Hey, welcome to the tittyspace! Named after my cleavage, basically where my heart is. I curate everything here. You’ll find more about me later.
I’m 24, pansexual, and polyamorous! I used to post pictures of myself too, but that was always a lot of effort for a very unsteady amount of motivation and fitness. Sometimes I miss being an unpaid spicy intern, but i’d rather collect and archive useful data now.
Some fair warning:
• NSFW. i reblog and upload adult content. They are just images. Also I’m just deprived of shlong sometimes. Hope you find that explanation helpful.
• I probably looked through your blog and wasn’t too sneaky about it.
• minors, please wait until you’re 18+ to stop by! sorry!
• racists, supremacists, people who are mean little bullies, don’t give me the pleasure of finding you.
You know what, enough time has passed and I've given media reviews/reccs in the past, so I'm gonna recommend Pixar's Win or Lose as seriously worth a watch.
I came into the show with zero expectations a few months ago and was pleasantly blown away by the writing, art direction, and character dramas.
Win or Lose is an original drama mini-series created by Pixar that follows a co-ed middle school softball team and the week leading up to a big championship game. Each episode picks one character, either a kid or an adult, and focuses on their perspective/storyline during that week. So in the first episode, we notice a lot of weird mysteries or threads in the background (Why is this character crying uncontrollably? Why are these two fighting?). As the show progresses, we get to see each character's sides of the story and how they interconnect with and affect each other. It's very, very well written and well crafted.
Each episode also tackles a pretty mature and at times distressing theme about growing up and parenting, similar to Inside Out. Here's a one sentence synopsis of each episode's general conflict and theme to give you an idea. Spoilers ahead:
Laurie, who's terrible at softball, desperately wants to impress her father, the team coach, but is dragged down by anxiety, visualized by a growing blob that whispers intrusive thoughts.
A geeky, middle-aged middle school teacher tries to get over a break-up with online dating.
Rochelle, who's the eldest "forced-to-grow-up-too-fast" daughter of a struggling, social media-obsessed single mother, must raise money on her own to pay for her team fee, falling into dangerous situations with older teens.
Following the perspective of the single mother during the events of episode three, we see her side of the story and the complicated ways she works to fend off judgmental parents and support her daughter.
An imaginative but lonely little brother of a softball player becomes friends with a group of teenage outcasts, for better and for worse.
A boy and a girl on the softball team begin dating, but undergo relationship troubles when the boy's insecurities about coolness, honesty, and masculinity cause him to lash out.
Kai, a Black, trans-coded girl on the team, must balance her self-confidence and love for softball while appeasing her sports-loving father, who pressures her to always be her best.
The culmination and climaxes of each episode's arcs and conflicts collide in the big championship game, with a main focus on the team coach/father from the first episode, who's ready to burst from the stress and tension of an impending divorce, his anxious daughter, the game, and mid-life feelings of worthlessness.
Each episode also features a creative way of externalizing and visualizing emotions, concepts, or mindsets like anxiety, e-dating, and pride. Rochelle transforms into a tall business woman with shoulder pads when she goes into money-making-mode. Gravity flips and disappears when she feels like she's losing control of her life. Some episodes even feature completely different animation styles. As a result, each storyline is presented through an unreliable and exaggerated perspective that prioritizes the protagonist and skews reality, often shown through the eyes of a child.
These screenshots really don't do the animation justice, you need to see it in motion to get the appeal. The dialogue is snappy and fun too, and the characters are immediately charismatic and likable. Here's a clip from the first episode.
The two biggest controversies this show had were 1. its art style and 2. the censorship.
The art style was ridiculed and criticized online for looking "grub-hub commercial-ish," which has been said about previous Pixar movies as well (Luca and Turning Red). The characters are extremely cartoony, with sometimes weirdly exaggerated proportions. And admittedly, some of the designs are not it (the noseless barista...). But I think a lot of people and artists will agree that even if the art direction looks strange to you, it grows on you quickly. Pixar knows how to animate and they know how to work with their own models. Plus, given the limitations and labor of a 7-episode show, it makes sense that things had to be simplified. With the gorgeous lighting, textures, and colors, the show's style really reminded me of stop-motion or Nintendo games. It's just fun.
