Simon Day 1993-2016 RIP @thezerocollective - Tumblr Blog

The smoke clears and in whispering waves Of self mutilation I see the dark sky fall to pieces The world is sometimes too heavy to breath And the dead surround me like an ocean

I can’t recognize the reflection Looking back through the mirror As if some sort of silent stranger With mean eyes and deadly stare

He sees everything and why? Then with one last glimmer defiant I’m transformed into a monster a giant With no heart, no limbs, no desire

This is not a suicide letter I just want to get a real close look at death Touch his matted hair as I pass him by

achievebisexuality

Korey loving on Burnie and Ashley!

sonntagyoureit

x

Cardboard Gus

Vibes

the fuck u fallin in love for

shencomix

Nice whittling.

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horrificsmut

geoff’s face in this video is very important to me

nataliaromanovq

( ͡° ͜ʖ ͡°)

eastasiansonwesternscreen

There were also other pioneering [East and Southeast] Asian American actors like Benson Fong, Victor Sen Yung, Lotus Long, Suzanna Kim, Barbara Jean Wong, Fely Franquelli, Chester Gan, Honorable Wu, Kam Tong, Layne Tom Jr., Maurice Liu, Teru Shimada, Willie Fung and Wing Foo; all began their film careers in the 1930s and ‘40s.

With the relatively small percentage of actors that support themselves by acting, it was only logical that they should try to limit the available talent pool as much as possible. One way of doing this was by placing restrictions on minority actors, which, in the case of Asian actors, meant that they could usually only get roles as houseboys, cooks, laundrymen, and crazed war enemies, with the rare “white hero’s loyal sidekick” roles going to the big name actors. When the script called for a larger Asian role, it was almost inevitably given to a white actor. (A Brief History of Hollywood Yellowface)