[vythn]

[memoryslandscape-deactivated202]

“I love the minutes before you’re about to see someone you love.”

— Alex Dimitrov, from “Love,” The American Poetry Review (vol. 49, no. 1, January/February 2020)

[cinemaspam]

Carnival of Souls (1962) dir. Herk Harvey

[ayeshaclitorica-deactivated2019]

Jennifer’s Mind

[ichise]

[alexasdemies]

ALEXA DEMIE Waves (2019)  Dir. by Trey Edward Shults.

[unchildhood]

MARGARET ATWOOD x WALTON FORD

‘Let Us Now Praise Stupid Women’, Good Bones and Simple Murders (1994);

Gleipnir (2012), watercolor, gouache, ink, pencil on paper, 69" x 120" x ½".

[witchinghour]

The Lovers (1958) dir. Louis Malle

[unppluggedd]

Visit Original Link

I wanna be adored // the stone roses.

[violentwavesofemotion-deactivat]

“I’d always been fond of balconies. I felt that if I could only manage to stand on one long enough, the right one, wearing a long white trailing gown, preferably during the first quarter of the moon, something would happen: music would sound, a shape would appear below, sinuous and dark, and climb towards me, while I leaned fearfully, hopefully, gracefully, against the wrought-iron railing and quivered.”

Margaret Atwood, from “Lady Oracle,” originally published c. 1998 (x)

[midori-kim]

“It seems that the only time I have for myself is those late late night hours when everybody’s sleeping.”

[timotaychalamet]

Sharp Objects (2018) dir. Jean-Marc Vallée

[baebyaga]

[huuuhh]

[dreamyvixen]

“Find me now. Before someone else does.”

— Haruki Murakami, “1Q84″ (via misswallflower)

[dimnesss]

[spitfiregorl-deactivated2020082]

Yeah

[ana-elisabeta]