Vanessa Beecroft, vb74 (2014)
Maxxi Museum, Roma
Photo by Federico Spadoni
almost home
Show & Tell
TVSTRANGERTHINGS
ojovivo
One Nice Bug Per Day
RMH
No title available
taylor price
Cosmic Funnies
"I'm Dorothy Gale from Kansas"
🪼

Origami Around
YOU ARE THE REASON
d e v o n

@theartofmadeline
will byers stan first human second

⁂

oozey mess
Three Goblin Art
Sade Olutola

seen from Chile
seen from United States
seen from United States
seen from United States

seen from United States
seen from United States
seen from United States
seen from United States
seen from United States

seen from United States
seen from United States
seen from United States
seen from United States
seen from India

seen from Malaysia
seen from United States

seen from France

seen from Malaysia

seen from Malaysia
seen from United States
@theunrealistics
Vanessa Beecroft, vb74 (2014)
Maxxi Museum, Roma
Photo by Federico Spadoni
http://chacoco.tumblr.com/
ANNA!
Anouk, Anouk
Un Homme et Une Femme
I wonder if Diego misses me. Hand embroidery by @adipocere.
wait
disrupted.
Meols (by stevedeer)
http://www.chrisdelorenzo.com/
Christopher DeLorenzo.
old, new, fire escapes
Selected Works by Kate Robertson
unreveal
it's been getting colder and colder....
"Emerging Photographer Fund" 2014 Finalist, Ditte Haarlov Johnsen, from her series "MAPUTO DIARY. 2000 – 2013".
"I grew up in Mozambique. My parents moved there just after independence, drawn by an atmosphere of hope and confidence in the future. At my kindergarten I would stand on the roof shouting long live Frelimo, the liberation party, and down with the armed bandits. Already then the civil war was catching on."
Read more here: http://www.burnmagazine.org/essays/2014/11/ditte-haarlov-johnsen-maputo-diary-2000-2013/
The most beautiful contrast in Paris, if I may say so. Louvre - Rivoli metro station. Paris, Oct 2014
FOLKWEAR SOCIETY is now LIVE! Discover unique salvaged original folkwear and their anthropological stories at: www.folkwearsociety.com
Folkwear Society is a global platform that reignites the curiosity of exploring into the visual and material folk cultures by salvaging and preserving original folk clothing and by embedding these full of life artefacts into their own forgotten history, as well as into our contemporary story. Folkwear Society is a celebration of local traditions, of cultural artefacts that age beautifully, of the creativity and artistic taste expressed by such creations — but it is equally a call to record and generate the anthropologic content around these salvaged items.