Claire Keane
No title available
❣ Chile in a Photography ❣
I'd rather be in outer space 🛸
dirt enthusiast
we're not kids anymore.
pixel skylines
almost home
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shark vs the universe
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TVSTRANGERTHINGS
taylor price
2025 on Tumblr: Trends That Defined the Year
Today's Document
i don't do bad sauce passes
d e v o n
Cosmic Funnies
$LAYYYTER
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@tina-x
A browser game made in HTML5
password: 51121
Assignment name: Painting the Polygons
Tools: Procreate, Unity, Computer
Description: In-game polygons with my drawn texture
Feedback:
My last assignment at NYU !!!!!
Winnie, thank you for everything you’re truly my favorite professor, and this has been one of the best classes I’ve taken at game center. I feel really lucky to have been your student!
https://obj-tttina.itch.io/2d-art-final
Tools: Procreate, iPad, Unity
Description: In-game scene of a kiwi arriving at a foggy dock
Feedback:
I was inspired by an earlier concept piece I made for this world, and wanted to push it into a more complete in-game scene. I struggled a lot with composition and how to guide the player’s focus, especially in such a minimal and fog-heavy environment. Balancing atmosphere with readability was also challenging—I didn’t want to lose the mood, but I still needed the kiwi and dock to feel clear and intentional.
Assignment name: character design
Tools: Procreate, iPad
Description: Key art for my oc character
Feedback:
Sketch：
Assignment name: Character design
Tool: Procreate, ipad
Description: Liora is a forest witch whose magic is inseparable from the living world around her. Her hair, formed of enchanted vines, grows and shifts with her emotions.
Feedback: It took me a while to resolve how to visually communicate the relationship between her and her hair. Because the hair functions as both a natural extension of her body and a controllable element, translating that duality into clear poses and forms was challenging. i would never do this to myself again...
Assignment name: Character design
Tools: procreate, iPad
Description: a turn around for my oc character
Feedback: A character design exploration for a forest witch who lives deep within overgrown woods, surrounded by living plants and creeping vines. Her long braid is formed from magical vines that she can freely control, using it both as a weapon and as a tool to interact with the forest around her. While designing her, I didn’t want her to feel like a stereotypical witch, so I leaned toward a more casual and relaxed style for her clothing instead of something overly dramatic or gothic. I wanted her to feel more grounded, gentle, and naturally connected to the forest around her. Most of the design process went into making the hair feel alive and natural. I used long flowing shapes and curling vines throughout the silhouette so even when she’s standing still, she still feels connected to the forest around her.
Reference:
Environment Design part2
Tools: Procreate, iPad
Description: a polished version of last week's environment art
Feedback:
When choosing the colors for this environment, I wanted the space to feel warm, lively, and harmonious, almost like walking through a Spanish-style farmer’s market in the early morning. I focused on using soft lighting and colorful tents to create a cozy atmosphere that feels busy but still welcoming. I also designed the composition from the main character's(a kiwi) point of view, so the camera angle feels lower and more grounded, as if the player is quietly walking through the market and taking in the surroundings naturally.
references:
Birdhouses
Environment Design part1
Tools: Procreate
Description: A drift dock market for birds
Feedback:This is a concept environment I originally created before taking this class, and I revisited it to further refine the composition and environmental storytelling. While reworking it, I focused on improving the depth, perspective, and layout of the market to make the space feel more believable and immersive from the player’s point of view. I also explored how overlapping shapes and crowded market elements could help create a lively atmosphere inspired by real-world outdoor markets.
Reference:
Making many from Few
Tool: procreate, Ipad
Description: A variety kinds of mask made from a few assets
Reference:
Patterns from Particles
Tools: Procreate iPad, Unity
Description: slowly realizing I'm getting drunk at a party
Feedback: To be honest, this is not the sensation I started with. After assembling all the vector shapes in the particle system, it didn’t feel like what I originally intended to express. I initially aimed for something more chaotic and sharp, but as I adjusted the timing, speed, and fading of the particles, the overall motion became softer and more dreamy. So I pivoted and leaned into that feeling of dizziness instead, letting the piece evolve into something more gradual and immersive.
Fantastical Packaging
A encasement of Wild Fire
No dragons were harmed during the making of this croissant
Assignment 4: Pixelizing Monstrosities
Tools: Pixquare, ipad
Description: Pixelized Pagurus Capella
Self-Evaluation: I don’t usually draw pixel art, so this was a bit challenging for me, but the process really helped me learn how to focus more on the overall shape instead of small details. I actually worked backwards by drawing the 32 × 32 no colour limit version first, then simplifying it step by step down to the 8 × 8 version with only 4 shades cuz i thought that would be easier, but simplifying is harder than I expected, cuz i really have to think about what parts are essential and what can be removed while still keeping it recognizable.
Industry from Biology
Tools: Procreate, iPad
Description: A horse-inspired faucet design that transforms the organic horse head form into a functional faucet.
Feedback: I had a hard time coming up with ideas for this week. There were many ideas I wanted to explore but I wasn’t sure if it would categorize as industrial object. After many days of struggling I eventually decided to use horse as my inspiration because Chinese New Year is coming up, and this year is the Year of the Horse. I started by exploring multiple silhouettes to find a form that was both recognizable and suitable for the faucet. I wanted to simplify the horse’ s face features into clean, geometric shapes so the design feels modern while still capturing the essence of the animal. Instead of using standard stainless steel material, I chose a copper to enhance the horse-like qualities of the design and make it less boring. The warmer tone helps reinforce the animal inspiration and gives the faucet more personality.
References: