Just a Dream Away

cartoons & conspiracy theories

[rotblut]

I’m late, I’m late. For a very important date. No time to say “hello”. Goodbye. I’m late, I’m late, I’m late.

Alice in Wonderland (1951)

[arktham]

[otherluver]

me typing into the google search bar: nearest grassy hill with tiny flowers growing on it

[samwpmarleau]

disney animation → ladies reading their men for filth

[princessesfanarts]

Elsa - Frozen 2 by Bilkaya

[iskierka]

[cryptidw00rm-archive]

fuck it. sebastian on a froggy chair

[disneyfolk]

Anonymous asked Let It Go or How Far I’ll Go (make me choose)

[owlonline]

Treasure Planet (2002)

That was more fun than I ever want to have again.

[losassen]

Another self indulgent sticker sheet….Haikyuu edition 

[timeofdeathnote]

[mrjandpuddin]

I thought Zootopia was this perfect place where everyone got along and anyone could be anything. Turns out, real life’s a little bit more complicated than a slogan on a bumper sticker.

[thelionkingdaily]

The Lion King (1994) dir. Roger Allers and Rob Minkoff

[gothiethefairy]

marvel: ‘infinity war is the most ambitious crossover event in history’ 

me:

[operator-arcadia]

It’s true! Especially given a) the technology they had at the time to pull this off, and b) that they had characters from TWO separate companies as opposed to different characters from the same comics publisher.

So yeah, Roger Rabbit wins the ambitious crossover award, hands down. Sorry Marvel.

[vaiyamagic]

The agreement with Disney and Warner Bros was that they could only use their biggest characters (Mickey and Donald, Bugs and Daffy) if the other corrosponding character had the exact same amount of screentime. This is why, in the movie, Bugs and Mickey are sharing scenes, and Daffy and Donald are sharing scenes.

[pankhearst]

It’s also worth mentioning that every single animator in the industry that wasn’t already working on something was called in to work on this film. EVERY. SINGLE. ONE.

[roxilalonde-deactivated20251105]

hey hey hey you remember ratatouille? that movie was fuckin wild. in the first 20m a woman points a shotgun at the protagonist and tries to shoot him multiple times, brings down the roof of her own house, and subsequently gasses it. then the rat goes to paris and meets the bastard son of a dead chef and almost dies. again. several times. many times! almost gets locked in an oven. and then drowned. then some shit happens and he controls the bastard son by pulling on his hair. also the bastard chef gets drunk at least once. it’s explicit too like the scheming sous chef brings this 18 y/o or whatever into his office and gets him drunk because he wants the kid to admit that he’s a successful chef because of a tiny hair-pulling rat puppeteer who lives in his hat. and all throughout it the rat is grappling with the ethical conflict of whether stealing is right, and how to reconcile the wasted excesses of capitalism with his belief in private property and self-earned worth, especially when he comes from an impoverished background where stealing was necessary. and the underlying motif is how art isn’t an exclusive club, and how making art accessible to everyone is critical to the expansion and success of art itself, and the importance of honesty in relationships. also the human protagonist’s name is linguini

[felidadae]

they’re like doting parents, I swear (Yurio doesn’t hate it really, it’s just embarrassing)

[carsonphillips]

i tried taking a picture on the winnie the pooh ride at disney world and this is all i got

[dark-knight020]

I need someone to be my friend. Someone who won’t run away. Maybe send me an angel. The nicest angel you have.