Robin Isely, Hans Memling - Man of Sorrows c. 1480.
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@thisorderedchaos
Robin Isely, Hans Memling - Man of Sorrows c. 1480.
Bruce Davidson, Brooklyn Gang (1959)
I never thought anything of myself. If you said something about me, I had to fight you. And there were many times that people said things about me that hurt my feelings, but I didn’t know how to do anything but either curse at you or fight, because that was my only means of defense at that particular time.
What is real? How do you define ‘real’? If you’re talking about what you can feel, what you can smell, what you can taste and see, then 'real’ is simply electrical signals interpreted by your brain.
The Matrix (1999), dir. Lana Wachowski, Lilly Wachowski
Intellettuale - Fabio Mauri (1975)
L’opera è sempre liberazione e l’opera a contenuto politico o ideologico è doppiamente liberazione, perché dà per conosciuti, se non addirittura per risolti, i problemi che ha affrontato. Ma in questa stazione ciò di cui si è creduto di sbarazzarsi, viene sadicamente ributtato sull’autore.
Dear Milena,
I wish the world were ending tomorrow. Then I could take the next train, arrive at your doorstep in Vienna, and say: “Come with me, Milena. We are going to love each other without scruples or fear or restraint. Because the world is ending tomorrow.” Perhaps we don’t love unreasonably because we think we have time, or have to reckon with time. But what if we don't have time? Or what if time, as we know it, is irrelevant? Ah, if only the world were ending tomorrow. We could help each other very much.
― Franz Kafka
Bright Star (2009) | dir. Jane Campion
ROMEO + JULIET (1996) dir. Baz Luhrmann
Katharine Hepburn and Cary Grant on the set of Bringing Up Baby (1938)
Nina Simone by Michael Ochs, 1967
Philco Advertising Brochures, 1958
Francesca Woodman: The feminist avant-garde of the 1970s.
#how we all feel in 2020
Mr. Knightley & Emma + holding hands
And Then We Danced (2019) dir. Levan Akin
Bright Star (2009)
The Last Black Man in San Francisco (2019)