Estas patatas fritas no tenían grasa, a la gente le gustaron y triunfaron en su primer año. Pero se supo que contenían olestra como sustituto de la grasa, que produce retortijones y diarrea.

Bálsamo labial, Cheetos, 2005

No sabemos cómo se les pudo ocurrir sacar un bálsamo labial con sabor a Cheetos, pero es comprensible que fallara.

Pepsi Crystal, 1992

Solo duró un año, porque al parecer, ni siquiera sabía bien.

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Chris McClure (Tea boy friend of the band, frontman of The Violet May) posing for what would become the iconic cover art of Arctic Monkeys’ debut album, Whatever people say I am, that’s what I’m not.