Secondly is the report that Disney made Pixar censor and re-write Kai's episode, which was originally supposed to be an explicit exploration of her trans identity as a young girl and an athlete. The animatic of the original version of the episode was leaked online. The news and decision is extremely disappointing, worsens the final show, and really reveals how careless and conservative Disney is about representation. But if you watch the actual episode, you'll notice all the ways the crew tried to circumvent Disney and maintain Kai's trans identity through coding and nods to gender dysphoria/guilt/expression/affirmation/euphoria. (Her storyline made me cry too.)
I don't want to come across like I'm defending the censorship. An episode dedicated to a POC father-daughter relationship as they navigate Kai coming out as trans while playing sports on Disney+ would have been so powerful and important for family audiences. And they try to supplant the trans storyline with a clumsy softball vs. baseball edit. But I've seen talk about how this storyline was completely erased or how this show is straight up transphobic, and that's just not true. The crew did their best with a truly shitty situation.
If you like shows like Craig of the Creek or Bluey or Steven Universe, you'll probably like this one too.
im crying, someone just said “he just looks like an onlyfans slut” BECAUSE I DRAW GUYS WITH LIPS and for him it looked like he was wearing makeup??, Im cackling fr. Oh god, that made my day. 😭 I have always expected that someone will complain about how I actually give boys lips but NOT LIKE THAT, caught me off guard and genuinely laughed.
(in this particular drawing) Don’t worry wild, you will always be my favorite slut
No lube, no protection, all night all day, from the front door to the back door, from the bed to the wall, from the couch to the window, from the basement to the attic, on the table and under the table, in the shower and on the toilet seat, from the lawn to the sky, on the front and back seat of the car and on the hood of the car, up and down stairs, till the furniture breaks, till the paints pealing, till the house is falling apart, till the house collapses, till we’ve lost count of how many times he’s changed into his bat form and back, to the point i can’t feel my legs, to point I can’t walk, to the point either of us can walk, to the point we’re both drained, to the point we can barely move, and to the point where we aren’t sure which one of us is walking out pregnant (probably both of us)💗💗💗
They remember the time before electric lights. They made their transition from people of the day to creatures of the night - but the change was not so stark, because the night was still bright with the glitter of a galaxy. When they looked up, it was not a single sun that hung in the sky but hundreds. Thousands. Pinpricks of light that travelled lifetimes to shine above the Earth.
Then the humans poured their artificial light into the atmosphere, and the stars were gone. Smothered by a blanket of orange-grey muck.
Vampires have to live where humans are, and humans mean light pollution. To find the stars again would require hunger. Starvation.
They choose to be well fed. They choose to grieve the night sky they used to know
On the evening of December 15, 2023, my sister introduced me to the NYT connections game, where you are given sixteen words and have to sort them into groups of four, guessing what four words go together and why. On that night's set of words, there were a lot of big cats, and one of them was "snow leopard". I figured one of the categories was probably "big cats", but then I hesitated, because I couldn't remember if snow leopards were technically classified as big cats or not, and maybe the game was trying to trick me with a seemingly super easy category (as it sometimes does). I figured that instead of just guessing and potentially striking out if the game WAS trying to trick me, I'd just quickly look up snow leopards to double check if they were classified as big cats or not.
This was how the wikipedia article started (it has since been changed):
and both my sister and I were like okay hang on we have to investigate this now what the hell is ounce
Turns out the (most likely) etymological lore of ounce is that a long time ago the greeks referred to most medium-ish cat species as "lynx", which was later latinized to "lonza", which became "lonce" in french, but because french words sometimes start with Ls if they're in front of words that begin with a vowel, the word "lonce" was misinterpreted as "l'once", and therefore considered "once" in singular form, and then at some mysterious point it somehow gained a u, started referring to only snow leopards and not lynxes, and finally...we had the humble ounce. This effectively derailed the rest of our evening because of how delighted we were to find this out.
I cannot begin to explain how much joy it brings me to know this bit of trivia and how much I love ounce. Snow leopards are in fact my favourite big cat and this just makes me love them more. I almost exclusively refer to them as ounces now. Let's all bring back ounce!!!!
pleased to report that in Tim Curry's memoir he is tight-lipped on every single love affair he's EVER had, except of course for the one with Miss Piggy during the filming of Muppet Treasure Island, which he rightfully insists was a quite passionate encounter
Learned recently the Artemis II mission is carrying a 1in. x 1in. piece of the canvas used in the Wright brother’s Flyer, oohhh man. I love technology but I also adore beyond everything the sentiment for the past we attach to advancements, because a lot of people think there’s no need to remember the time we could barely figure out plane flight while blasting off to go briefly orbit the moon.
There’s sometimes a mindset of science purely for advancement, the next big thing, which feels both distinctly human and un-human (inhuman? Uhhhh) It’s our nature to go as far as we can, build until we hit something that can actually stop us. Learn and see it all. But we’re also the people that saw shapes in the stars; we have to give it all meaning. Artemis II is only one part of a much larger plan, but by itself it’s still an incredible feat. Every step of the way has meaning to the world, and taking a single square inch of fabric to make us look back is a really nice reminder of all of it.
One of the contractors at work is a dude who recently moved here from the Bay Area. He is used to Northern California, which is to say that he is NOT used to the general Tornado Alley attitude towards Thor dragging his dick across the plains and causing massive destruction on a semi-regular basis.
Namely, the fact that we get them at all, and the fact that the general Midwestern response is to wander outside to see if we can see it.
We have bad weather forcasted the next few days and I had to talk him through the site tornado plan and storm shelter locations (we have six on site, my office is actually inside one) to head off the poor guy's anxiety and also I had to admit that yes, I also share the general Tornado Alley brain damage and go outside to try and see it when the sirens go off.
Poor man thinks everyone in tornado Alley is out of their minds and as one of those people I can't even deny it. 'I seek shelter if it's heading this way' did not reassure him, he's convinced we are mad.
big bipoc cylindrical fuselage, or BBC[F-11], is generally not recommended for any of the Cylindrical Universal Navigation Tunnels we may have available for on-site testing.
*passionately fills out application to be a loser online with you* 🥺💕
i'm no loser. you're no loser.
you write your own posts. you're expressively bashful and brave and considerate. you work very hard to be resilient when pleasure isn't guaranteed. you *passionately* fill out applications. you succeed in doing things I find hard. you take the initiative to jingle some keys to get my attention, and you have consequently been ranked as one of the most patient and talented friends I could ever ask for.
even if you like to wear a preciously embroidered jester hat.
FULL VIDEO (1h05m27s): McMansion Hell, Fandoms, Retinol and Modern Opera | Middlebrow Podcast (May 13, 2026)
SUBJECT PROFILE (taken from video description):
Kate Wagner is the architecture critic at The Nation and the creator of the internet's favorite architecture criticism blog, McMansion Hell. We dive into finding beauty in all buildings, criticism as a practice, modern opera, retinol, fandoms and more.
TRANSCRIPT OF YT SHORT:
Interviewer to Kate:
You've actually gone on the record on other podcasts and have said that being an architect sucks ass.
Kate:
Yeah, this is a really important point. Essentially what's happened to architecture since the development of autoCAD, especially is that architecture has been largely deskilled in a lot of ways, so drawing, for example, is not commonly taught in schools. Everything becomes abstracted, essentially. The computer systems are so complex now that basically, you know, those five over one [cookie cutter buildings], the reason they look like that is that they're essentially the built version of a spreadsheet. So all of the materials, the aluminum panels, you can just plug and play, whereas like, if you wanted to add a curve to a building, then that takes like a huge amount of labor because you have to think about the flashing for like the rain. There's a possibility you could get sued if like something leaks. You know, then you have to add like additional construction drawings because it's more complex than just like slapping that stuff on there. And so everyone's like, why are all these buildings the same? And the answer is because one, you have to minimize liability at all costs for the firm, which means like, if you just play it by the rules and you just play it into these sort of systems, you're not going to get sued. Second of all, like it's the developer's bottom line. And third of all is that architecture itself is an abstraction. Back in the Middle Ages, when people were building the cathedrals, they were hand building and hand cutting the stone. There weren't plans. These were developments of the Renaissance. When you take a building plan that is already an abstraction from the actual act of building the building, you're coordinating the labor instead of doing the labor. And so essentially the computer is another layer on top of that because you are so disconnected from the material, you don't touch the material, you're just in revit, you're just in autoCAD, you're dragging and dropping.
Interviewer:
It sounds like you're playing a video game.
Kate:
Exactly. You don't have any sense of, you know, the materiality of the building.
Interviewer:
Or the sense of place.
Kate:
Or the sense of place. It just you just plot that building down on a.
Interviewer:
Looks exactly the same in, you know, North Carolina, in Texas, in Atlanta.
Kate:
Exactly. And so getting an architecture degree now in a lot of the state schools, for example, it's just a technical program to learn these programs. And a lot of architects are very upset because, you know, they went to school because they wanted to make a better world. A lot of the time.
